Another advance single from Barry Adamson's upcoming Cut to Black album dropped on Monday and it is fantastic! You can pre-order the new album HERE.
NCBD:
Light week, as I'm trimming a few titles from the Pull:
Ash Williams, you rogue! Only three issues left after this one (I think). Loving it!
At this point, this is easily my most anticipated book each month. The depth of character research and building that's going on here is awesome, and I'm actually excited to see more of the Cobra-La folks.
Nice revisiting J.C. again. I dug the previous issue quite a bit; such old-school Vertigo flavor.
Just riding this out. My malaise with the current X-Books doesn't have anything to do with this title, but they're all suffering from this rapid decline. Only one issue left of this series after this.
Watch:
I only watched the first 20 seconds of this trailer for Byte, a film I had not previously heard of, but those 20 seconds sold me!
Low-budget werewolf movies don't always work, but I'm hoping this one will.
Chelsea Wolfe - She Reaches Out to She Reaches Out to She
The Jesus Lizard - Mouth Breather 45 single (Sunday You Need Love cover B-Side)
The Jesus Lizard - Puss 45 single (No B-Side)
The Jesus Lizard - Wheelchair Epidemic 45 single (Dancing Naked Ladies B-Side)
Gogol Bordello - Gypsy Punks: Underdog World Strike
Melvins/Lustmord - Pigs of the Roman Empire
Perturbator - Lustful Sacraments
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• XI: Justice
• Knight of Swords
• XV: The Devil
Justice or Lust in the Crowley/Harris deck again! Funny, because this card was in the #3 position two posts ago, and yesterday had VII The Chariot in the #2 position. Funny because I relate these cards, and they seem to be showing a process that is reversing itself. I'm just not quite sure what that process is. Also, maybe that feels like a bit of a reach, but my edict is to prevent myself from overthinking these when I do them, and that was definitely the first thing I 'saw' in the cards.
So what else do we have there then? Knight of Swords, or the Firey aspect of Air. This suggests force of Will tempered by Intellect so as to avoid conflict. The Devil has so many attributions, many of them quite fanciful. One I always keep in mind right off the bat is materialism over spiritualism.
So Primordial forces (which we will pragmatically interpret here as uncontrollable mental or physical attributes - anger, fear, perhaps even logic - that need to be tempered by tempered by Will and a sharp eye on motivations.
I'm not entirely sure this works for me - that's a lie, it does - but I want to keep it close and think about it. Might be telling me some things I don't want to hear at the moment concerning work.
I know it's summer now, as one of the rituals that eased in last year during my first full summer in Tennessee was Black Sabbath's Eponymous debut becoming my 'first thing in the morning' listen. This is no doubt because, for as long as I've loved this record, it will always remind me of two very particular summers—one when I was a Junior in High School and one when I was a year or two out of High School. I listen to this year-round, but since moving back to the middle of the country and the climate I grew up with Sabbath's debut has come back to an association of hanging outdoors in the green environment of the midwest's humid, sub-tropical environment.
Watch:
Holy cow! I completely missed that Larry Fessenden's Blackout hit VOD this past Friday! I remedied that right quick, let me tell you!
I really dug this one, but at this point, that's no surprise. I wouldn't say this is anywhere near my favorite film by Mr. Fessenden, but its ability to mix an almost regional approach with a fairly stacked cast reminded me of Harmony Korine's Gummo - although the subject matter and tone are nothing like that film. This environmentally conscious, small-town set film does some pretty interesting things with the concept of lycanthropy, in a tone that will feel familiar to those viewers who have been with Mr. Fessenden for a long time. Reminded me quite a bit of his 1991 film No Telling, a favorite of mine from the Director's oeuvre.
Playlist:
Black Sabbath - Eponymous
Black Sabbath - Paranoid
Barry Adamson - Cut to Black (pre-release singles)
Zen Guerilla - Positronic Raygun
Adam Egpy Mortimer - The Obelisk
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• II High Priestess
• VII The Chariot
• Page of Cups
Of particular interest to me this morning is the High Priestess in the starting position. This is the middle pillar of the sephirothic Tree of Life, and thus concerns concerns the descent of the Supernal into the lower, knowable realms and the ascent of the aspirant to higher plateaus. Taken with The Chariot - the origin of ideas - and the Page (Princess of Cups), which can indicate "Dreams become Reality," I would say this is a nice nod toward a path that might provide the possibility for my work to emerge into a higher (more successful) realm.
Still has the power to bring tears to my eyes, even after all this time, even after I've pretty much disengaged from everything Gonzalez has done since (except the Knife + Heart OST). Hearing this reminds me of the smoldering possibilities that still seemed to exist in 2011. Those are all but gone now, as we accept the shitty future the Corporations have made for us. Backed into a corner, hindsight isn't just nostalgic, it's paralyzing.
What a lead-in to our next topic of discussion...
Watch:
Heed my warning: much as I expected, if you live in the US, Civil War might F**K you up.
Another five-star nightmare from Alex Garland. I'm telling you, I've read all his books and seen all his movies - he never fails. This latest is possibly the most nerve-racking, terrifying film I've seen in years. K has had considerable PTSD from the flick, and I get it. I was literally terrified for the characters (one in particular) for pretty much the entirety of the film. Also, super cool that Garland still uses Geoff Barrow and Ben Salisbury for every score, and on top of that, there are not one but TWO Suicide tracks in the film. I love how, in the past year, I've now heard Suicide in a major theatrical release and Throbbing Gristle's "Hamburger Lady" in two (Love Lies Bleeding and V/H/S/85; I guess the latter isn't a major theatrical release, but I saw it in a theatre, so it felt like one at the time).
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I had an insanely relaxing weekend—well, other than the anxiety from Civil War—reading comics. First, when my Drinking with Comics cohost Mike Shinabargar and his wife came down to visit us last weekend, he brought my Chicago Comics Pull down. This meant I could finally read the entirety of Garth Ennis and Jacen Burrows' The Ribbon Queen from start to finish.
This is easily my favorite Garth Ennis comic since Preacher. There - I said it. Man, this was just... perfect. A story of revenge set amidst a backdrop of the Me-Too and BLM movements in 2020, the characters are fantastically conceived, established and developed, and the situations are tense and beautifully woven together with one of the most horrific 'monsters' I've seen in quite some time. Ennis is one of the few writers in comics who can so effortlessly blend the social dramas of our time with pure nightmare fuel.
After watching the above episode of Cartoonist Kayfabe, I felt compelled to dig in the box of old Punisher comics I pulled from my parents' house last year right before they moved and see if I did indeed own any Punisher War Zone. As I thought, I had issue one, but I also had 2-4, so I did a re-read Sunday.
I really love how the CK boys add a level of artistic context I would normally never possess for books like this, and I thoroughly enjoyed this one. I have A LOT of old Punisher comics - the ones that have always traveled with me wherever I move are the original 80s mini-series, about the first 17 or so of the original ongoing 80s series, and the first 8 issues of Punisher War Journal (also 80s). My actual Frank Castle collection is at least 3x that size, though, and includes a lot of issues I bought as they came out, but which I'm not so sure about. The Punisher was one of those characters whose popularity in the 80s mandated he be strip-mined well into the mid-90s and the books and character suffered for it. I think War Zone was about where I checked out, hence why I only have those first four issues, which sucks because I didn't finish out what I'm now remembering is a pretty damn good story about Frank infiltrating the Carbone crime family. That means I'll be checking some back issue bins at Rick's Comic City and online this week, looking to find the rest of that storyline (seems to be up through issue 11).
Playlist:
Dödsrit - Nocturnal Will
M83 - Hurry Up, We're Dreaming
!!! - Myth Takes
Dödsrit - Nocturnal Will
King Gizzard & the Lizard Wizard - PetroDragonic Apocalypse
Ghost - Opus Eponymous
Anthrax - Persistence of Time
High on Fire - Cometh the Storm (pre-release singles)
Suicide - Eponymous
Jimmy Buffet - Living and Dying in 3/4 Time
Turnstile - Glow On
Idles - Tangk
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Page (Princess ) of Cups
• Queen of Cups
• XI: Justice
I progression, I think, from my previous spread. Emotions are still high, but I'm keeping myself in check. I have a feeling this is a recurring cycle to the point that I could probably graph it, so I'm going to add a piece of metadata to this and my previous post, maybe even work back using the search function for keywords like "irritation" and "tolerate" so I can possibly get an even more accurate idea of how often and in what 'pattern' this occurs.
The XI, which is Lust in the Crowley/Harris deck, is a nod toward the primordial power of Anger, however, it can also occasionally indicate a possible Lunar influence. That should be easy enough to map. I used to keep a moon phase widget this site, however, those always break. Might look for another one and begin adding that data to this section of the page, as I would be interested how this might line up with lunar cycles.
Now that's what I'm talking about! The title track from Cometh the Storm, High on Fire's ninth studio album, out next Friday, April 19th on MNRK Heavy. Pre-order HERE.
Watch:
I've been busy as hell with regular work stuff and with watching movies and reading comics. Sounds like a great first-world problem, eh? Let's talk about what I've watched.
First, the Soska Sisters' new film Festival of the Dead is a Tubi exclusive and is now up on the streamer, ready to watch. A sequel to George A. Romero's Night of the Living Dead, this was a blast.
The first ten minutes or so feel a bit like an NBC family morality flick, but Festival of the Dead very quickly asserts itself in the Romero tradition and does not look back. Loved some characters, loved watching others die in horrible ways, this one is fun and gory and just a good time in general. Don't let those first ten minutes fool you.
Next, K and I caught Kiah Roache-Turner's Sting last night at the local cinema. Wow! This one is fantastic, too!
I've mentioned before that I have a bit of a spider phobia, and this one definitely plays on that. The FX are great, and the overall pace and tone here make for a great theatrical viewing. One thing I definitely noticed is there appears to be a huge chunk missing from this film (concerning the Bug Brothers, for those who've seen it), and I can only imagine the studio made the filmmaker trim a section to hit a specific run-time, and that's what came out. The film doesn't suffer for it, but it's pretty obvious. If anything, will make for a great extra feature on the eventual Blu-Ray.
There's a great interview with Sting's Creative Director about the practical FX in the film up on Bloody Disgusting HERE.
Finally, Shudder recently dropped the directorial debut by Alberto Corredor, a film titled Baghead.
Ostensibly a Talk to Me clone, this is still a pretty great first film. It's shot well, the lighting is great, and the location is an old Irish Pub that really steals the show, so it was pretty easy to enjoy this one despite any shortcomings.
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As I type this, I'm finishing up my re-read of Chris Claremont and John Byrne's "Dark Phoenix Saga." I'm reading this in Classic X-Men, the way I bought it at a comic show at a Knight's of Colombus Hall somewhere in southern Illinois way back in... I don't really know when. Late 80s? Early 90s?
One thing I've noticed with these Classic X-Men issues is I actually prefer the cover art for a lot of these reprints to the original issues. Here are two great examples:
Above is John Byrne's original cover for Uncanny X-Men 134, while below is his cover for the reprint.
The original is good, but this second version is haunting in my opinion. There's something so chillingly cold and cosmic about Master Mind's eyes, hollowed out by an injection of Chaos by Phoenix. The fact that his slack-jawed, empty visage is so far up in the foreground and that Phoenix is more or less just an outline filled with the same cosmic imagery really ties this together, as does the cool greenish-blue color palette, which helps add a clinically void feeling to this entire tableau. This could be a poster, as far as I am concerned.
Next, the climactic chapter of the saga, Uncanny X-Men 137:
This has been a classic, iconic comics image since I began collecting in 1986, and while it is great - the massive yellow ad copy taking up the upper fifth of the page doesn't really help matters - it pails in comparison to the one on the reprint, Classic X-Men 43:
This one is a lot less dramatic of a moment than the first, so I can't quite figure out why I like it better. Again, the color palette is definitely more to my overall liking, but also, despite the fact that the original image is much more of an 'action' image, this one feels like a moment stolen from the finale of the issue. I think this is a case of the technology being better and the image simply being overall more crisp.
Playlist:
Turnstile - Glow On
Revolting Cocks - Beers, Steers and Queers
Chelsea Wolfe - She Reaches Out to She Reaches Out to She
Zen Guerilla - Positronic Raygun
Yawning Balch - Volume One
Trombone Shorty - Too True
Frankie and the Witch Fingers - Data Doom
Man Man - On Oni Pond
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Ten of Cups
• Eight of Swords
• Seven of Cups
Lots of emotion in this Pull. The pinion here, I think, is the Eight of Swords, as reading center-left-right, that is the middle card. This makes sense in that I've been prone to mood swings based on a certain person in my life; Ten of Cups is emotional maturity, Seven is Victory over emotion, but Eight of Swords can be read as Interference, that there's always some of that keeping me from being victorious over my emotions nad balancing them maturely in the face of trying situations.
I woke up the morning of the Eclipse with the B-Side of Soundgarden's final album Down on the Upside. Giving this one a spin always takes me back.
Watch:
Ti West's Maxxxine finally gets a trailer! Yeah, I know I always bitch about trailers, but I am so excited for this one there was no way I wasn't watching it at least once.
I don't need any press to get me pumped for this one, as to say I've been waiting for it since that first after-credits tease at the end of Pearl's credits would be an understatement. I've been a West fan since I first saw The Roost back in 2005; I remember waiting what seemed an eternity for House of the Devil, and seeing him get a huge boost in the Horror community from that movie. That boost was nothing compared to the one he's had with this X trilogy, and I fully expect Maxxxine to further that.
July 5th cannot come fast enough.
NCBD:
Fairly big week and I'm pretty psyched for some of these, especially
This issue will round out the second volume of Jeff Lemire & Gabriel H. Walta's Phantom Road. This book is getting weirder and weirder.
The Penultimate issue of Al Ewing & Luciano Vecchio's Resurrection of Magneto. I've LOVED this one, and I'm super curious to see how it resolves, even if I most likely won't be sticking around afterward. There's such an interesting 'metaphysical' aspect to this book, and where that can often go wrong and incur a big eyeroll, Ewing always does that kind of thing correctly.
Starscream verses Soundwave? F**k yeah!
Christopher Yost and Val Rodrigues's Unnatural Order ends its first arc with this fourth issue. Great series so far; I'm digging the blend of Pre-history and future space, Vikings and Picts and Tech. Kind of a throwback, in some ways, to a lot of 80s SciFi Fantasy comics.
Despite my initial misgivings, I really dug the first issue of What if... Carter Burke had lived. Looking forward to where this is going.
Also, I thought I'd try a new book that technically came out last week:
I don't know anything about this one, but the title grabbed me right away.
Playlist:
Soundgarden - Down on the Upside
Bauhaus - The Sky's Gone Out
Red Lorry Yellow Lorry - Talk About the Weather
Drug Church - Hygiene
Jim Williams - Possessor OST
Thee More Shallows - More Deep Cuts
Final - Solaris
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
Some friends drove down from Chicago this past weekend and, after hanging out for the weekend, we drove out to Paducah, KY for the Eclipse on Monday, April 8th. From that location, we experienced totality, which was crazy awesome. Totality lasted for about two minutes; during that time, I made sure to pull one card.
Six of Swords. In the Thoth deck, this card is "Science;" it can indicate objectivity and clarity, a healthy balance of emotions and intellect. Also, this card may indicate a good time to make a decision.
In my grimoire, I also have this added, "I can see clearly now the rain is gone." I find that last bit particularly interesting, in that it's been raining all week, and literally just seems to have stopped.
Other attributes for this card include Innovation and experimentation.
I've been 'off' for a few days while some friends were in town, so I'm behind on some stuff from last week. First, this Orville Peck/Willie Nelson track that dropped last Friday and makes me super happy. To hear these two together is just... wonderful. I love how Willie does these tracks with the younger generation of real country stars to welcome them in - he did a similar one with Kacey Musgraves a few years back.
Watch:
I saw two flicks in the theatre late last week. First up, Arkasha Stevenson's The First Omen.
This was not for me, but then, I pretty much hate the original Omen as well. If you dig that one, you'll dig this (I think). Stevenson and her team - which includes cinematographer Aaron Morton (Evil Dead 2013; No One Will Save You) and Composer Mark Korven (The Witch; The Lighthouse) go out of their way to evoke the 70s tone of the original film, so this definitely feels as though it takes place in that world. Also, Nell Tiger Free does a great job as the lead. My problems really revolve around the script, but like I said, if you dig the original, I think you'll dig this. If you're on the fence and have it in mind to see only one Catholic/Nun Horror flick this summer, I'd go with Immaculate. It's just a better movie, in my opinion.
Next up was Dev Patel's Directorial debut: Monkey Man!
Dev Patel wrote/directed/and starred in this one, and it is quite the debut. A visceral fable of Haves and Have-Nots set amidst India's hard-line class division in a fictionalized version of Mumbai named Yatana, Patel plays "The Kid," a man orphaned by corrupt politicians as a child who has now grown up with only one guiding star in his sky: revenge.
See it in a theatre if you can. The choreography and score by Jed Kurzel will light you up for days.
Read:
I started a re-read of Chris Claremont's Uncanny X-Men this weekend. I've done this before and fallen off rather quickly, so this time I'm really going to try and stick to it. A few years ago (more than a few), I found a huge stack of single issues at a thrift store in Harbor City, CA, all in the mid 100s, and I've never read most of them. My readership began as a kid in the 80s, right around issue 211, and although I still have a bunch of holes in the run, I'm going to go through what I have. Starting with a bunch of issues of Classic X-Men; the monthly reprint series that ran in the 80s as the title became more popular, bringing hard-to-find storylines like The Dark Phoenix Saga back for newer fans to read. So that's exactly where I started.
Reprinting Uncanny X-Men #130
Reprinting Uncanny X-Men 131
While I do own a beat-up copy of The Phoenix's first appearance in Uncanny 101, I'm not even 100% certain I've ever actually read the entirety of the Phoenix Saga, so this is a great place to begin; I picked these Classic X-Men up years ago at a comic convention and really need this re-read to figure out what I've missed. As well as I know a lot of the lore and history, some of that was no doubt absorbed via years of fandom. It'll be very cool to actually experience Claremont's run.
Playlist:
Revolting Cocks - Beers Steers and Queers
Miranda Sex Garden - Carnival of Souls
Type O Negative - Bloody Kisses (Suspended in Dusk Vinyl)
Chelsea Wolfe - She Reaches Out to She Reaches Out to She
Perturbator - The Uncanny Valley
Anthrax - Persistence of Time
King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse
Turnstile - Glow On
Beck - Odelay
Rollins Band - The End of Silence
Brigette Calls Me Baby - This House is Made of Corners EP
No idea if this is an advance single from a forthcoming record, but I LOVE this!
Watch:
Despite growing up in the '80s and early '90s as a huge fan of Chris Claremont's X-Men I was a touch too old to ever encounter the X-Men cartoon that ran in the '90s. My girlfriend on the other hand, was a fan, so when Marvel announced the new season of X-Men '97 premiering on Disney+ last month, she was excited. I knew I would watch this with her, but I wasn't sure how I'd feel about it. Well, I'm pretty damn happy to report that after sitting down to watch the first episode last night and not breaking away until we'd watched the first four, she was over the moon and I was very pleasantly surprised.
Of course, the cartoon is still largely based on that first Blue Team/Gold Team design era for the X-Men, heavy Jim Lee, and that's not my favorite era by any means. That said, I was pretty impressed how they worked in both the Madelyne Pryor/Nathan Summers storyline and the LifeDeath story with Forge and Storm. I'm 100% in.
Watch:
I think there was a very specific chain of events that led to me liking that X-Men 97 cartoon yesterday. Let me retrace that here.
First, I watched this Cartoon Kayfabe video:
I've made no bones about how disappointed I've been with the current state of the X-Titles. I was off reading them for close to a decade when I fell back into the Hickman Powers of X/House of X, and really, I think even after he left the books were fabulous for about the first year. But of late, as the Krakoan era is winding down, I've begun to loathe the overall franchise. Something about this video made me realize that I have strong, good memories even of the bad comics I've read, and I think that really helped boost me up for the cartoon.
