Better Lovers - Drowning in a Burning World

 

Absolutely LOVING the debut album by Better Lovers, Highly Irresponsible! You can snag the record from the band HERE, or listen on all streaming platforms. This shit will wake you up!

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31 Days of Halloween:

K and I got to see Hereditary on the big screen again last night. My third overall viewing of Ari Aster's breakout debut, and it still totally fucking ROCKS!

The fact that Toni Collete's performance was overlooked by the 'Industry' just solidifies what a pack of cunts they are.

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1) The Killing of a Sacred Deer

2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)

3) Loop Track

4) It's What's Inside/LONGLEGS

5) The Babysitter/Abbott and Costello Meet Frankenstein

6) The Hitcher/Lost Highway

7) GDT's Cabinet of Curiosities: Graveyard Rats

8) V/H/S Beyond

9) Killer Klowns from Outer Space

10) Terrifier 3

11) Summer of '84

12) Rosemary's Baby/Suspiria ('77)

13) Daddy's Head

14) Undead

15) Moloch/Tea Cup (episode 1)/ Evil Dead 2

16) Smile

17) Laura Hasn't Slept/Smile 2

18) Terrifier

19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)

20) The Woods

21) Rob Zombie's 31

22) Carrie 2: The Rage

23) The Bride of Frankenstein (1935)

24) Planet Terror

25) Baron Blood

26) The Blob ('88)/ The Thing/Tremors/Abigail

27) Halloween Kills

28) Over the Garden Wall

29) Hereditary

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NCBD:

Not much on my pull today. In fact, only one book. Is this the best we can do the week of Halloween, publishers? Really?

Okay, then, allow me to talk a bit about some books I picked up while in Chicago over the weekend. As usual, I stopped in at Amazing Fantasy Comics, and so far, my favorite thing I picked up was the first four issues of Horror Anthology Epitaphs From the Abyss.

This is Oni Press's revival of EC Comics, and I wanted to pay special attention to the editorial "mission statement" in the first book:

"From the earliest stages of this project, we've agreed amongst ourselves that it would be a fool's errand to try and produce a knock-off simulacrum of the original EC titles... Instead, we've challenged ourselves to imagine a world where the Comics Code never unceremoniously amputated EC's publishing line at the end of 1955 and, through that lens, what kinds of series and stories EC Comics would be producing for a new generation of readers eager to disturb and discover in the year of 2024."

Talk about the right way to approach an undertaking of this magnitude!!!

Look at these covers, courtesy of Lee Bermejo (issues 2-4) and Andrea Sorrentino (issue 1). Absolutely fantastic, and inside? Well, let's say where the revived Creepshow comic (and show) mostly leaves a lot to be desired, Epitaphs from the Abyss is a great read that takes familiar characteristics of the age we live in and turns them against us (even more than we already do ourselves!). 

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Playlist:

Sumerlands - Dreamkiller 

Revolting Cocks - Beers, Steers and Queers

Various - The Daptone Super Soul Revue LIVE at the Apollo

Uncle Acid and the Deadbeats - Blood Lust

Dinosaur Jr. - Sweep It Into Space

Deafheaven - Infinite Granite

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Card:

Today, we're going to take a look at XX: The Aeon.

From my own personal Grimoire: "The Pivotal Sequence - what comes next is upon you!"

Another note I have that catches my eye right away is "Holography- multiple outcomes contained within a whole."

For Crowley, this card was all about Nuit, arched above Horus, the Crowned and Conquering Child. Nuit is the doorway to the new Aeon. So much of Crowley's work revolved around the Age of Horus. Did it come upon us? Probably. Did it affect us? Definitely, although these kind of subtle energies never manifest as anything as gaudy as a flying saucer landing on the white house lawn or some politician tearing away their flesh to reveal a scaly visage beneath (not yet, anyway). These energies creep in through the back door of the human collective unconscious and change the world by changing us over time. I'm reminded immediately of Donald Tyson's bone-chilling essay, "Enochian Apocalypse" (read it HERE). I'm also reminded that in his Book of Thoth, Crowley has this to say, "... the child Horus is born... he is also solar in character, and is therefore shown coming forth in a golden light." To which I drew an arrow and wrote in the margins oh so long ago, "UFO???"

Now, that's not to say I believe in UFOs (or whatever they're called now), but the idea for the card is something arrives that will change your perception of what is real or possible. The very definition of a new Aeon, eh?

Day Tripping

 

Let's perform sacrilege: I'll take this version of any of these three songs over the original Beatles version any day of the week. 

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Watch:

 

 Holy shit, I got chills on that final image. Chills - and I have no attachment or experience with the Jane Foster Thor storyline from the books. Trust in Taika.

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NCBD:

Small haul this week. 

If that isn't the most Metal cover since Daniel Warren Johnson's Beta Ray Bill series last year, I don't know what is.

This cover has me extremely excited to see where Donny Cates is taking this book.

Speaking of books I need to re-read and catch up on, The Nice House on the Lake is long overdue for me to reconnect. I keep toying with the idea of just waiting until the entire thing is out, but I'm kind of chomping at the bit to see where the story has gone in the last two issues since it returned after hiatus, and also to re-read those first six books and see what I missed. 

I finally read last month's We Live: Age of the Palladions White #1 and Black #1. I dig it, might be bowing out, but I dig. I think the thing that endeared the first volume of this one to me was how it began as kind of a Girl with all the Gifts apocalyptic story and then, in the last pages of the final issue, became something totally different. Now that the new paradigm has been established, I'm not as interested as I was before. I'll always be thankful I stuck with that first series, though, just to see the transformation. 

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Playlist:

Various Artists - Nativity in Black: A Tribute to Black Sabbath

Black Sabbath - Technical Ecstasy

Sepultura - Black Steel in the Hour of Chaos (single)

Black Sabbath - Master of Reality

Perturbator - Lustful Sacraments

Perturbator - Dangerous Days

Sepultura - Chaos A.D.

Alice in Chains - Sap EP

Sepultura - Quadra

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Card:

I've already been feeling as though there's a shake-up on the horizon. This makes me think it's sooner rather than later. 

Dreaming of A Dream Away

If you listened to Bret Easton Ellis' The Shards, you know that it ended this week. And if you listened to that ending, you'll know why I posted this song. 

*The counterargument says Bret is referencing Blondie's "Dreaming", but I feel that one mindful comparison between these songs makes it pretty clear that he's referring to this one).

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NCBD:

ASM #73: One left after this. I have NO idea what the hell is about to happen, but I sure as hell am enjoying the build-up. 

Deadly Class #48: Each of the last two issues literally dropped my jaw at one point, so we'll see. My guess is the series will end at 50 and Rick Remender is just being very protective of that fact. There's also a part of me that thinks this might be the end. We'll see. The book definitely feels as though it's winding down, and with it being the last of the original Giant Generator books Remender launched back in 2014 (I think) when he announced his departure from Marvel and sole focus on creator-owned stuff, it definitely feels like we're in the home stretch.

Defenders #2: The first issue was pretty cool, and Javier Rodriguez's art very much reminded me of J.H. Williams III's art on Alan Moore Promethea, which is a HUGE compliment and HUGE pull for me on this one. Rodriguez creates a very interesting and unique visual world, and I can't wait to see more of it.

The Last Ronin #4: At this point, I'm definitely needing a reread of the entire series just to get the proper context for this new issue. I'll end up reading it anyway (I won't be that ill-prepared, as Last Ronin is, at its heart, a classic story archetype, which is why it's so damn fulfilling to begin with), and save the reread for after the next (final) issue hits. 

The Me You Love in the Dark #2: I really loved the set up in issue one, so let's see where this one goes. Rooted in what feels like classic Haunted House tropes, I'm pretty sure this will do anything but hit the standard marks. 

MOTU: Revelation #3: Super tight story so far, a perfect accent to that Netflix series, which I find it hysterical to watch all the MEN cry about its storyline following... gasp! - a girl! Gimmie a break. One of the best things about the new show is I only had to hear "By the Power of Grayskull!" Once. Well, twice, but if you watched it, you know what I mean.

The Nice House on the Lake #4: No idea where this one is going, but I'm really enjoying how it appears to be taking its time, developing the situation through the development of the characters

Star Wars: War of the Bounty Hunters #4: This one's been so-so story-wise, but it makes up for that by being the first comic I've read featuring the one group of SW characters I never get tired of: The Bounty Hunters! (obviously)

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Playlist:

K's Zeal and Ardor Playlist

Miranda Sex Garden - Fairytales of Slavery

K's 60's Playlist

David Essex - Rock On

T. Rex - The Slider

The Cars - Eponymous

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Card:

Moving into a new chapter. 

The Empty Spoils of Power

 

This one's been in my head since I broke out Ice-T's sophomore record Power a few days ago. Interesting how something that, technologically speaking, sounds so archaic, could be so catchy. Is there hope for those old-school 80s sounds yet? You know, the ones that came preloaded on consumer-grade Casio keyboards by the time we hit the mid-90s? The Night Court bass, Pan Pipes and the like? Maybe. I believe that's what a contingent of artists that hovered around the moniker Hypnogogic Pop attempted in the 00s, but in many cases, that attempt failed. IMO. Hearing this track now though, perhaps the time is ripe for someone new to come along and reclaim some of these weird 80s textures.

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Watch:

Having read the two comic series as they came out, the first in 2014, the second a year or two ago, I enjoyed Cullen Bunn's The Empty Man, so when I saw there was a movie, I became both excited and hesitant. Then I saw Lustmord did the OST, and I knew I had to watch it.

I dug this one. The ending fell a bit flat for me, but overall, Director David Prior really conveys a heavy sense of forbidding that was a blast to experience. There's a great sense of dread - made palpable at times by Lustmord's brand of creepy cosmic textures. The funny thing is, in watching this, I don't believe it felt so much like an adaptation of the material from the comic, as much as it did the comic if it had been a novel by Laird Barron. 

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Playlist:

 

Christopher Young and Lustmord - The Empty Man

High On Fire - Blessed Black Wings

John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST

ILSA - Preyer

Roy Ayers - Ubiquity

 

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Card:

 I'll be paying special attention to Big Ideas today.