Abby Sage dropped a new single earlier in the week, and as usual, it's pure bliss. I really don't know much about Ms. Sage, other than the handful of singles she's released over the last couple years have all been excellent. "Obstruction" is the latest and an advance from her first long player, The Rot, due out March 1 on Nettwork - which looks to be a very different label than it was back when I was familiar with it. Pre-order the digital album HERE. As far as I could find, there is no physical copy pre-order at the moment. Either way, I am very much looking forward to this one.
Watch:
Two nights ago I "rewatched" Christopher Ganz's 2006 cinematic adaptation of Silent Hill. Here's the trailer Scream Factory used when they released their edition:
I say "rewatched" because, although I know I watched this back circa 2017/2018, I found that other than the beginning and end, I remembered very little of this one. I'm wondering if this was one of those times I had a "forty-minute blink." Very possible. I remember liking the film, but not much else, so this was an especially crisp viewing, and I very much dug the experience in a way I know was lost to me on that previous attempt.
I am unfamiliar with the games, so take that into account as I say that visually, I feel like Silent Hill is the culmination of many of the mid-to-late 90s aesthetics that were introduced into popular culture with the NIN "Happiness in Slavery" video and that accompanying video 'album' it was released on. The twisted, barbed wire, industrial rot of the 90s, the fallout from the posh-n-clean dream of the 80s. All of it really works quite wonderfully in this film, and although some of the CG doesn’t quite hold up, I would argue most of it fairs considerably better than a lot of computer FX we saw in Horror at the time.
Read:
New Drinking with Comics went up last night.
I really can't recommend Where the Body Was enough. Another fine fantastic original HC GN from Brubaker & Phillips.
Playlist:
Turnstile - GLOW ON
Black Flag - Everything Went Black
Tamaryn - The Waves
Justin Hamline - A New Age of Ruin
Feuerbahn - The Fire Dance EP
Fvnerals - Let the Earth Be Silent
Sleaford Mods - Nudge It (single)
Various - January 2024 Playlist
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Seven of Cups
• King of Cups
• Eight of Cups
First, yes, I have shuffled these cards quite a bit. It's weird how this is a new deck to me, and it continues to behave that way. I feel like it's not so much that the cards aren't shuffled, but that it feels like it needs to yell in order to get my attention. Inherent in its DNA, being that it's all about, well, turning the amp up to eleven?
I'm reading this in a different chronology today. Starting in the center but moving directly to the right, we have a path through the Sephiroth - Victory to Splendor. This is a viable path for working through the states of the mental architecture inside ourselves. The King of Cups then tells me to come ready to hone emotion with Intellect, that will be the method by which I reach those states.
Is this a nod to heading back to work? A lot of the issues there are resolved, as most of the problems are no longer with the company. There is one conflict I anticipate, however, I don't see it being quite so difficult. Maybe. Or, this is a strategy. I've said I want to be a bit less social with my time there; I want to see my friends, but I don't want to go out every night for the next three weeks. I'd really like to spend some time working on the book, using the change in environment to my advantage. Perhaps if I combat the emotional need to be social with the intellectual need to write - well, saying it like that, it all kind of makes sense, doesn't it?
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