Showing posts with label Tobias Forge. Show all posts
Showing posts with label Tobias Forge. Show all posts

Thursday, September 7, 2023

Before Ghost there was Repugnant


Before Ghost, Tobias Forge was in a band named Repugnant? I had NO IDEA, so thanks to THIS article on Metal Sucks. Death Metal isn't really my jam, but this... not too bad. And from the opening guitar, you can 100% hear that it's Forge's writing. So here's them playing live and that guy that looks kind of like he could be in the Misfits? That's Papa! Always cool to see where our beloved musical icons come from. 



Watch:

I've struggled with Demián Rugna's 2017 film Terrified multiple times. I liked it, but I didn't feel for it as others who seemed to feel it was the scariest film in years did. My theory is this is due to the fact that I fell asleep during my first viewing (not the film's fault at all), and that tends to rob some film's impact for me. It happened to Duncan Jones's Moon, it happened to Denis Villeneuve's Arrival, and I'm pretty sure it happened to Terrified. Regardless of how I felt about it as far as being "scary," Rugna definitely crafted a confident, competent Horror film that I wouldn't hesitate to others. So it is with no small amount of fervor that I came upon Bloody Disgusting's posting of the trailer for his new film, Where Evil Lurks. Here's the trailer:


I was torn on actually watching this; as you know if you've been reading these pages lately, I've become very anti-trailer. In spite of that prejudice, and cautious that I might once again rob Rugna's film of power, I watched it and can happily confirm this is truly a 'teaser.' Well done, IFC. I can also say I am 100% in just for the sound design alone. Where Evil Lurks is supposed to have a theatrical run starting on October 6th, and will hit Shudder on the 27th of the same month.



Read:

Almost two years ago, I posted about giving up on Clive Barker's Scarlett Gospels. Well, I decided recently to give it another shot. 


I'm not really far enough to pass judgment again, but this definitely still feels less elegant than any other Barker I've read. The opening scene sees the five remaining Black Magicians in the world (?) resurrect a sixth, more powerful one to try and survive a culling carried out by The Priest (don't use that other nickname!), who is now working separately from The Order of the Gash, attempting to amass all the world's Magickal knowledge for some as yet unknown purpose. The scene begins rather poorly and doesn't really feel like Barker until "The Demon" shows up. Here, I still get a sense that Barker is overdoing the gross-out factor in a misguided attempt to recapture something of his past works - which were all elegantly revolting and not nearly as gauche - but I'm hanging in and hopefully coming to terms with this in a way that will allow me to A) finish the novel this time and, B) enjoy it. Reminder to self: This man is a genius, an icon, and any Barker is better than no Barker.




Playlist:

The Lucid Night - The Mystic Journey EP
The Lucid Night - The Celestial Voyage (single)
Lord Huron - Long Lost
Low Cut Connie - Tough Cookies: The Best of the Quarantine Broadcasts
Godflesh - Songs of Love and Hate
Repugnant - Epitome of Darkness
Carpenter Brut - Leather Terror



Oracle:

From Jonathan Grimm's Bound Tarot, which you can buy HERE. Just a reminder that Grimm's new Tarot Deck, The Hand of Doom Tarot, is both gorgeous and live on Kickstarter right now. Here's the LINK.


• Page of Cups
• X: Wheel of Fortune
• Queen of Swords

The Page or Princess of Cups is a card I associate with inner vision, and taken with the Wheel in this case, I see ideas growing to fruition. Therefore, good day to write. Balance all that out with the Watery aspect of Fire and I'm reminded I have a major distraction going on in Chicago at the moment. Reading all these together then, tells me to get the writing in where/when I can today - even a little will be productive.

Wednesday, February 27, 2019

2019: February 27th - The Chromatics' Nite Back in Print!



There's a whole slew of music re-released recently on Italians Do It Better, and of particular interest is The Chromatics' 2004 album Nite, long OOP and recorded/released before current lead singer Ruth Radelet joined the band. You can order Nite HERE; there's links at the bottom of the page for a ton of other music from both The Chromatics and Glass Candy, all on beautiful limited edition vinyl.

Now I just wish IDIB would release the old Glass Candy and the Shattered Theatre demos. I'd love to have Night Nurse, Love Love Love, or Brittle Women on vinyl.

NCDB:


Consistently entertaining as all hell:


Finally! The return of Punk's Not Dead! And the new mini series is titled, "London Calling." How awesome is that? Might have to spin some Clash today to prep.


Playlist from 2/26:

Firewater - The Ponzi Scheme
Young Widows - Settle Down City
Jaye Jayle - No Trail and Other Unholy Paths
Bob Mould - Sunshine Rock

Shockwaves Podcast #134 dropped last Friday and the back half of it is an hour-plus interview with Tobias Forge of Ghost. After the lawsuit by his ex-ghouls bringing his identity to light two or so years ago, I've avoided all interviews with the man. I think he's really adept at rolling with the punches, and the lawsuit hasn't hurt the band at all, though it has changed its persona's course for sure, but this one I couldn't pass up. You can find the episode (and all the others) on Apple Podcasts, Spotify, or wherever fine podcasts are desalinated. You can also go straight to the source HERE.

Finally, at 12:00 PM noon CT time, Mondo/Death Waltz is releasing the John Carpenter/Alan Howarth soundtrack to my favorite JC movie, Prince of Darkness, or as I like to call it, Prince of Fucking Darkness. You can grab that HERE, just know there are probably a bunch of fanboy motherF*&kers like me who have alarms set and intend to be sitting at their computer with their fingers poised over the Order button on Mondo's site.

No card today.