Deftones's self-titled turn 20 this year. Not my favorite of theirs by any means. In fact, with its predecessor White Pony being my introduction to the band, the self-titled caused me to ascribe them a one-and-done status until friends sat me down and played me Saturday Night Wrist. From there, every album has only gotten better - well, nothing beat Koi No Yokan, but Gore and Ohms are fantastic in their own right - and I always thought I'd eventually go back and discover I'd misjudged the Eponymous, but that's never really happened.
Anyway, even my least favorite Deftones records are standing on the shoulders of giants, so it's not as though I don't like them. I will be skipping the anniversary colored vinyl, however, if you go HERE you can order it!
I know nothing about this novel, and I'm only about thirty-five pages in so far, so there's not much I have to report about the plot except that it already feels very Palahniuk (not all his novels do), and I'm excited to take that 'ride' again - it's been quite some time since I read anything new by the man, with 2009's Pygmy probably being the last novel by him I read upon the time of release. Everything between that and this I've missed.
Watch:
Saturday night I showed K Brian De Palma's 1993 masterpiece Carlito's Way for the first time. I've loved this movie since I first saw it circa 1995, however, it's been at least a decade since the last time I revisited it. Surprise - it's even better than I remembered!
Normally, I'd post a trailer, but the trailers I find give too much away. Here's a scene that I'm reticent to take out of context because, at first glance, it might invite the viewer to dismiss this film as another Gangster film. While it is that, on one level, my take has always been this is a love story first, and a tragic one at that.
When this flick comes up, I always mention how it leaves me teary-eyed. Saturday, though, it fucking leveled me emotionally. I'm talking full-on sobs. There are elements at play I'd never noticed before, most specifically that De Palma shot a lot of this film to look like classic Hollywood. There's Bogie and Bacall and a whole host of other visual references I'm not versed enough in 30s and 40s Hollywood to be able to accurately put a name to. But they're there: the scene with Charlie and Gail in the coffee shop, when she stands to leave and he hugs her in the middle of the room - the camera briefly encircles them and you get a taste of a love that surrounds every aspect of these two people's lives. All the alleyway scenes, the sets and the way they're created and shot - especially when in the rain. We've seen these before in other, legendary films even if we haven't seen those films. This stuff informs the business - or at least it did before technology changed the overall look of the industry (probably starting with The Matrix).
Anyway, if you've never seen Carlito's Way, I can't recommend a film more. I have pretty low mileage for the Gangster genre, and like I said, this transcends it. If hard-pressed though, it's this and Goodfellas - I can leave everything else on the shelf.
Read:
I finished Alan Campbell's God of Clocks and thus his Deepgate Codex series. I would be lying if I didn't say I felt the ending was a bit rushed, but I don't care - I loved it anyway. I've already revisited Book One Scar Night at least four times since it came out in 2007, and Book Two Iron Angel Twice now. I'll definitely come back to this series again at some point further down the tracks.
Next up - Chuck Palahniuk's newest novel, The Invention of Sound, which I have a nice signed hardcover copy of thanks to my friend and A Most Horrible Library cohost Chris Saunders!
One thing I noticed right off the bat about The Invention of Sound, though, is Palahniuk seems to be writing in a purposely strange, almost 'wrong' way when it comes to the actual syntax of some of his sentences. Here's an example:
"As if she a prizefighter was, and she'd pasted him a roundhouse punch to his glass jaw."
What the hell? I mean, that sentence is all kinds of awkward. That, of course, is no doubt the point - there have already been quite a few moments like this in the prose, and I'm curious if his earlier books have elements of this, too, and I just wasn't a practiced enough writer to notice them before. Or, I imagine it is extremely possible, he's trying to use a similar and considerably less overt method as he did in Pygmy, which is written in such a strange, Pidgeon English that it was near impossible to acclimate to for the first couple tries, then, once my brain rewired itself, became increasingly disorienting in the best possible way.
Playlist:
Witchfinder - Forgotten Mansion
Boris & Merzbow - 2R0I2P0
The Devil's Blood - The Thousandfold Epicentre
Etta James - Second Time Around
Sharon Jones and the Dap Kings - Give the People What They Want
Deafheaven - 10 Years Gone
Ghost - Phantomime
Windhand - Eponymous
Steely Dan - Aja
Paul J. Zaza - My Blood Valentine OST
• Eight Pentacles - Transformation of Earthly Resources
• Ace of Pentacles - Breakthrough
• Seven of Cups - Completion
To transform my situation, I need to finish what I'm working on. A bit of a no-brainer, but then Tarot readings usually are. The cards can't really tell you anything you don't already know, they just clarify and bring to the forefront what you otherwise might be ignoring/unable to see. I'm foggy on the specifics of this Pull, but I'll figure it out.
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