2018: November 17th

The video for Ghost's Dance Macabre dropped almost a month ago and, for the first time, I didn't immediately post it here. Truth is, I didn't even watch Dance Macabre until this morning. Why?

Prequelle was released on June first, and at the time I spent maybe two weeks rotating it through my playlist before I abandoned it. So this is also the first time a Ghost record dropped and didn't take up months of my sonic real estate. I like Prequelle, I think it's a great pop rock album, but for my own personal tastes, it's a bit of a step in a direction I'm less interested in actually listening to than observing.

What the hell does that mean?

Ever since I heard Ghost's cover of Imperiet's Bible, the closing track on 2016's EP Popestar, my theory has been Ghost is moving toward becoming mass appeal entertainment, rather than simply being 'a rock band'. My money is on the band - or rather Papa/Cardinal's - next phase being a high-level musical. And I've felt since the first go-through on Prequelle that as an album, it is a step in that exact direction. And that's awesome. To reach that level and still be singing about Satan makes me very happy. That said, musically there are a lot of other groups that do for me what Ghost used to. Prequelle doesn't have a Year Zero or Circe, i.e. a track that hits me hard, and instead eschews that for an infinitely more pop/polished sound. Which is also fine, for the most part. But Dance Macabre? For my money, the worst lyrics I've heard in a while. Definitely the worst on a Ghost album.

Ghost's first record, Opus Eponymous, is, lyrically speaking, full of metal tropes, so that record is also not my favorite. But Infestissumam and Meliora have extremely strong lyrics, and those are the records that made me a rabid fan of the band. So to go from Year Zero's, "Crestfallen kings and queens cavorting in their faith," to, Dance Macabre's "I just want to bewitch you in the moon light/Want to bewitch you all night," hurts my heart a little. That one element of that one song seriously affected my entire relationship with Prequelle, and sadly I haven't listened to the record since the month it came out.

Then...

Last night, thanks to my friend and fellow Horror Vision co-host Anthony, I had the pleasure of seeing Ghost live again. As I suspected, seeing a lot of this new material, even Dance Macabre, endeared it to me a little more. This morning then, I finally surrendered to a new-found curiosity and fired up the video. And what do you know? I found the video to be an awesome visual accompaniment - nay enhancement - for the song, and beyond that, a fantastic entry to the band's mythos. Because that's what Ghost is building - and by that I mean the man behind it, who I still would rather remain nameless even if his identity has been revealed at this point - a mythos. And that's what I think the imminent musical will be about: their Heaven and Hell, Black Magick mythos.

Enough Ghost, let's talk comics.

Still feeling poorly. This isn't flu, but it does seem to have the tenacity of a flu bug. Attending an arena concert last night probably wasn't a great idea, but those tickets were purchased months ago and the sickness came on fast, so I didn't want to leave my friend high and dry. Also, it was good to get out of the house for a few hours. Today will consist of more convalescing, so that means I'll be finishing Robert Payne Cabeen's Cold Cuts (so good), and then delving into a few comics. I mean to keep on with a few issues for my Chris Claremont's Uncanny X-Men re-read, and then pick up with issue #2 of Menton3's insanity conundrum, Monocyte.

I've had this one since it came out, four issues from IDW back in 2012, I've never been able to successfully read this series. Monocyte requires so much set-up and backstory that the actual story kind of gets lost. I tried with an issue or two back as they were being released and then bagged-and-boarded it, waiting for a day when I might feel up to the task of trying again.

That day has apparently come. I read issue #1 a week or so ago and, although I still feel the book is a bit too stout for its own good, I enjoyed it. The art is ridiculous, as all Menton3's stuff is.

Playlist from 11/16:

Chelsea Wolf - Hiss Spun
Chasm - Divine Illusion
Various Artists - The Fantastic Mr. Fox
Tom Waits - Rain Dogs

Card of the day:
'

There's an obvious pattern of late with all these orange cards, so let's talk about what this color might have to tell me about these recent draws.

Orange is an amalgam of yellow and red, yellow representing Air and red Fire. So that's intellect and anger, or strength/drive if we're inclined to interpret it in a non-hostile way, which I am. Add to this the Three, which corresponds to Binah, or the Great Mother and Understanding. I'm tempted then, to interpret these deluge of Orange in my pulls this week as a cue to use my brain to better understand where I'm going with this novel, and have the strength to re-wire the things I already know still need re-wiring. Which isn't much, but it's a touch daunting.

2018: May 20th - New Ghost!

Another new song surfaces. I started listening and then decided to wait until the album drops, wanted to post it here though for anyone else interested.

Playlist from 5/19:

Neon Kross - Darkness Falls
Deafheaven - Sunbather
Drab Majesty - Careless

Card for today:

Interesting juxtaposition, if you look at this card, one of the major visual components beside the Princess herself, is the churning, stormy sky, this can indicate anger, restlessness and negative trauma. I don't directly feel any of that, however I spent a few hours earlier today engrossed in reading Lords of Chaos; while doing so I listened to the audio from a thunderstorm on loop. The book and the storm burrowed their way into my brain; I fell asleep and woke up from a nightmare somewhat shaken. The dream involved a doctor who had an evil man locked up in some kind of photo-prison cell in her home. At some point she realized he had picked the lock and was free. The dream ended with the evil one on the hood of the doctor's car, with her driving into a fence on a kind of pier that ran to the ends of her property, the fence collapsed and the aggressor was thrown into whatever large body of water lay below, but there was the definite panicked intimation that he was not dead and she should hurry out of there.

I've a lot to say about Lords of Chaos, and more specifically Varg from Burzum. He talks in interviews of using Burzum's music to influence others, especially younger fans, to get them to take up his cause, which is a militaristic brand of nationalist medieval satanism. This is insanely removed from what we think of as satanism in the modern day - the goals this entire motley cast of characters continually extol are spreading 'fear and evil,' and they really mean it. It's deceptive; on one hand you can see skinny, somewhat awkward young people carving out an identity for themselves - one that they perceive will make others fear them. This is a counter balance to being 'misfits' and many of us do it, especially those who come up in metal. But here you can see extreme examples of the possible divergent paths, where most of the inner circle of the original Black Metal scene backdown from actually committing the follow-through on the atrocities they preach, and others go through it all the way, refusing to back down, transgressing into murder, arson and mayhem (pun intended). The book is an interesting journey into a pathos we children of the Heavy Metal 80s often dismiss, the idea that people can be influenced to do evil via music.