Watch Behemoth Perform on a Rooftop

 

I'm still partial to Nergal's other project, Me and That Man, but he's an interesting guy and I tend to check out most of what he does, even if the Behemoth stuff usually doesn't really light my fire.

I will say, the setup here is impressive. Seeing the Sigil drawn Sky-large atop the building, staring up at the sky, you really get a feel for Nergal's ambition. 

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NCBD:

I'm still wishy-washy with this "Event," however, issue 4 was pretty awesome, and Judgment Day is slowly moving in unforeseen directions, so I continue.

Love this book. Shaolin Cowboy: Cruel to be Kin is the perfect vehicle for Geoff Darrow to go absolutely crazy with his insanely complex and beautiful art. 

For my money, keep this book centered around Clea Strange.

I'm not really sure what this is, but I'm buying the first issue based on my love of the original, 80s Xterminators series (which I know will have nothing to do with this), and the idea that maybe an all-female X-book will tap into the majesty of the now classic Uncanny #244. 

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Watch:

Holy cow...

 

Pleasebeasgoodasitlooks, pleasebeasgoodasitlooks, pleasebeasgoodasitlooks

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Playlist:

Sarah Vaughan - Divine: The Jazz Albums 1954-1958

The Black Angels - Death Song

Revocation - The Outer Ones

Sleep - Dopesmoker

Ozzy Osbourne - Patient Number 9

Revolting Cocks - Big Sexy Land

The Atlas Moth - Coma Noir

Litmus Green - More Than Animals

Odonis Odonis - Spectrums

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Card:

Loud and clear. I'm having one of those days at work where I want to tell some people to fuck off. This is a nice reminder NOT TO.

Me and that Nergal

 

I've had a feeling this would happen eventually. Previously, even before I discovered Me and That Man, I tried on several occasions to find what it was about Behemoth that people had become so fanatical about. Unlike Frontman and Brainspring Nergal's more recent project, I just could never relate to it. Behemoth always left me cold, and not in a good way. Friday morning, however, a random algorithmic playlist by Apple Music rotated "Blow Your Trumpets Gabriel" through my ears and suddenly, I got it. 

I've only consumed 2014's highly lauded The Satanist thus far, but the momentum behind that first go-through is enough to have me chomping at the bit for more. Behemoth has a very specific sound, or at least that's how I hear it and why I ended up falling into it so hard. It has a lot to do with the way the bass guitar is played, recorded, and mixed in relation to everything else, but moving out from there, the guitars, drums, vocals, and other accompanying instrumentation feel very much arranged or composed, as opposed to assembled by more conventional means.

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Watch:

 

Wow. Not only did I find this small peak into Orville Peck's life fascinating, but Alfred Marroquín's direction is as beautiful and moving as Peck's narration. I've avoided watching or learning too much about Peck's life, as I think his enigmatic persona compliments the deserted Lynchian Highway of his music. Marroquin balanced exactly the right amount of 'behind the curtain' with spectacle here, and this short Doc is all the better for it.

 

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Playlist:

Behemoth - The Satanist

The Dillinger Escape Plan - Option Paralysis

David Bowie - Live Nassau Coliseum '76

Michael Kiwanuka - KIWANUKA

Anthrax - Among the Living

Fleetwood Mac - Greatest Hits

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Card:

 

Motivation and Drive, which feels spot-on as several projects ramp up here, at the end of what feels like a top-heavy year, as far as productiveness is concerned. There's a feeling of acceleration as we head into the new year, almost an unruliness. Looking at the Prince of Wands, reading the almost out-of-control momentum on the card's face, I'm reminded that recklessness can negate ambition quite easily.