Chat Pile blows me away. I won't pretend to have clocked a lot of hours on their stuff, but the handful of rotations I've given their first full-length, God's Country, affected me deeply. I've heard comparisons to King Missle, and there's an element of that in lead vocalist Raygun Busch's approach, for sure. Except, as much as I like some King Missle, their music is largely about being clever; there's no soul-searing vitriol mixed in like there is here. Also, the music sounds like The Jesus Lizard and Thrall in a blender with a can of dirt-streaked brown paint. That bass sound!
The new album Cool World is up for pre-order now HERE.
The idea of a small unit housing Tomax Paoli as a prisoner in his own Casino, exploring intel he's giving them they know is tainted but have to act on anyway, is a great start, but by the time the series restarts the final time as The Cobra Files, the level of deep psychological control Paoli - whose twin brother Xamot was killed very early on in the series - exerts through his malicious mental influence on several team members is downright frightening.
Watch:
Stumbling across the trailer for the Butcher Brothers Consumed this morning, I could have sworn I'd posted about this film at some point in the past. I couldn't find anything, though, so here we go:
This one doesn't exactly look like my cuppa. However, if there's a Wendigo involved, I feel like I have to investigate. I'm not familiar with the Butchers' work, but I believe The Hamiltons is Masters of Horror season one, which I bought on a digital sale a few years back, so I'll have to check that out soon. Meantime, I've added Consumed to the list.
(I have to admit, the title drew my eye because I thought for a second we were finally getting that adaptation of David Cronenberg's BRILLIANT novel of the same name. No dice.)
Read:
After beginning last Spring (I think), I finally jumped in and finished my re-read of IDW's Cobra series from the 2010s. I'd read the series monthly, but not since, and I wasn't quite prepared for the insane level of head-fuckery this book takes on, especially once it gets to the Las Vegas chapter.
This book really pulls no punches, and once again, I am utterly floored by what a fresh, dark take on the property IDW allowed Mike Costa and Antonio Fuso to take with this book. I never got into the other IDW Joe titles and still don't really have any interest in doing so. This, however, is one for the ages.
• XX: The Aeon
• XI: Lust
• 10 of Wands: Oppression
"Taking the pill will open your eyes." The pull of unconnected processes. Oppression (read at face value). This points to a theory I'm developing for a story that is quite important in my understanding of how to navigate this world of corporate dominance.