Isolation: Day 11 - Anthrax The Enemy

When I was a Freshmen in High School in 1990, I fell really heavy into Anthrax. I loved all the Titans of Thrash, but Anthrax was the one that I loved best, mostly because of how The Persistence of Time hit me. That was the first Anthrax album I bought/heard, and when I spread my allowance out over the next few months digging into their back catalogue, I fell even deeper in love. Among the Living is the obvious gem, but State of Euphoria, Spreading the Disease, and the I'm the Man EP all occupied a place of great thrall in my cassette collection. Since then, Persistence, Among, and State have all stayed in and out of rotation, but for whatever reason, Spreading the Disease was the album I never really went back to again after those teenage years. Last month, after seeing Mr. Bungle's thrash set, I went through a reawakening on the marvels of classic thrash, and ever since then, Spreading the Disease has been inching its way up into the top rotation spot in my daily playlists. And this last week or so - no irony intended - it's been the album that has soundtracked my thoughts.

I wake up everyday with one of the songs in my head. For a few days it was Medusa. Yesterday it was The Enemy. Today it was Gung Ho. I'm absolutely loving this record right now, it feels like one of the crown jewels of 80s thrash. It's always such a good feeling to fall in love with an album all over again.

**

Last night, K and I watched Roger Avary's 1993 French Bank Heist gone wrong Killing Zoe. I saw this movie a lot when it came out on video; I'm pretty sure other than Reservoir Dogs, this was a constant with my friends and I. Dark, funny, and thoroughly possessed by that "Tarantino Crime Aesthetic," probably because Avary helped create that vision with his work on Pulp Fiction. If you've never seen this one, it's definitely worth a watch, and if, like me, it's been at least a decade, I definitely recommend a re-watch. Killing Zoe won't disappoint.



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Playlist:

Anthrax - Spreading the Disease
Beach Slang - The Deadbeat Bang of Heartbreak City
Algiers - The Underside of Power
Arctic Monkeys - Whatever People Say I Am, That's What I'm Not

**

Card:

Fours are solid, but in my opinion, sometimes misleading. I've had a few days off writing simply because of it was my weekend to work and it kicked my ass. Now though, I have the next two days off, so it's back to work.

2019: March 21st - New Zeal & Ardor Track!

This showed up in my youtube feed last night and frankly, listening to it was so exciting I had a bit of trouble falling asleep afterward. This band continues to amaze me; while this track obviously bears more than a little passing resemblance to the standard 'Zeal & Ardor Sound,' there's more than enough that's 'new' here to show that Manuel and crew are continuing to stretch that signature sound in new directions, without eschewing the core ideas that made them so awesome in the first place. Not an easy thing to do, but they're doing it. So coupled with Baphoment, the new track K and I saw them play at the Roxy back in August, that's two new tracks. Let's hope we get another new album sooner than later. That said, don't rush it guys. Just keep doing what you're doing.

**

Tuesday night after work I drove up to Hollywood, and my friend Keller and I attended something of a dream event - Harmony Korine's 1997 film Gummo in 35mm at the Egyptian Theatre, with Korine present after the film, interviewed at the front of the room by a long-time friend.

It was magnificent.

Gummo has, since shortly after I first saw the film back in, oh, probably '99, occupied a spot in my top-five favorite films of all time. And while the movie disgusts many folks, this screening cemented my observation that it is both one of the most ugly and simultaneously one of the most beautiful films I have ever seen. There is such life here! After the movie, Korine talked about casting, and how he wanted to put people in the movie that you normally would never see in a movie. You can argue that there's an element of exploitation here, but to that I'd counter that Korine documents and puts himself in the film, which to me dissolves the barrier between filmmaker and subjects. He's one of them, not above them, and I think he makes this very clear. I feel real love in Gummo, and while there's definitely some terrible stuff contained within, it's documented objectively, not celebrated or diminished.

**

Because I was out late Tuesday, I'd already secured yesterday off from work. The caveat to myself though, was if I stay home, I have to work. So, I spent the entire day, from about 10:00 AM to 6:00 PM working to finish Shadow Play, with only the distraction of the occasional break to read a comic and several loads of laundry between sessions. There was some major dialogue sculpting I had to do in some of the final chapters, and one serious flaw in a certain character's logic that caused a massive reassessment and overhaul of the last ten chapters. Nothing plot-wise, but all the tiny nuances that go into this disparate collection of characters' lives and machinations all coming to a head in a penultimate moment needed to be massaged something fierce. You know, you change something here, you have to follow the ripples through to the end and make sure they all gel. And although I was exhausted and in need of an ice cold Sierra Nevada by 6:15 PM, I am quite happy with the work. Four more chapters to record and I'm ready for that final go-through. Can't wait.

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I worked with such focus yesterday, that I was able to ignore two major trailers that dropped and had everyone talking. I'll post them here now as I watch them for the first time.



Wow. Kudos on the use of Baba O'Riley. Also, that's quite the monster near the end, right? And this one, well, I just can't wait for this one:



Playlists from the past few days:

3/20:

John Carpenter and Alan Howarth - Prince of Darkness OST

3/19:

Talking Heads - Remain in Light
The Mars Volta - Deloused in the Comatorium
Finn Andrews - One Piece at a Time
Kevin Ayers - Bananamour
Canadian Rifle - Peaceful Death
John Carpenter and Alan Howarth - Prince of Darkness OST

Card of the day:

I keep seeing this one. There's definitely something more below the surface here, something I don't have the time to research at the moment. Deep dive later on.