Showing posts with label Todd McFarlane Spider-man. Show all posts
Showing posts with label Todd McFarlane Spider-man. Show all posts

Thursday, October 20, 2022

The Days of Swine and Roses

 

I'm sure I've posted this particular MLWTTKK track here before, but it bears repeating. So much awesomeness. 




31 Days of Halloween:

10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One In Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
10/14 - Halloween Kills
10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space
10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth
10/17 - Behind the Mask: The Rise of Leslie Vernon
10/18 - Random Acts of Violence/Two Witches/Let the Right One In Episode 2
10/19 - 976-EVIL




Read:

After finishing Spider-Man: Kraven's Last Hunt on Friday, I surprised myself by digging out Todd McFarlane's sequel, the first five issues of his short-lived fourth Spider-Man series first launched in 1990 at the height of the artist frenzy that led McFarlane, Leifeld and a bunch of other in-demand zeitgeist artists to split off from Marvel and start Image Comics. 


"Torment" is a thinly written and now artistically dated sequel to Kraven's final story, wherein a villain named Calypso uses Voodoo to control Dr. Kurt Connors' deadly reptilian alter-ego The Lizard to attack Spider-Man. It's not terrible, but it's kinda close to terrible, especially the way Todd makes every issue start with narration that leads into the phrase "Rise Above it all" on the opening credits-splash. By issue two this gimmick felt forced, by issue five I could barely keep my eyes from rolling out of their sockets. Not to be a dick; this was McFarlane's first job as a writer, and I think that shows and was done better than a lot of first-time writers would have done. What doesn't help things is how busy his art is. Yes, it's awesome in terms of style, ideas and proportions, but there's just so much going on with each page that often, I just read the words and flipped to the next page instead of giving myself a headache trying to ascertain just what impossible contortion Spidey or the Lizard were in as they fought across a good half the pages in the overall arc. 


The first two arcs in this series had a huge impact on me when they first came out, however, for the most part, they have not aged well. That said, it's been at least 30 years since I've read these, so I figured why not? I'll probably go directly into the Wendigo/Wolverine storyline that follows Torment in issues 6-10. that was my favorite. I'll report back if that one holds up better.
 


Playlist:

Various - Every Day (Is Halloween) Chicago Industrial Playlist
Carpenter Brut - Leather Terror
Sisters of Mercy - Floodland
Joy Division - Unknown Pleasures
Here Lies Lucy - Heaven or HLL EP
Fantômas - The Director's Cut
The Soft Moon - Exister
The Cure - Pornography
London After Midnight - Kiss (Club Mix) single
Carpenter Brut - Blood Machines OST




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


Loud and clear. I have already realized that I've constructed a bit of a creative trap for myself lately, and a lot of it has to do with what these cards are very visually, on-the-nose saying: I'm drinking too much and it's tying my hands on my creative pursuits. I need to chill and get back into the routine I had going in September: Wake up by 8:00 AM so I can punch-out by 4:30 PM, then head out and spend at least an hour-and-a-half writing.