Showing posts with label Robin King. Show all posts
Showing posts with label Robin King. Show all posts

Wednesday, January 31, 2024

Butthole Surfers Week Day 4


From 1987's Locust Abortion Technician. This album has always struck me as kind of the halfway point between the total madness of the earliest Surfers' albums and what would come later. Not to say there's anything 'sane' about LAT; on the contrary, I just feel like the production was ticked up a notch on this one. Case in point: "Human Cannonball," where the kick drum actually shakes your walls (when you listen as loud as I do), the bass guitar could almost be from a Buzzcocks or Magazine record, and Gibby's voice isn't just clear, he's got a whole host of new FX to fuck with.




NCBD:

Thankfully, this week, I only have 2 books in my Pull, one of which is Amazing Fantasy in Chicago. I say luckily, because I'll be picking up four weeks of comics from Rick's after work today. My wallet is already weeping. Here are today's titles:


I dug Duke issue one, despite the fact that I don't really care at all about Conrad S. Hauser. This is our window into the GIJOE aspect of Robert Kirkman's Energon Universe, though, and I'm excited to get this going. (I really can't wait to read last week's Cobra Commander #1- saw what I think is a spoiler image and it's NUTS!)

The Penultimate issue of Garth Ennis and Jacen Burrows' The Ribbon Queen. I probably won't be picking up my books from AF until March (unless I ask Mike to ship them, a service they do offer). Can't wait to read this one start to finish.




Watch:

This looks goddamn terrifying:

 

I watched this trailer once and, within moments, knew I would now be praying this one hits my local Regal on February 23rd. There's not a lot of films that can actually scare an adult in 2024 - the real world is already scary enough - but this? This looks like it will do the trick. Something about dolls. Maybe it's a residual trauma from seeing the Poltergeist clown as a kid, or maybe it's the Uncanny Valley thing. Certainly all the Thomas Ligotti didn't help.

This is a debut feature from Writer/Director Robert Morgan (he shares the writing credit for Stopmotion with Robin King). Morgan previously directed "D is for Deloused," one of the films in ABCs of Death 2. You can read an old interview with him about that short HERE

I'm really looking forward to this one. 




Playlist:

Frankie and the Witch Fingers - Data Doom
Stephen Sanchez - Angel Face
The Bronx - (II)
R0BBER - La Cosa Nostra EP
Butthole Surfers - Locust Abortion Technician