Showing posts with label Paperbacks from Hell. Show all posts
Showing posts with label Paperbacks from Hell. Show all posts

Sunday, September 29, 2019

Sunday, September 29th




Two albums after this song made its way into the world on Black Gives Way to Blue it gets a video, and I'm reminded how much this band continues to steal my heart, against all possible odds. Jerry Cantrell - I love you. All you guys. Thank you for a lifetime of amazing, touching music.

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Grady Hendrix and Will Errickson's Paperbacks From Hell does an amazing job recontextualizing horror literature over the last forty or so years, and Errickson's blog Too Much Horror Fiction has been chronicling lost corners of the genre for years. We know this, and while a large part of the charm of reading PfH is seeing all those wonderful paperback covers in one place, there's also decades worth of pulp Sci-Fi/Fantasy cover art lining the shelves of history. In the interest of celebrating and cataloging some of those covers time forgot, I'm starting a new segment here on the blog: Sunday Sci-Fi Cover Art. This should be fun.



I'll kick it off with this gem, Daniel Galouye's Dark Universe, which I know nothing about, but after reading a short synopsis I definitely intend on tracking down and reading:


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Playlist 9/28:

Black Sabbath - Sabotage
Windhand - Grief's Infernal Flower
Halloween Playlist

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A call to arms - I need to organize and devise new systems of routine, as last week's illness has completely thrown my systems out of whack and it's proving difficult to get them back online. See all that red? Martial - tough love is needed.


Monday, March 11, 2019

2019: March 11th



I'm about a week late on this one, but there's a new video for one of my favorite tracks on Windhand's 2018 opus, Eternal Return. Oh, who am I kidding? They're all my favorite tracks on this record. Awesome video, as well.

If you grew up in the 80s and 90s like I did, surrounded by shelf upon shelf of mass market paperbacks in the local library and Kroch's and Bentano's, and whatever that other bookstore in the mall was, you know, before the advent of big box, stand-alone bookstores, then you might have an inherent understanding of the horror paperback boom that permeated the pop literary world. You might have an understanding, but probably not of the scope of that boom. Unless you've read Grady Hendrix and Will Errickson's Paperbacks from Hell, in which two things probably happened:

A) You had an extremely entertaining romp through the history of Horror Literature and understand its timeline a hell of a lot better
B) Since reading Hendrix and Errickson's tome, you find yourself occasionally scouring the internet for copies of some of these lost gems, only to find prices repugnant.

But fear not! Valancourt Books has begun a Paperbacks From Hell reprint series - which you can subscribe to - that in most cases will feature the original paperback artwork. For myself, the price point of $16.99 for a MM paperback is better than eBay pricing but still too much for me to pull the trigger, but then again VB has not really solicited any of the titles I want yet, so I'm still keeping my eyes open for some goodies I spied in Hendrix's tome.

BTW - Errickson is a fantastic curator and played a large part in amassing the subject matter of PfH, and his Too Much Horror blog is definitely worth following.

So what are the paperback gems from days gone by that I'm interested in?

Michael McDowell's The Elementals because I am really interested in his Blackwater series, based on the fact that of all the books in Paperbacks from Hell, Blackwater sounds like it might be solid literature. Before beginning a series, however, I'd rather my introduction to McDowell's work be a stand-alone.


Because the pen name Peter Saxon is awesome, and because The Guardians series sound like a lot of fun.


Because the cover is subtle yet absurd and reminds me SO Much of my childhood, when covers like we find on all these books were the wallpaper to my life:


And finally, because I remember holding this one in my hands at a young age back in the early 80s at and almost checking it out of the Worth, Il public library, but never actually doing so.


Satanic Rock bands. Sounds like a great double feature when I finally get around to Hendrix's latest novel:



Playlist from 3/10:

The Besnard Lakes - The Besnard Lakes are the Roaring Night
Exhalants - Eponymous
Firewater - The Ponzi Scheme
Earth - Phase 3 - Thrones and Dominions
John Cale - Black Acetate

Card of the day:



This is a very emotional card in respect to Earthly matters. There's revelation, although it might be confused at first. There's no inherent conflict, except maybe that of emotion taking over for a bit. Not really sure what this is in reference to, but I'll keep my eyes open today and try not to let emotions get the better of me.

Friday, February 2, 2018

2018: February 2nd, 11:05 AM

Beginning the first of three days off with some Etta:



It's nice to wake up leisurely, lay in bed with the one you Love and read. I finished Han King's The Vegetarian - ranked it with four out of five stars on Goodreads. The prose itself was outstanding, especially in the third section of the book, which is sort of three short stories with characters that thread them together into a novel. I would be curious to read more by Han King, and perhaps I will do so, however, my to-read pile is currently out of control. For now I'm going to duck back into Thomas Ligotti's Songs of a Dead Dreamer/Grimscribe, which I started at the beginning of the year while I was in Chicago and, truthfully, am finding a little difficult to stick through. My one book from last year that still lingers at 25 % read is, similarly, Ramsey Campbell's Alone with the Horrors. It's not short story anthologies I have an issue sticking with per say, but instead the tone of both Ligotti and Campbell's work. No, they're not "Too Dark", there's just something in each that leaves me a bit flat. Perhaps my expectations for Ligotti were a tad high - this is the first of his works I've read, and knowing he was a major influence on True Detective Ssn 1 excited the hell out of me. I loved that season and - despite hating the ending - its tone is one of my favorites ever, and it's not that I expected or even wanted Ligotti's work to be similar, but I wasn't expecting the slightly truncated manner in which he sometimes works. I'm half way through Songs of a Dead Dreamer and although the first few stories hit me very hard, as I go deeper I feel a certain unfinished or rushed quality to some of them, the best example of which is The Lost Art of Twilight, which felt extremely rushed, as if the author had no idea how to pay-off what he had so carefully set up. Maybe I'm simply missing something, or maybe not, this is merely my perception at this point.

So if I'm going to pick at Ligotti's short stories over the course of the next few months, using one or two as palate cleansers between longer works, I need something as my next main read. Nick Cave's And the Ass Saw the Angel is on deck, however K gifted me a copy of this little gem last night for our two-year anniversary and I'm already chomping at the bit to go through it, even though it will inevitably lead to that to-read pile growing exponentially.



"There are simply too many books to read, whatever shall I do?" This, ladies and germs, is the definition of First World Problems. We live amazing lives folks, don't take them for granted.

Play list from yesterday:

Swans - Glowing Man
ttt (Crosses) - Eponymous
Mastodon - Emperor of Sand
Godflesh - A World Lit Only by Fire
The Kills - Midnight Boom

Drove up to Hollywood last night and attended a limited screening of Robert Mockler's Like Me. I posted the trailer a few days ago but here it is again; I loved this flick. The characters are hard to like but the journey they take is one big dig on social media culture - or lack thereof - and the method by which the film is assembled is gorgeous, reminding me of Harmony Korine for sure. To me that's a good thing. And of course Larry Fessenden is in it, and I generally like everything he is associated with.



Card of the day:


This one shows up inverted; I've never placed a lot of weight on card inversion, especially in single card draws. There's something to be said for their interpretation when they're juxtaposed with other cards in a spread, but alone, it's kind of just the card to me.

There's nothing in my Grimoire about this one so what do we know? Well, this is the Airy-aspect of Fire; look at the movement in the card - rushing forward, so we're talking motivation, movement, doing. Interesting then that I'm intent on doing nothing but relaxing for the next three days. Well, that's not entirely true, we have some social events planned, and I had wanted to write each day, even if just to do these posts and get in my daily words, which could totally be the aspect of the weekend that I brush off. So I'll interpret drawing this card as sound advice not to do that.