Showing posts with label Paolo Cavara. Show all posts
Showing posts with label Paolo Cavara. Show all posts

Sunday, September 2, 2018

2018: September 2nd



Thanks to Jeff at the Comic Bug I found Vaguess. As you can no doubt hear from the above, they are awesome. Guilt Ring will definitely end up on my favorite albums of the year.

Long day of work and sinus infection yesterday. This iteration of the infection proved what the previous one (last year) suggested: the Z-pack antibiotic no longer works. The doctor I saw at the urgent care the other day backed this up, saying he has seen approximately 40% resistance to azithromycin. As a back-up, he prescribed me a secondary prescription of doxycycline hyclate. All this just further proves a theory I have had for about fifteen years now - being that bacteria lives generations for every day we do, eventually it will outrun our defenses and conquer us. The widespread proliferation of antibacterial hand sanitizers and a quick-to-subscribe attitude to antibiotics has expedited that outcome, so be prepared. And if you can't seem to beat your sinus infections, use doxycycline hyclate - until that no longer works.*

I watched a 1971 Italian Giallo last night called Black Belly of the Tarantula. Talk about an awesome title! Directed by Paolo Cavara and scored by none other than the great Ennio Morricone, I loved the flick and intend on hunting down the score on vinyl. It is gorgeous! Here's a taste:



Playlist from 8/31:
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise degli ultimi Uomini
Alice in Chains - Rainier Fog
Talking Heads - Remain in Light
Roxy Music - Eponymous
Windhand - Grey Garden (single)
Kyuss - And the Circus Leaves Town

Playlist from 9/01:

Alice in Chains - Rainier Fog
Yonatan Gat - Universalists
Vaguess - Guilt Ring
The Veils - Total Depravity
BeNNi -The Return
Chris Connelly - Artificial Madness
Bowie - Stage
Bowie - Outside


Here's a card I haven't drawn since I began doing these daily pulls. See how intoxicating the visuals are, with their soft pastels and robust female figure? The surreal aspect, where her lower half almost looks more like a mermaid's fin than legs? Of the Swan - which Crowley refers to as a Pelican, and although that may have been his intent, Lady Frieda Harris most certainly painted a swan - tending its young is motherly. I'm interpreting this as my nurture of my ideas, which are essentially like children to me.

*Yes, I realize I am both lambasting and advocating the use of antibiotics here. I only use them for sinus infections, which I get about twice a year.