The Rain Song

My good friend NY John at work is always a bastion of interesting Rock'n Roll info and anecdotes. I miss talking to him on a daily basis, when he'd drop by my department at work to vent about corporate moronity and we'd eventually segue into talking about the Stones, Talking Heads, Television, etc. While in the office the other day, he told me to cue up Led Zeppelin's The Rain Song, and upon the intonation of that first, iconic note, he related that he'd read an interview with Jimmy Page where he said he took the chord from The Beatles (I'll let you determine which song). Anyway, hearing just that one chord made me want to hear the entire song, and hearing the entire song, I had to spin House of the Holy and Physical Graffiti in their entirety. I feel a Zeppelin jag coming on. Been a while, and I'm pretty eager to sink into it. Being that I bonded with the band's music at a pretty young, formative age, I feel as though those times when I'm under their spell, my brain works differently. It'll be nice to feel that old familiar "Led Zeppelin" brain again. Also, this is probably my favorite song by the band (although on any given day I might give you an entirely different answer. Fitting, this track, as it's been raining in LaLaLand more consistently than I'd seen in some years when I lived here. 

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Watch:

Monday and Tuesday of last week I was able to sneak in a couple of really cool LA theatre jaunts. When in Rome, right? First, courtesy of the always amazing Cinematic Void, my Horror Vision cohost Ray and I saw a pretty damn nice 35 mm print of Popcorn at the Los Feliz 3 Theatre:

This was fantastic, especially since A) Ray gifted me a Popcorn t-shirt and, B) I got to see Cinematic Void guru Jim Branscome interview Popcorn's star Jill Schoelen after the film.

Then last night, Ray and I got to attend Pi Day, 25th anniversary of Darren Aronofsky's landmark debut film Pi. Even better, before the film, Aronofsky, Star Sean Gullette, Producer Eric Watson, Cinematographer Matthew Libatique, Composer Clint Mansell and actor Stanley Herman (subway singer) spoke about the film at length. Talk about inspiring. 

I haven't watched this one in a while despite the fact that I carry a very tangible love for it with me on an almost day-to-day basis. It's been at least 15 years since I last watched Pi, and I found I remembered it pretty much verbatim. Also, hearing Mansell's score now, I realize it was that which pushed me into really exploring electronic music back in the day. Everything about this one is iconic. 

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Playlist:

Led Zeppelin - Physical Graffiti

Led Zeppelin - Houses of the Holy

Damone - From the Attic

Danko Jones - We Sweat Blood

Motörhead - Ace of Spades

The Police - Outlandos d'Amour

The Police - Regatta de Blanc

Thus Love - Memorial

Soul Coughing - El Oso

The Pogues - Rum Sodomy and the Lash

House of Pain - Same As It Ever Was

Pestilence - Consuming Impulse

Le Butcherettes - A Raw Youth

Deftones - Koi No Yokan

Screaming Females - Desire Pathway

Spotlights - Seance EP

The Horror Vision: Quick Spoiler-Free Review of Brandon Cronenberg's Possessor

It's 3:33 AM and I'm exhausted. I've been up since 5:18 AM - woke up late on purpose knowing full well I'd be up well beyond what I am normally capable of on a work night, regardless of the fact that I am off tomorrow. After work, my good friend Ray and I went to the opening night of Beyondfest 2020. Not really opening night, as the rest of the fest doesn't start until 10/02, but still, the crazy MF's that run the fest brought out the big guns for the West Coast Premiere of Brandon Cronenberg's new film Possessor. This was one of if not my most anticipated film this year, and it did not disappoint. This is also only the second time I have hung out in person with a friend since March (last weekend K and I went out to finally see our other Horror Vision host Anthony, his girlfriend, and their new baby), so it was very much a 'win-win.'

Beyondfest is calling this year's festival the "Fuck COVID Edition" and in keeping with that, they obviously were not going to be able to have it at the Egyptian as usual and observe social distancing, so instead, the fest this year is being held at the Mission Tiki Drive-In Theatre. What a great place! Granted, it's 50+ miles from our home, but Ray drove and we made the trip in roughly an hour and twenty (considerably less on the way back), and a fantastic time was had by all. Above is our ten-minute, spoiler-free review on youtube. You can also hear it - and all our other episodes - on any Podcast Platform, including Spotify which, if you look in the upper right-hand corner of this blog, you will see a widget for that will take you directly to the review. 

What we don't discuss on this quick-take episode, but Ray and I both plan to bring up on the next full-length Horror Vision is that tonight's show was a double feature, and the second movie was an old John Frankenheimer film starring Rock Hudson from 1966 called Seconds. This was also fantastic, so here's the trailer:

Okay, I've still got a new Deftones record to try and get through before I go to bed... Nope. I'll save that for tomorrow.