Drinking with Comics Issue #9

PodCrashed by Chris Gore! Recasting the Avengers, Batffleck, Saranac White IPA and the worst comic book cover gimmicks of the 1990's (Chromium). Plus, a whole lot more!

Crystal Castles - Year of Silence

Working on the novel to this right now. LOVE Crystal Castles II. The other two records... not so much.

Horror and Kelley Jones' The Hammer...

image courtesy of readingbypublight.blogspot.com

... are the topics of discussion in this week's Thee Comic Column on Joup.

HOLY!!! NEW FAITH NO MORE

One of two new Faith No More songs performed earlier at Hyde Park in London on July 4th, 2014. Thanks to Bloody Disgusting for posting about this. And thanks to youtube user Felipe Faúndez for having the best audio on one of these I've found yet. 

Don't know the name of this song yet. I've seen a bunch of guesstimates but that's napster-era 
crap. The band will name it when they're ready to name it.

Big Black - Bad Penny

Big Black's Songs About Fucking came out in 1987. Ministry's Twitch came out in 1986 and their follow-up The Land of Rape and Honey came out in 1988. I'm a massive Ministry fan, especially their late 80's period, so this is not meant to be a critical or derogative observation. My theory has always been that the change in Ministry's sound during this era, while not directly obvious in terms of sonic texture, was definitely influenced by Big Black's drum machine-driven sound. Bad Penny is possibly my favorite song on an album where I adore every track.

Ti West's The Sacrament

image courtesy of wikipedia.org

It has definitely been hard for me to find time to post things here, so allow me to play a bit of catch-up on this wonderful three-day weekend.

I first encountered Ti West when my good friend Dennis showed me The Roost. Now, The Roost isn't an amazing film, but it's good and fun and it really left a lasting impression on me. Treated so that it plays on your screen as though you're watching it late at night in 1986 on a UHF station The Roost is creepy and visually fuzzy and features a wrap-around that seals the deal in my opinion. After that it was a very long wait from the time Mr. West's follow-up The House of the Devil was announced to the time it was actually released. I'd had something like two or three years to stoke my anticipation for The House of the Devil and when it finally played at the one theatre in Los Angeles that it did I took my friend Michael and we were both blown away. This is still one of favorite horror films of all time and I wrote an open letter to Mr. West on my then-stomping ground CHUD.com telling him how much I appreciated someone making a movie of this calibre - let's face it, at that time horror was in perhaps the worst era it'd been in for a while, with a lot of promising films stalled or fighting for distribution (ie Satan Hates You, off the top of my head) and a lot of shite being bandied about by major studios.

I went back and brushed up on the one Ti West film I'd missed, Trigger Man, and found it to be an exercise in efficient indie film making. Trigger Man is a very low-budget but very effective film about very real horror - several friends on a hunting trip in Upstate New York are pinned down by a sniper and slowly picked off one by one. Not as immersive as The House of the Devil - but then not a lot is - Trigger Man stayed with me for a long time after I watched it and served as a nice appetizer as I awaited West's next film, The Innkeepers.

Again, I don't love The Innkeepers as much as I do THOD, but as an entry into the timeline of a director I've long thought will evolve into one of the best of this era it's an important piece. The words slow burn, usually associated with Ti West's films, is appropriate here, however in The Innkeepers Mr. West plays with the idea and consistency of the film's tone in a way that, while it doesn't completely land, made the film interesting and enjoyable in unexpected if uneven ways and no doubt served to strengthen his overall approach/style.

West's entry into the original V/H/S is one of the most disturbing things I've ever seen in a cinema.

Now, The Sacrament. Holy cow, this film just blew me away.

I don't want to say too much, but The Sacrament had me from the opening text. The modern media framework for the story is a fantastic storytelling device and the story itself is both fascinating and horrifying, especially as it takes its cues from a real-life incident. And the acting is top notch. Joe Swanberg and AJ Bowen are becoming must-watch players in the indie realm for me. Gene Jones deserves to at the very least be nominated for an oscar for his performance and Kentucker Audley's portrayal of the character Patrick is, at his end, so chillingly realistic as to engrain his name in my psyche for all time.

The Sacrament is on VOD right now and it's worth every fucking penny. My suggestion? A pair of good headphones to make the immersion complete.

New Shellac Record Dude Incredibe...

...will be released on Touch and Go Records on September, 16th. You can pre-order the record, which is a paltry $21 for 180 gram vinyl that also includes a CD, on Touch and Go's site HERE.

I am extremely excited for this record. It's been seven years since Shellac's last record, Excellent Italian Greyhound was released. Dude Incredible was, as all Shellac records are, recorded in full analog glory. If you should know anything about guitarist/vocalist Steve Albini it's that he's an analog loyalist. If you go back to one of Mr. Albini's earlier bands, Big Black, specifically their 1987 seminal record Songs About Fucking you'll find that the back cover harbors the famous quote, "The Future Belongs to the Analog Loyalists, Fuck Digital". Mr. Albini is known to record on two inch tape (glory!) and of course he takes it one step further. While there are a handful of bands and artists that still use the analog recording medium, far fewer of those few actually take it a step further and master their records in the analog realm:

"Audio quality is paramount, as always, with Shellac. The LP was mastered entirely in the analog domain, using the DMM (Direct Metal Mastering) process. The LPs are being manufactured at RTI in Camarillo, CA using their HQ-180 system. The pressings are 180 gram audiophile quality."

-quoted from the above-linked pre-order page at Touch and Go Records.com

La Volt Streaming Live In Moments!

image courtesy of the band's Facebook

WORLD TIMES for La Volt Live Stream but if you don't catch it, it will be archived! 
LIVE FEED LINK: http://gigity.tv/event/80452/
10PM EASTERN
9PM CENTRAL
8PM MOUNTAIN
7PM PACIFIC 
12 NOON (Saturday) - Melbourne, AUS... See More

Pacific Rim 2 Announced!

YES! I absolutely loved the first one.

Drinking with Comics Issue #8

The issue that puts the "drinking" back in Drinking with Comics! Special guests Robin Thorsen of The Guild and Havenhurst creator Tanya Bjork!

White Zombie - Blur the Technicolor

I tend to listen to a lot of metal at work. It helps keep me moving and awake - important when you wake up at 4:30AM. Recently I dug out White Zombie's Astro-Creep:2000 and put it on my iPod. I've probably played fifty times since, sometimes multiple times in a row.

In my opinion, while Zombie's solo career has always been mediocre at best, this record and especially this particular song still sound as damn good today as they did what? Twenty years ago when they were released?

That wah guitar sound is out of this world.

Savages - Fucker

New Fucker/Dream Baby Dream 7"! See what you miss when you drop out for a few? I had no idea this was released back in May. Gonna order this now (HERE), as Savage's 2013 debut Silence Yourself is still one of my 'go-to' records on a weekly or even sometimes daily basis. Dark, jagged British post-punk.

Wait a minute, didn't even realize it at first. The Dream Baby Dream is a cover of the Suicide song! Awesome.

Frank Booth's What's That Smell

What's That Smell" by mindexpands

How have I never known this existed? Many great and hallowed thanks to my good friend Ray for turning me on to this.

Perturbator - Satanic Rites

I've had a slow start on buying music since the turn of the new year, now an unbelievable almost seven months ago. Because of my continued work on Drinking with Comics I've spent much of the time and money I would usually put into music into comics. Couple this with the intense amount of work I've been pouring to my novel, ShadowPlay Book One: Kim and Jessie and my 40+ hours a week I spend in the Cryogenics Lab at my day job new music has just been hard for me to keep track of/partake in. If it wasn't for Heavenisanincubator, the installments my colleagues Grez, Chester and Tommy provide for Joup's Friday Album column, and of course the mighty Brooklyn Vegan and Bloody Disgusting, I would be fucking lost. In the digital age, if you stop to catch your breath for a moment everyone you've been trying to keep track of releases an album all at once!

Recently I began to remedy this. Within the last two or three weeks I've bought several of the records that have been on my list. The Afghan Whigs' return album Do To The Beast, Liars' Mess, Swans To Be Kind, In Slaughter Natives' Cannula Coma Legio and Perturbator's Dangerous Days. I won't say I like any one of the bunch better than the rest, they're all perfect examples of awesome for the particular moods they suit, however thus far I've definitely clocked the most miles with Dangerous Days. Satanic Rites is one of my favorite tracks on an album that consists entirely of favorite tracks.

Interested? You should be. GO HERE and name your price for the downloadable album or buy the JUST re-pressed digipak CD, which I missed getting by about a freakin' day. The art alone is worth it for the tactile copy.

The Children of Old Leech

image courtesy of WordHorde.com

News of The Children of Old Leech reached me about two weeks ago or so when Mr. Barron blogged about it and the news really made my day! A tribute to the mythos of Laird Barron (pre-order it HERE). Hot damn! Have I mentioned here, as I have repeatedly on Twitter, what a 'cosmic horror' phase I'm going through at the moment? It began with Nick Pizzolatto's True Detective, which in turn made me finally begin Robert Chambers The King in Yellow - a book that had been on my radar since acquiring the totally awesome coffee table book The Art of H.P. Lovecraft's Cthulhu Mythos several years ago, the first place I heard of The King in Yellow. Laird Barron's work shares some of the DNA of these weird horror classics but it is very much it's own thing. Mr. Barron's skill with the short story is among the best I've encountered and every story I read by him is an absolute pleasure on the brain. He has several collections, not anthologies so much as what he so wonderfully calls mosaic novels. All of them are great. He also, thus far, has one novel and one novella. If you're unfamiliar with his work my suggestion is to just start at the beginning and work your way through it.

The Imago Sequence - mosaic novel
Occultation - mosaic novel
The Light is the Darkness - novella
The Croning - novel
The Beautiful Thing That Awaits Us All - mosaic novel

The Empty Man... and Trees... and The Superannuated Man

image courtesy of ComicBookResources.com

... is the topic of today's Thee Comic Column over on Joup.

Come to think of it, I've been so busy I've not posted the last two links for my column here. Let's remedy that now because last week's was Warren Ellis and Jason Howard's awesome Trees:

image courtesy of BrokenFrontier.com

And the week before that was Ted McKeever's new book - which I am in love with - The Superannuated Man!

image courtesy of ImageComics.com

New In Slaughter Natives!!!

Thanks to my good friend Chris Widerstrom for the heads up on this one. Pre-ordered mine today. Can't wait - there is just no way to describe the ISN sound without using the words "Horror" and "Apocalypse".

Pre-order Cannula Coma Legio Here

Drinking with Comics Issue #7

We spent last Monday shooting the main part of the show and then Wednesday shooting the True Detective send up intro sequences. Edited all day Friday. I think it was worth it. I have a lot of other ideas on what to do with the show, starting down that road now that we essentially have the main formula down.

RIP Jay Lake

I'm late with this. My good friend and proprietor of my favorite Southbay bookstore The Book Frog Rebecca Glenn contacted me a week ago today to let me know that author Jay Lake had passed away. Several years ago, after wanting to read one of Mr. Lake's books for years I found myself in Berkley, California's Dark Carnival books and it was here that I acquired Pinion, which at the time I mistakenly took to be the first in Lake's Clockwork Earth series. Later I realized Pinion is actually the third book in the series, and it was Becky who ordered the first two, Mainspring and Escapement for me. They are wonderful books and although I only knew Jay Lake through his fiction I'm saddened by his passing. If he was any bit as grand as a human as he was as an imaginative author - which all personal accounts I've read in the past week confirm that he most definitely was - then the Earth lost a marvelous soul last Sunday.

As Kevin Smith would say, big bucket of win.

Brandon Cronenberg's Music Video

I am completely unfamiliar with Animalia's music but this video... wow. The young Cronenberg is definitely keeping his father's 'body horror' alive and well. Antiviral made my best-of films last year. And now this simply made, very effective video. Watching this now I realize that I would very much like a new film by Brandon Cronenberg soon. Please.