As the wait for the next Perturbator records near neigh interminable lengths, and the knowledge that James Kent is leaving his former 'genre' behind, I've begun to clamor for more dark, brooding synthwave. Bandcamp remains a fantastic place to find what I'm looking for. Case in point, this week's Sunday Bandcamp spotlight on Dance With The Dead. I haven't made it very deep into their discography, but after absorbing Near Dark yesterday, I intend to do so in the very near future.
Sunday, September 20, 2020
Saturday, September 19, 2020
Isolation: Day 190
Musick:
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Friday, September 18, 2020
Isolation: Day 189
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Thursday, September 17, 2020
Isolation: Day 188 - Synchronic Gets a Trailer
I feel like I have been waiting for a long time for the new Benson and Moorhead. These guys look to be at the top of their game with Synchronic, they certainly have a lot more money behind them here. I see big things ahead for these two, can't wait.
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Wednesday, September 16, 2020
Isolation: Day 187
Musick
Another track from the upcoming eight album by The Ocean. Love this video, and love the song. The Ocean is still one of the bands that carry the metal through the 00s for me, and one that still feels as though they are reaching to continually change the landscape of the genre.
The new album, Phanerozoic II: Mesozoic I Cenozoic is out on September 25. Pre-order HERE.
NCBD
Not a lot of books this week, but one, in particular, I've been waiting for his Dead Day #3.Tuesday, September 15, 2020
Isolation: Day 186
Musick
I've been in an Electric Wizard mood lately. Here's one of my favorites from 2011's Black Mass, probably my favorite of the group's.
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Monday, September 14, 2020
Isolation: Day 185
Music:
Wow. This just blew me right the F&*K away. This year's Underneath is already on the shortlist to be on my top ten albums of 2020, this perfect cover of Alice in Chains' immortal 'Down in a Hole' may just put the newly released Under the Skin live album on that list, as well.
This is one of those songs I can't hear without a slew of emotions, thoughts, and sensations from high school coming flooding back. That kind of emotion juxtaposition usually doesn't translate to covers. That is definitely not the case with this one.