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See where I'm going with this yet?
Thursday night, I returned to the Landmark Cinema in West L.A. for a second theatrical viewing of Julia Ducournau's Titane, now holding steady as my second favorite film of the year. I brought two friends, stopped into the closest thing LaLaLand has to a neighborhood joint next door afterward for a beer and some discussion. All in all a great night, and one that was made even better when, on my drive home, I tuned into KXLU and found Fistful of Vinyl doing an all Misfits-covers set. Holy smokes, some great stuff. You can check out the full playlist HERE. In the meantime, this cover of 'Skulls' by Vera Sola ranked right up there near the top of what I heard, and every song I heard was fantastic. Check out her Bandcamp HERE,
I'm not a huge Monolord fan - in fact, I kind of don't understand why I don't like them more than I do based on all the ingredients they create their music with. I think it has a bit to do with how fanatical I am about Windhand, and the fact that you can really only listen to so many Doom/Stoner bands and feel a unique rush from them. Whatever the case, by saying all this, it is definitely not my intention to derate or downplay them. Monolord is a solid fucking band, with a couple really great records. I just get winded listening to them after only a song or two (most of the time).
This new track, however, is fantastic and feels just different enough that maybe this is their release I'll really become hung up on. Either way, Your Time to Shine drops October 29th on Relapse Records, and you can pre-order your copy HERE.
FUCK YES! I'm a little late with this one, as I've been so preoccupied with the new Perturbator that I forgot Z&A dropped a new track and announced an album coming out sometime in early 2022. I think; I swear I saw a February date when I first went to this song, but I can't find that any longer, so maybe I'm wrong and we'll get the album sooner. That would be fantastic!
This made me laugh out loud. Wow, I love Jello Biafra!
Ebb and flow, which is exactly the tactic I'm currently using to balance between another final (for real this time!) edit on Murder Virus, and working on Shadow Play Book Two. This is not normally how I work; jumping between books prevents momentum. However, I received the proof for MV and reading it as an actual book - as opposed to a document on a screen - is a lot of edits to the surface. Which is a good thing.