Showing posts with label Incident in a Ghostland. Show all posts
Showing posts with label Incident in a Ghostland. Show all posts

Thursday, April 4, 2019

2019: April 4th - Jim Jarmusch's Zombie Film!



Jarmusch is doing a zombie movie? With Bill Murray and Adam Driver? Count me in! I mean, I am just about as burnt out on the Z word as one can be; I remember back in 2004 when my good friend Mike who runs Amazing Fantasy Comics in Chicago told me to read The Walking Dead, my initial reaction was, "Zombies are over done. Give me the first three Romero flicks, Return of the Living Dead, and Children Shouldn't Play with Dead Things, and I'm good." And that was before the real over-saturation occurred, before even Arnold Schwarzenegger had made a zombie movie. Now? Well, it takes a hell of a lot to get me interested in the living dead; there really has to be a unique and unexpected spin on the concept. The Night Ate the World definitely did that for me last year. The Walking Dead comic does it every month (hint: because it's not really about the zombies). Cinematically, comedies appear to have the highest success rate with me, i.e. Sean of the Dead and Zombieland, are two that I adore. But having just watched and LOVED Jarmusch's Patterson, the idea of him doing a Z flick with a cast like this, well, I'm very intrigued.

And hell, look what he did for Vampires in Only Lovers Left Alive, probably my favorite V flick since Coppola's Bram Stoker.

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Yesterday I listened to the Beyond the Void Podcast and absolutely loved it. I'd listened once or twice before, or so I thought, but had no lasting impression of the show. Not surprising: my memory is chewed and the amount of content I consume probably borders on insane. And there's so many podcasts out there, it's hard to nail down the good ones. BTV is definitely one of the good ones.

I started with BTV's top horror movies of 2018 episode, and wow. I mean, it wasn't just the thrill of our lists mostly lining up; hosts Alex and Britni both have a similar aesthetic, but beyond that, it was super cool to hear films like The Night Ate the World and Incident in a Ghostland given their due, because I feel as though both were largely absent from a lot of the 'best of' lists I saw last year. Really great 'cast and a ton of additional content on their site as well, so if you're in a horror discussin' mood, give these folks a listen.

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Playlist from 4/03:

Talking Heads - Remain in Light
Matthew Dear - You Put a Smell On Me
Brand New - God and the Devil are Raging Inside Me
Tricky - Maxinquaye
Martina Topley-Bird - Too Tough to Die
Twilight Singers - Too Tough to Die
Matthew Dear - Bunny
Sleep - Dopesmoker
Perturbator - The Uncanny Valley


Card of the day:


Because I'm getting nothing fucking done, my even-steven level (6) has become unstable.

Monday, December 24, 2018

2018: December 24th



Continuing to hang out in the 80s music of my childhood, I've added a Talking Heads binge to my Police one (still listening to Synchronicity on an almost daily basis).

In 2008 Pascal Laugier ripped my soul open with his film Martyrs. The one film of the 'torture porn' generation to transcend the genre, Martyrs - the original, French version - is a milestone in horror cinema that made me feel something no other film has. Four years later his follow-up, The Tall Man, played like an ABC, movie of the week and left me flabbergasted that the same man had made it. Now, six years later, Mr. Laugier has once again made a film that affected me so deeply, I am still thinking about it four days after viewing it. I'm not posting a trailer here because I watched Incident in a Ghostland with no knowledge what it was about and think you should do the same - I sampled the trailer a few minutes ago and it gives WAAAAY too much away. Just watch it blind; it's $3.99 to rent on Prime right now and is very much worth the money. But do me a favor: watch it alone, in the dark, and if you smoke, maybe have a hit or two beforehand. And then, well, prepare yourself.


Another film I watched recently is The Witch in The Window, streaming on Shudder and nested in their "Best of 2018" category. Very good film; it has a moment that chilled me to the marrow. Very understated horror, with the main focus on a splintered family. This trailer I have vetted and have no qualms posting because it does what a trailer should do - gives you a feel without spoiling anything about the film.



Playlist from 12/23:

Tool - Undertow
The Police - Synchronicity
Talking Heads - Sand in the Vaseline (disc 2)
Amy Winehouse - Back to Black

Card of the day:


Macrocosmic emotional event? Perhaps a commentary on my re-finding my Christmas spirit last year and it really filling me with an all-pervading joy this year during the season?