It's getting a bit tough to make it through all seven entries of 80s Metal Week and not repeat myself, but then it occurred to me, there is no way I wasn't going to include this song and, particularly, this video, which is ridiculous. That said, this one has stayed with me since I first saw it on Empty-V back when it came out, so I wanted to do it justice.
Watch:
David Lynch Executive Producer on a surreal thriller dealing with doppelgängers?
Sign me up. This also reminds me that I still haven't seen My Son, My Son, What Have You Done, the film Lynch produced for Director Werner Herzog back in 2009.
Cypress Hill - Back in Black (pre-release singles)
Cypress Hill - Eponymous
Metallica - Master of Puppets
The Jon Spencer Blues Explosion - Now I Got Worry
Anthrax - Spreading The Disease
Back Sabbath - Master of Reality
Blut Aus Nord - Hallucinogen
Soul Coughing - El Oso
Card:
Dealing with issues of stability as we move into the phase of booking all of the locations and services that will precipitate our escape from LaLaLand. Also, taxes always induce mild to threatening anxiety in me.
I'm back on this reassessing the 80s kick, wherein I dig back into a lot of the music I dismissed or, in some cases, openly mocked in my 20s.
The Scorpions were a staple of pre-Grunge radio and a band whose singles I had a particular affinity in my pre-teen years. It would have been around the age of six or seven that I first heard their stadium-packing single "Rock You Like A Hurricane," a song that, at the time, sounded like the heaviest thing imaginable to my young ears, and helped steer me into metal. By '91 however, all these operatic-style vocalist-driven guitar-heavy bands had worn out their welcome, and I never bothered to look any further.
Fast forward to last week when, while unable to stop listening to 80s-era Judas Priest, I went scrolling down the neon corridors of Apple Music looking for another comparable band to unearth.
Scorpions are where I landed.
Covered by Testament on 1997's Signs of Chaos comp, it was my good friend and Horror Vision cohost Tori who pointed me toward Scorpions' 1977 album Taken By Force, specifically mentioning this song. I was not disappointed in the track, and in fact, despite some of the Scorp's other 70s-era albums not striking a chord with me, this one 100% did the trick. More proto-metal than butt rock, even the ballad "Born to Touch Your Your Feelings" has a dark, ominous allure that reminds me a bit more of some baroque Opeth song at times than Winger (in music only, as I can't rightly compare the vocals). This makes sense; as far as I know, what put the Scorpions to bed in the early 90s wasn't a predilection for mascara and cheese, but endless rotation and what sounds to me now, looking back, like an over-reliance on Producers who grouped them in with everything else 'happening' in generic hard rock at the time. I.E. everything Smells Like Teen Spirit would obliterate in 1991. I'd still rather jam Teen Spirit on most days, however, there's definitely a place for some Scorpions in my world.
Watch:
After catching up on Falcon and the Winter Solider this weekend (Mardripoor!!!), wee watched two flicks this weekend, both of which I enjoyed more than I initially thought I would:
First, Audrey Hepburn and Gregory Peck in Roman Holiday. This stands as probably my favorite movie K has introduced me to. I loved it, and I especially appreciated that they 'stuck' the landing.
Next, the recently released Wrong Turn reboot, which I cover pretty extensively on the new episode of The Horror Vision that went up this morning.
My motivation for watching this one, as I've not seen any other entries into the series (except maybe the first way back when it came out on video) was simply as an act of balance.
On THV's previous episode, my cohost Butcher gave the film a bad review, and as an attempt to provide the benefit of a second perspective I decided to install a 'Second Chance' policy on the show. This is where when one of us gives a new film a bad review - which is totally acceptable and not something the second chance is meant to overturn - someone else will watch and review it as well. In some cases, this will add a possible positive review, and in some, I suspect it will only strengthen the argument against. However, the internet is awash with negativity, especially in regards to movie criticism, and I want our show to be held apart from that rampant, often collegiate negativity. Bad reviews are inevitable in film critique, however, I want our criticism to be better than just name-calling and rampant negativity.
Playlist:
Judas Priest - Firepower
Judas Priest - Hell Bent for Leather
Judas Priest - Screaming for Vengeance
Guns N' Roses - Appetite for Destruction
Alice in Chains - Facelift
Pilotpriest - Original Motion Picture Soundtrack
Zombi - Cosmos
Blanck Mass - No Dice (single)
Scorpions - Black Out
Anthrax - Persistence of Time
Deftones - Saturday Night Wrist
Foster the People - Torches
White Lung - Paradise
Razor - Live! Osaka Saikou
The Rods - Live
Steve Moore - VFW OST
Card:
Balance is exactly what I am striving for this week. Last week was a manic roller coaster wherein I accomplished absolutely nothing and tied my stomach into a knot that finally untangled yesterday after nearly 9 hours of sleep and a cleaning frenzy.
