Showing posts with label Post Punk. Show all posts
Showing posts with label Post Punk. Show all posts
Friday, October 11, 2019
1919 - The Scream
Chalk this one up to another group I'd never even heard of from that beloved Post Punk era of the early 80s. Fantastic stuff.
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The first issue of Batman's Grave, that Warren Ellis/Steve Hitch twelve-month series came out this week, and I'm doing everything I can to not go into The Comic Bug and buy it. My mantra? Wait for the trade. Wait for the trade. Ellis always reads better in trade. Always.
I know, I know. We've seen this shot a million times by a million artists. What's special about this one? The artist is working with Warren Ellis, that's what.
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31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
10/10: Creepshow Episode 3
I didn't have it in me yesterday to watch more than the new episode of Creepshow before I passed out for the night.
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Playlist for 10/10:
Sam Hain - November Coming Fire
Jefre Cantu-Ledesma - In Summer EP
The Smiths - Meat is Murder
Mark Morrison - Return of the Mack (single)
Deftones - White Pony
Doomriders - Black Thunder
Pigface - A New High in Low (Low Disc)
Opeth - Deliverance
Deth Crux - Mutant Flesh
Deth Crux - Pears of Anguish EP
1919 - The Complete Collection
Ain Soph - Rituals
Bauhaus - Burning From the Inside
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Card of the day:
Very good to see the Four of Wands today, which I'm taking as a direct nod to the fact that if I keep at it, I'll finish the first pass on the outline of Book Two this weekend. There's bound to still be some tweaking needed afterward, but as long as I have all the points on the grid, I'll be able to use it as a map to start actually writing the prose. This is the first time I've ever outlined anything this heavily, but what a difference it has already made.
Saturday, June 11, 2016
Eagulls - Velvet Official Music Video
The second Eagulls record caught me by a bit of a surprise; the band's 2014 eponymous debut is a frenetic celebration/re-appropriation of late 70s/early 80s Post-Punk sounds, most especially The Cure's Pornography. New record Ullages is considerably more down-tempo and depressing. In a GOOD way. Where the debut is still a bit more accessible Ullages is growing on me - not that I didn't like it to begin with, but it tends to usher in a bit of a Pall over my mood. Well, today was a completely rainy, overcast day in LA and as such this record fit perfect. Which reminded me they released a video recently that I hadn't gotten around to seeing.
Sunday, May 19, 2013
A Short Film for Savage's Album-Opening Track "Shut Up"
So thanks to my good friend Jacob I've finally acquired a copy of Savages' debut album Silence Yourself. From the first sound on the record, a sample that sounds like it is from an old movie playing on a tv in the room where one of the instruments is mic'd I knew that this would be a very important record to me. My rapidly escalating anticipation and joy were fed by immediate invocations of The Cure's Pornography, the title track off the 1982 album of the same name. I'm on my second spin in a row of Silence Yourself and it's everything I thought it would be. It's funny how a sound like what many of us refer to, for lack of a better term, as "Post Punk", often feels confined to a specific time and place, but can occasionally be re-created and what's more added to in a way that endears the new artist to fans of the old 'scene', while simultaneously adding to that scene. I guess that's a rambling way of saying this will go very nicely on the record shelf in my mind next to the aforementioned early Cure albums, Bauhaus, Joy Division and Gang of Four.
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