Man, if there was one song in Ozzy's solo discography you had asked me would be perfect for Uncle Acid and the Deadbeats to cover, it would be this one. So cool...
Watch:
Thursday night, I attempted to see Nicolas Winding Refn's new film, Her Private Hell. A large, discarded wheel in the middle of the left-hand lane on I-24 took care of that; I saw it too late and ended up blowing both driver's side tires, having to pull some pretty scary driving to make it to the safety of a Waffle House parking lot on Dickerson Pike (like less than 10 miles from the fucking theatre, no less) and waiting for Triple A. The entire ordeal took about three hours, and luckily, despite driving on the tires for probably five miles, nothing on the car was damaged except the rubber, which was still under warranty. Telling you - want a good tire? Yokohamas are well worth the $$$.
Anyway, Saturday I did my reattempt and successfully spent two hours of my afternoon staring at one of the most beautiful motion pictures I've seen in some time.
Easily my favorite film so far this year. Unlike anything else, but hot damn does this one drive home just what an acolyte of David Lynch NWR is. Too Old To Die Young clearly followed Lynch's template with Twin Peaks: The Return, namely making an almost twenty-hour film and then breaking it up into "episodes" to meet distribution demands. And Her Private Hell definitely has Mulholland Drive/Inland Empire DNA, but it takes it to that beautifully specific NWR space - neon-drenched darkness and impossibly lush sets with perfect symmetry. This film even injects a Science Fiction angle that, delivered in NWR fashion, reminded me of Blade Runner 2049 on two tabs of Ecstasy.
Also, I've never been a huge fan of Pino Donaggio's scores. I dig what he did for Don't Look Now, Tourist Trap and The Howling, but a lot of his other work - especially on those early De Palma films - just don't work for me. He scored this, though, and it's absolutely gorgeous. Sounds like 1940's Hollywood.
Read:
One final book before I jump back into my re-read of Stephen King's Dark Tower series. Bryan Smith's The Unseen is fantastic!
Here's the solicitation blurb from Goodreads:
"For Allison Cook, the weekend trip to a horror convention in Virginia is a fun break from work and humdrum reality. Then she meets a guy who shows her a movie that shouldn’t exist, one that upends everything she thinks she knows about reality itself. The movie on the old VHS tape is an unseen and unknown installment of a legendary slasher franchise she’s loved since the dark days of her unhappy adolescence. As soon as she sees it, she knows the movie is the real deal, not a fake or a fan film. She can only come to one impossible conclusion--the movie is from some other alternate reality. It is not of this world. And she knows one other thing. She must have it. At all costs. And by any means necessary. But unknown to Allison, possession of the tape comes at a higher price than she ever could have imagined."
I read this one in a night. I started it at 11:00 PM, read for a while, fell asleep, then woke up in the middle of the night thinking about it and just tore back into it until I finished. Can't say that about many books; only others that come to mind are older Palahniuk, circa Lullaby, Choke and Diary.
Playlist:
Steve Moore - Jimmy & Stiggs OST
Carlos Rafael Rivera - The Will Kill You OST
Secret Chiefs 3 Traditionalists - La Mani Destre Recise Degli Ultimi Uomimi
Mastodon - Once More 'Round the Sun
Holy Fawn - Death Spells
Ministry - Burned Out (single)
Soundgarden - Badmotorfinger
Fen - Epoch
Perturbator - Lustful Sacraments
Carpenter Brut - Leather Terror
Carpenter Brut - Leather Temple
Cliff Martinez - Only God Forgives OST
Pino Donaggio - Her Private Hell OST
Ministry - The Last Sucker
Card:
From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.
• Ace of Swords
• 03: The Empress
• Two of Wands
Nurture that insight and maybe run it by a third party of their opinion.
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