2018: December 22nd

It's hard for me to choose a favorite Prince song, and it's equally as hard for me to even choose a favorite Prince song off any given Prince album. Sign O' The Times Definitely ranks among my favorite of the man's work, partially because it is so of its time that when I listen to it the very cells in my body and brain move back to how they operated, circa 1987. I can see the ugly orange carpet we had in the living room, the weird 70s plaid sofa and loveseat; I can hear my dog Frisky barking over the sound of B96 low on the radio in my sister's bedroom. I can picture the chill of sneaking out of bed late on a cold Friday night in March to watch Friday Night Videos (we never had cable), and the strain of the title track from the album coming from the Magnavox tv. And for some reason, even though I didn't know or hear The Ballad of Dorothy Parker until later in life, listening to it now instantly evokes these sense-memories, in such a strong way that, if I close my eyes, I am right back there. Time Travel - I've sometimes wondered if it's just our sense of sight that prevents us from this feat, as though the things we build our world from specifically operate/exist within certain visual spectrum parameters, to prevent the layman from actually traveling into the past. Were this so, are there secret places where this is not the case? And who, if anyone, holds the keys to those places?

This weird psychonaut talk may be the result of watching most of the Joe Bob Briggs Christmas Phantasm Marathon last night on Shudder. The series gets pretty trippy as it goes on, so maybe it affected me in ways I did not anticipate...



The newest episode of The Horror Vision went up late last night. This past Thursday night Ray, Anthony, Chris, and myself were fortunate enough to have three of the main minds from Skeleton Crew on to discuss their new feature Secret Santa. Adam Marcus, Debra Sullivan, and Bryan Sexton steer the boat for a nice, meaty discussion on their movie, the horrors of holiday family dinners, independent filmmaking, the state of horror, plus, a lot of in-depth facets of the movie business as seen through a creator's eyes. Here's a trailer for Secret Santa, which I've seen twice now and which gets better every time. Links to our episode on all the usual platforms follow:



The Horror Vision: Secret Santa Interview Apple Podcasts
The Horror Vision: Secret Santa Interview Spotify
The Horror Vision: Secret Santa Interview Google Play
The Horror Vision: Secret Santa Interview 

Playlist from 12/21:

Ministry - The Last Sucker
Amy Winehouse - Back to Black

Card of the day:

Calm exterior, tempest inside. This is me at the moment. Nothing bad happening, just unable to find the time to work on everything I want to work on, let alone finish the goddamn book!

However, patience is virtue, and I sometimes feel as though I might have inexhaustible reserves of this precious commodity.

2018: November 22nd

One of the best songs of the 90s, hands down. I unexpectedly realized I still had one more 33 1/3 that Brown lent me to finish before my trek home to Chicago in two weeks, so last night I started Gina Arnold's entry into the 33 1/3 series, a kind of contextualization of Liz Phair's seminal indie rock album, Exile in Guyville. More the story of the fictitious Guyville (not so fictitious) and the gender politics of the early 90s indie rock scene than the story of the album, and that's good. So far this is a fascinating read. Also, digging back into the era that surrounds this record made me reconnect with Never Said and Guyville in general, a song I've loved and an album I dig for a long time now, but one that hasn't received any recent rotation space in my audio life.

Joe Bob Briggs returns to Shudder tonight with Dinners of Death! I have to work early tomorrow, so I don't know how much I'll see tonight, but hopefully this will remain on Shudder in perpetuity, much like The Last Drive In has since back in the spring.



Last night I watched three-quarters of the Shudder original Dead Wax. LOVE this. Written and directed by Graham Reznick, whose name anyone familiar with Larry Fessenden's Glass Eye Pix will recognize as most often helming audio departments on films. Great debut that's essentially a movie chopped into 10-18 minute episodes, Dead Wax is about a legendary record that does strange things to reality when played and the people who have sought it through the years. Think John Carpenter's Cigarette Burns, but the world of rare record collecting instead of film collecting and you'll be in the ballpark.




Playlist from 11/21:

David Bowie - Low
Frankie Valli - Can't Take My Eyes Off of You (single)
Deaf Heaven - Ordinary Corrupt Human Love
Bell Witch - Longing
Testament - Demonic
Boy Harsher - Face the Fire (pre-release single)
Boy Harsher - Lesser Man
Chasms - On the Legs of Love Purified

Card of the day:

This is a direct response something outside of writing, so I'll take the advisement in silence.

2018: July 15th

To celebrate the Steelbook/Angela Figure exclusive Scream Factory announced last week. I won't be ponying up for it, at least not with the figure (no room for it), but it's pretty damn awesome.

Haven't been on here in a few days. Pulled a trip to Fingerprints in Long Beach on Friday during the day after K and I declared it a mental health day. Traded in a bunch of old CDs that didn't make the cut and used the credit to buy a couple gems on vinyl we'd been wanting.

Did a DwC Friday night and had the delightful Karen Kunawicz from the Manilla Times as our guest. Already editing it, so hopefully I'll have it up mid-week. As always, live feed is on our FB Page in perpetuity.

Spent most of Saturday, from about midnight to 8 PM watching the amazing Joe Bob Briggs on Shudder's The Last Drive In. A 24 hour horror movie marathon, this was basically a 27 hour horror movie party and I loved every second of it I caught (had to sleep for a few hours Friday night/Saturday morning). I'd never encountered Joe Bob Briggs before, and now that I've had a taste I can only hope this isn't, as he says, the last one of these he'll be doing. The entire event is up on Shudder as a season with each movie an episode. Each film has a considerably longer-than-usual runtime, as Mr. Briggs cuts in every so often to offer facts about each film, aside, stories, insights. This is the real draw, and I can only hope I can see him do this again, whether by having more, or through finding ways to watch the old Up All Night events.

Films played:

Tourist Trap
Sleepaway Camp
David Cronenberg's Rabid
The Prowler
Sorority Babes in the Slime Ball Bowl-O-Rama
Daughters of Darkness
Blood Feast
Basket Case
Herbert West: Re-Animator
Demons
The Legend of Boggy Creek
Hellraiser
Pieces

Great stuff, eh?

Playlist from the last few days has been sporadic at best with all the movies, so I'll refrain from posting it for now and pick back up tomorrow.

Card of the day:

Duality and completion.

2018: Happy Friday 13th! New Deafheaven Streaming via Anti-

Well, it's 12:27 AM. I've officially called out from work tomorrow. Mental Health day. AND the new Deafheaven just dropped! and their awesome label Anti- is streaming Ordinary Corrupt Human Love in it's entirety. I'm a little pissed that the vinyl copy I pre-orderd the day the album was announced has not shipped yet (or King's Road Merch/Anti- hasn't updated the order status on their website), but I've got it digitally and now I've got all night and all day to listen to it!



There's a Drinking w/ Comics live streaming on our Facebook page tonight at 9:00 PM Pacific Time. Check it out - we've got Karen Kunawicz as a guest. She's the entertainment columnist for the Manilla times and a good friend of Mike's so I'm psyched to talk geek shop with her.

And a BIG Also, Joe Bob Briggs is hosting a 24 hour horror marathon on Shudder starting at 6:00 PM Pacific (that's 9:00 PM Eastern Standard) and other than listening to Deafheaven and doing my show, I'll be watching that.

Comics I will (Try) to talk about tomorrow:

Earlier this evening I watched a flick on Shudder I'd not heard of before. Described as a modern Giallo, Cold Hell defied ALL of my expectations and proved to be a fabulous film. A Giallo that is not content to just hail the flags of the genre, Cold Hell is a story of violence, but more over it is a story of the human heart. That might sound a bit heavy handed, but it's not. Absolutely, positively recommended:



Followed that up with this classic:



Card of the day:

Balance. Kind of feel like that's what I'm doing now, by not going to work tomorrow. Sometimes you have to do that; call it a mental health day.