Drinking w/ Comics #26 - the Halloween Issue!

Mike and I really get into swapping scary comics recommendations: Mike Mignola's Jenny Finn and Batman/Lovecraft mash-up The Doom that Came to Gotham; Tomb of Dracula; Jason Martin and Bill McKay's Night of the 80s Undead; Alan Moore's Swamp Thing; Joe R. Lansdale's Jonah Hex and The Drive In, and the Vertigo Comics' adaptation of William Hope Hodgson's insanely creepy House on the Borderland it's kind of like Fall of the House of Usher with Malevolent Pig monsters!). Also, we drink Ninkasi Brewing's Dawn of the Red India Red Ale and their Sleigh'r Imperial Pumpkin Ale and talk a bit about the new Marvel re-launch.

James O'Barr's tragically beautiful comic The Crow...

... is the topic of this week's edition of Thee Comic Column over on Joup.

Brian K. Vaughan and Cliff Chiang's Paper Girls has arrived...

... and it's the topic of my weekly comic book rant over on Joup in this week's edition of Thee Comic Column.

New Besnard Lakes!

I always love typing the three words that comprise the title of this post. Because a new record from The Besnard Lakes is a joyous thing to me and they never disappoint. Listening to this makes me reflect on what an awesome arc this band is riding, and I am as sure that I'm going to find it hard to wait until 1/22 when A Coliseum Complex Museum is released on Jagjaguwar as I'm sure it will make my top ten of next year. That's how good the Lakes are - the time for drawing up that list is still fifteen or so months away and I'm already reserving one of those year-end slots for this record.

Alice Glass - Stillbirth

I was late finding out Alice Glass left Crystal Castles. I had mixed feelings about it. Crystal Castles II is, in my opinion, one of the best records of the first decade of this century. The follow-up still has not opened to me and I am unsure if it is me or if it's just not really that good (even though I always assume it's me in situations like this where an artist has previously proven themselves, after three years I'm leaning toward the latter). Ethan Kath, the other half of CC released a new track as well and it was that track that I heard first. It kinda just sounds like he found a new girl - Edith - to sing like Alice. I might be wrong here, but that was my first impression and I've not been back since for reappraisal. Alice Glass's Stillbirth however is new ground for her, and I'm digging it and the message she released with it (read it on PiFk here) so although I'm waiting for more from both sides, at this point I'm more interested in Ms. Glasses direction.



And just for old times sake, one of my favorite CC songs from II. Well, on that record they're all my favorite, so this is just the one that fits my mood more at the moment. This song sounds like being drugged out and wandering the hazy, recessed lighting corridors of a hotel at 2 A.M. That's not what I'm doing, but it's my mood.

RIP Catherine Coulson

My log is sad. We will miss you Catherine Coulson, you and your Log...

What You Can Find When You're Not Looking...

As good as I can be burrowing in and finding obscure music in the worlds of Rock, electro, Metal and Avant Garde, the two areas of music I dig that I have trouble finding a foot in the door with is the more obscure, rootsy Soul and Gospel music of mid-twentieth century America. I always get a twinge of jealousy when I hear something in a movie or find it mentioned in a book, find it and then realize that other than that particular piece or artist, I'm stumped. A lot of this is just a facet of inkling and time, as I'm sure if I really burrowed into a group like the Del Fonics - who I was formerly introduced to in Quentin Tarantino's film Jackie Brown - falling into the associated chains of wikipedia pages associated with them and their producers, etcetera, I'd probably come up with some more artists to sate my thirst for dusty old Soul. That hasn't happened though; I'm overly self conscious in these areas and I tend to require gatekeepers. Irvine Welsh's novel Skag Boys turned me onto the tradition of Northern Soul - which previously had simply been the name of my favorite album by The Verve - and newer artists like Jamie Lidell, Charles Bradley and Alabama Shakes make access to the genre's evolution easier than digging, but it's just not the same thing, finding a new artist or finding an obscure, older artist. And really, I'm not even addressing Gospel here, as so much of that isn't easily accessible. In the 60s and 70s almost anyone can and did press records - you see evidence of this in thrift stores all the time - but today? Well, today we have youtube, which I am seriously beginning to believe is the collective consciousness of the human race made accessible. 'Cuz everything is on it. Case in point, Pastor T. L. Barrett and the Youth for Christ Choir. Listen to this, it's awesome! But how did I find the music of a neighborhood Chicago Pastor and his Choir? How did I pull that from the din?

I found this via a gatekeeper: the cool, hazy sample that ends the Algiers record? It's from this. I love the way that sample ends the record; it has a cosmic, time-machine flavored influence that reminds me a lot of the looped sample that ends Zen Guerilla's cosmic masterpiece Positronic Raygun.

And then once I started researching off the Algiers sample I found that, of course, this is another case of the absolutely amazing Light in the Attic Records has put out some of this man's music.

Yes, that's Isaac freakin' Hayes w/ Barrett. ISAAC HAYES!!!

I need to remember that: Light in the Attic. Always check back in with them. Get on their mailing list (why didn't I do that right after the first Black Angels E.P.? Or after the Louvin Bros. Or the Donnie and Joe Emerson record?

(Pause while I actually go do that...)

Then it gets even weirder. Go to the short bio for Pastor Barrett on LITA's site, right here. Being from the South Side of Chicago I remember when these pyramid schemes were big news. Crazy how something like my favorite album of the year so far - that immaculate Algiers eponymous - can bring something from so long ago back around again.