Friday, November 11, 2022

Lynne Davison's Mandrake

 

Opeth isn't the only band that breathes November to me. TV On the Radio has also long been synonymous with the penultimate month of the year, though I'm not entirely sure why. With both bands, I think it goes back to the first couple of years after I moved to L.A. I was really digging in and establishing myself, and I spent a lot of time listening to music (as I always do). Whatever the reason, TVOTR is always a band I "feel" more when the skies are grey and the air has a nip to it.




Watch:

Yesterday I watched the latest film to hit Shudder, Lynne Davison's Mandrake. Super solid Irish Folk Horror. 


If you dig flicks like Lorcan Finnegan's Without Name or George Popov's The Droving, you'll dig this one. Very subtle, brooding and ominous. Here's the press solicitation:

Mandrake follows probation officer Cathy Madden, who is given the task of rehabilitating notorious killer ‘Bloody’ Mary Laidlaw back into society after twenty years of jail. Cathy has always believed that every client deserves a shot at redemption, but her beliefs are firmly tested when two children disappear near Mary’s farm.

This is the kind of movie where the setting is as much a character as the actors, and Davison and crew could not have chosen wiser. Mary's "farm" has so much character, you can practically smell the place whenever the film takes you there. Mary herself, played by Derbhle Crotty could not be creepier in her stoicism, leaving you wondering about her motives and machinations pretty much from the first time she appears on screen. Likewise lead Deirdre Mullins's aforementioned Officer Madden. Mullins plays this character so close to the chest that you can feel the disappointments in her history before they're ever mentioned in the film. 

Over the last year, Folk Horror has become such a thing that I went from being excited by it to having a healthy dose of skepticism whenever a new film hits. Mandrake, however, is quite solid and a definite recommendation for those nights when you're looking for something more cerebral and less bombastic. Not that there isn't blood, because there most certainly is that, too.




Playlist:

Opeth - Watershed
Electric Wizard - Dopethrone
Boy Harsher - Lesser Man
Revocation - Teratogenesis EP
Revocation - Netherheaven




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


A lot of emotional work ahead in order to advance to a place where those 'feelings' won't interfere with my better judgment. 

Thursday, November 10, 2022

Christmas Bloody Christmas!

 

I think I'm going to need a heaping dose of sonic autopsy from Electric Wizard to wake my ass up today. K and I went and got our Boosters yesterday, and in line with all the other iterations of this, it knocked me on my ass, so I didn't sleep all that well, and I'm struggling to get through work today.

Any band that names a song (or part of a song) after Weird Tales are gods in my book. 




Watch:

That which I have been waiting for has finally arrived:

 

Since Heavenisanincubator turned me on to Joe Begos' ultra-violent SciFi mind-fuck Almost Human many years ago, I've been a fan. I corralled a bunch of friends to go see Begos' follow-up Mind's Eye at Beyondfest in 2015 and repeated that in 2019 for the Bliss/VFW double-header. Knowing Christmas Bloody Christmas would land this year, it reigned as my #1 "Gotta get tickets" film for this year's Beyondfest, but Murphy's Law dictated that the viewing occurred on the same night I'd bought tickets to see Zeal and Ardor. I don't regret the choice, however, it's been ribbing me ever since. Now that the trailer is here, I'm even more excited to see Begos' latest film. He just delivers the kind of violent trash (I mean that as a compliment, of course) that puts me back to the world of my childhood, and his visual and musical aesthetic aligns very much with my own. 

With the line "in theatres everywhere" attached to the film and the fact that I just saw Damien Leone's Terrifier 2 at the Regal in town, I'm hoping CBC lands here, too. If not, I've been plotting where I might have to drive to see it. Because oh yes, I will drive to see this.




Read:

Here's another NCBD addendum. On a lark, I picked up the first issue of Specs, published by BOOM studios, created by David M. Booher and Chris Shehan.


Very solid first issue. Obviously, the cover gives off They Live vibes, but that's not really the case. The set-up is the two main characters get a hold of wish-granting Specs that turn their life upside down and by the looks of it, there will be fallout. I dug this issue enough that I'll definitely be coming back for more.




Playlist:

Opeth - Watershed
Electric Wizard - Dopethrone
The Neverly Boys - The Dark Side of Everything




Card:



From the Grimoire: "Let things develop before making another move." Loud and clear. 

Wednesday, November 9, 2022

Madrigal/The Amen Corner

 

From Opeth's 1998 My Arms Your Hearse. These are separated as two separate tracks, so props to efrain23 for posting them together. 




NCBD:

Can't wait to get into Rick's Comic City and pick up my books later today. Here's what I'm grabbing off the shelves for NCBD:


Hobgoblin may be the character that first got me to pick up a Spidey comic as a kid - I think my first was the famous Amazing Spider-Man #289 back in 1987. I've talked here before about how I never really followed any Spider-book on a monthly basis, only jumped on when the story/cover looked appealing to me. Hobgoblin was always a draw, and it's cool to see him - ah, them? - back again. After all, what's better than a Hobgoblin appearance? Two Hobgoblins! 


The penultimate issue. Daniel Warren Johnson's Do A Powerbomb is definitely a series of continued gut punches, and for the second year in a row, DWJ's leading my "Best of 2022" comics list. 


Benjamin Percy's Ghost Rider has kept me around, despite being slightly uneven. Issues that I expect to flop - like the one with Wolverine as a guest star - blew me away (so f**kin' gory!), but often after those tentpole issues, the series feels a bit by the book. I think I'm wrong, though, and I'm hoping the change at the end of issue 7 marks new territory. I don't love the implications of this cover, however, I've been reading comics long enough to know an arresting image like this will probably play no part in the actual issue.


This Moon Knight series is another that continues to defy my expectations. Marvel is really developing the "Midnight Sons" corner of their universe, most likely to usher in an eventual leg of the MCU, and that's alright in my book. In Moon Knight alone we've recently had Vampires and now Werewolves, so who knows where this is going.


J.M. Dematteis returns to the Kraven's Last Hunt lore? I'm in. 


In an interesting coincidence, I just caught up on The Nice House On The Lake over the weekend, so I'm ready for this, another penultimate issue. I'm not really certain how this book will wrap up by #12, but I have learned to trust the Tiny Onion.


I'm now three issues behind on this series; time to get my ass in gear. What a cover!




Playlist:

Pailhead - Trait
Lard - Pure Chewing Satisfaction
Cocksure - K.K.E.P.
Lustmord - The Dark Places of the Earth 
Tangerine Dream - Force Majuere
Tangerine Dream - Sorcerer OST
Opeth - My Arms Your Hearse
Opeth - Watershed
Type O Negative - Bloody Kisses (digipak)
Trust Obey - Fear and Bullets (1998 Edition)
Ghost Bath - Moonlover




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


A Breakthrough that leads to increased assets inspires determination and a new willingness to take on extra burdens. Vague, but it fits something in my life perfectly (I think).

Monday, November 7, 2022

In the Mist

 

A little old-school Opeth to kick off the week. From their 1995 debut Orchid.

I spent more time last week listening to the newer Opeth albums than I ever have before, and still, nothing after Watershed really sticks with me. I wasn't a fan back when these early, Candlelight/Century Black records came out; I didn't buy my first Opeth album until the early oughts (Deliverance), and I didn't become what I would call a huge fan until shortly before the aforementioned Watershed, an album I never really connected with either, until last week. Watershed has its moments, but previously only ever served to make me miss the band that recorded the albums before it that I like. My circuitous point here is I can't claim the same prejudice against the band's conversion to prog-rock that older fans do, who witnessed the evolution as each successive record came out, but like many others, I miss the teeth from the band's early and even mid-career music.

So I'm pulling out the triple-disc rerelease those first three records received in the mid-00s and digging in. 




Play:

I hadn't really picked up my Switch to continue my pilgrimage in Game Kitchen's Blasphemous in some time, so Sunday I spent a good deal of time on it while editing the 100th episode of The Horror Vision. I made quite a bit of progress, and am now approximately 93% finished. Lots of surprises in this game, which so reminds me of Castlevania and, in some ways more so, Castlevania II: Simon's Quest. The most unexpected event I encountered so far is a hidden room that houses an arcade game, which you have the option to play. Here's a playthrough video from youtube Psychobeats, link to their channel HERE.


Very cool stuff. I can't wait to see what else this game has in store for me. For now, I'm trapped battling my way through "Mourning and Havoc" one of the more difficult levels I've encountered in the game.




Playlist:

Forhist - Eponymous
John Carpenter - Alive After Death
The Besnard Lakes - The Last of the Great Storm Warnings
Jello Biafra and the Guantanamo School  of Medicine - White People and the Damage Done
Lustmord and The Ocean - Primal (State of Being) (Single)
The Ocean - Phanerozoic I: Palaeozoic
The Final Cut - Consumed
Miami Nights 1984 - Sentimental
Sade - Loe Deluxe
Boy Harsher - Lesser Man
Thelonious Monk W/ John Coltrane - Eponymous
Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry
Alice in Chains - Eponymous
Barry Adamson - As Above So Below
Cory Wong - Power Station
Orville Peck - Pony
Orville Peck - Bronco
Ghost - Impera
Def Leppard - Pyromania
Tim Waits - Rain Dogs




Card:





Friday, November 4, 2022

Terrifier 2

It's funny. Two weeks ago today, I woke up and saw Boy Harsher had dropped a new single. I posted Burn it Down that day, hoping it heralded an upcoming full-length, not realizing less than twenty-four hours later, I would sit down in a cinema and hear the song featured in Halloween Ends. Then, last night, I went to see Terrifier 2 (at a Regal no less, which is just INSANE) and was overjoyed to hear "Pain," from the band's 2018 album Lesser Man.

Very cool to see these two blowing up. I love their music.




Watch:

I don't know what it says about our society that Terrifier 2 is having a pretty big run at big box theatre chains, and likewise, I don't know what it says about me that I liked it as much as I did. I'm still uncomfortable with the revelry these two flicks place on violence, but there's a larger picture emerging that has me quite intrigued. 

 

 Looks like my 31 days of Halloween are still going.
 


Read:

Holy cow. X-Men: RED absolutely blew me away this month. The level of planning, plotting and story architecture at work in the X-Books these days is pretty staggering, but the revelation of Abigail Brand's agenda is awe-inspiring. 


There's something magical about the way this book meshes the cosmic Marvel Universe - Nova has been regularly seen in its pages - and the X-Men. Previously, even when Chris Claremont took his Uncanny X-Men book into cosmic territory - usually with the Sh'iar - I always kind of tuned out. I never cared about Lilandra, Gladiator or Cycolops' father and his team of space swashbucklers, or whatever they were. But something about SWORD vol. 2 and now X-Men read, the overall story they're telling and the galactic stage they've set, it's really working for me. (I still don't care about the Sh'iar, who figured prominently in this book, however, I will say that the crimes they are on the brink of war for are very intriguing). 

Oh, and I'm back to loving Cable. Who knew that would happen?




Playlist:

Opeth - In Cauda Venenum
Opeth - Watershed
Opeth - Deliverance
Ritual Veil - Wolf in the Night EP
Various - Terrifier 2 Soundtrack Playlist
Boy Harsher - Lesser Man
Bragolin - I Saw Nothing Good so I Left
Miami Nights 1984 - Sentimental




Card:


A new venture brings success and balance. Not gonna lie - kind of needed this after that murky year-end pull. 

Wednesday, November 2, 2022

Heart of Rust


A little Thirsty Crows to kick off the day. Man, I miss these guys. Really wish we would have gotten a second album. That said, every song on this one is gold, so Hangman's Noose stands as a testament to an awesome band!




NCBD:

Another Wednesday means another NCBD!


After re-reading Donny Cates and Ryan Ottley's HULK issues 8 and 9 last week, I am beyond excited to get back into this "Hulk Planet" storyline. There is such the late 70s/early 80s aesthetic at work here, totally reminds me of Bill Mantlo's work on the book back then. Often, when we think 'cosmic' storylines from that era, we think of Jack Kirby. Not a bad thing, but there were other cosmic ideas floating around at the time, and Mantlo's stuff was just as influential on my imagination. 


The first issue of Night of the Ghoul blew me away. I'm hoping this is another home-run Horror title from Scott Snyder. I'm reminded of 2012's Severed, or even, to a degree, Wytches


Confession: I'm still not certain I understood the setup for Declan Shalvey's Old Dog in issue #1, but as usual, my confusion has only served to 


This Predator series has been pretty badass so far. Not what I expected when the property went to Marvel (aka Disney). Let's keep it going. Also, tell me that doesn't look like Aliens' Vasquez on the cover. 


Hands down, That Texas Blood is one of the best titles going. This is to Crime Comics what Fargo Season One was to Crime TV shows. It has this Outer Dark/Weird Fiction element intricately commingled with its gritty realism and small-town appeal. Such an odd and extremely endearing combination.


My love of X-Men Red continues in this post-Magneto world. Will The Quiet Council eventually disregard his wishes and resurrect him from an older backup anyway? One that doesn't remember giving up that right on principle to be seen as worthy on the Council of Arrako? Probably. That's the genius thing about just taking the stakes out of the perpetual death/resurrection of big-name superhero books: Once you acknowledge that everyone will just always come back, it sets up so many nuances that we couldn't have imagined previously.




Watch:

Tilda Swinton in an A24 Ghost Story?

 

Sold.
 


Playlist:

Opeth - Blackwater Park
Jello Biafra's Renegade Round Table Ep1 - Al Jourgensen
Bret Easton Ellis Podcast S6E22 - Barbarian w/ J.D. Lifshitz
Opeth - Still Life
Type O Negative - Dead Again
Type O Negative - Bloody Kisses

Now that I'm doing the whole work-from-home thing and no longer have a commute, I've hardly listened to any podcasts. I think I finally changed that today by exerting the effort to put in the earbuds and dig into the new Jello Biafra's Renegade Roundtable (thanks to Mr. Brown for telling me about this one). Because of this concentrated effort, I've decided to start logging any podcasts I listen to on the daily playlist.




Card:

Since I only use three decks, and since I drew from two of those yesterday, I wanted to consult my Thoth today for an early November reading that I will interpret as affecting the entire coming year.


Disappointment and Failure ultimately lead to good things. Isn't this how life always works? Do I need to pull another clarifying card?


Many ideas and the dangers of indecision threaten to instigate set-backs. All good things to keep in mind over the coming year as I dive back into Shadow Play Books 2 and 3, which are further along than I remembered (what a nice surprise that was).

Tuesday, November 1, 2022

Day of the Dead

 

As is my custom, here's Opeth's Dirge for November to initiate our Day of the Dead. I'm not quite sure how Opeth became my official band of the month November, but it happened. I'll be digging into the band's back catalogue all month, and Blackwater Park is always where I start that particular journey.




31 Days of Halloween:

10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One In Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
10/14 - Halloween Kills
10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space
10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth
10/17 - Behind the Mask: The Rise of Leslie Vernon
10/18 - Random Acts of Violence/Two Witches/Let the Right One In Episode 2
10/19 - Footprints on the Moon/976-EVIL
10/20 - Alison's Birthday/Tone Deaf
10/21 - Elviria's Haunted Hills/Popcorn
10/22 - Resolution
10/23 - The Endless
10/24 - VHS 99
10/25 - Tigers Are Not Afraid
10/26 - Bliss
10/27 - Deadstream/Host
10/28 - The Convent
10/29 - Lot 36 (GDT's CoC ep. 1)/George A. Romero's Dawn of the Dead 3D/Return of the Living Dead
10/30 - Lords of Salem
10/31 - 31/Treehouse of Horror XXXIII/Hocus Pocus/Night of the Living Dead (68)

That's a wrap on yet another 31 Days of Halloween. Of course, my love of Horror movies doesn't stop there - I'm actually taking K to see Smile this evening - but there's a TON of non-Horror I need to get to, and November/December is typically the time of year when I get psyched for the, ahem, 'Prestige' pictures the studios release, and that carries over into my daily life as well. 




Read:

Still inspired by seeing Lucio Fulci's The Beyond: The Composer's Cut at Beyondfest last month, I returned home from Los Angeles and began re-reading Eibon Press's outstanding The Beyond series, where Stephen Romano and Pat Carbajal adapt and explore Lucio Fulci's masterpiece:


I've been wanting to do this re-read for some time, as it will dovetail nicely with me finally ordering a copy of the recently released Escape From The Beyond #1.


I very much dig Romano's extrapolation of the over-story Fulci thinly draped across his three "Gates of Hell" films, and can't wait to see where he takes the sequel, now firmly new territory. The previous books from Eibon - The Beyond, The Gates of Hell, and House By the Cemetery - are all adaptations with flourishes that hint at being further advanced in this new series. 

Whether by intention or after sight, Fulci built an extremely ripe mythos with these three films, and it's awesome to see so talented a creator as Romano - who clearly loves the material - do what the master himself never got the chance to do. 

Bring it all together. 

There will, of course, be those who say the ending of The Beyond is perfect and shouldn't be messed with. To that, I'd say I agree with the first half; if someone were to remake or plan a film sequel, I'd be a lot more trepidacious. Swapping mediums gives Romano and now artist Jeff Zurnow an unlimited bag of visual tricks, so let's see what they do with it. If you don't end up liking it, these books need not affect the film at all. But imagine the possibilities; we've all wondered what happens after John and Liza end up in Schweik's painting...




Playlist:

Various -Shawn's Halloween Playlist
Ritual Howls - Turkish Leather
John Carpenter - Lost Themes
John Carpenter - Lost Themes II
John Carpenter - Lost Themes III: Alive After Death




Card:

Being that November 1st is, in some manner of speaking, the beginning of my new year, I wanted to make this pull pretty comprehensive. To that end, I began with the Raven Tarot:


I see this as denoting a return on the investments of my time/energy on various projects.

Next, to move beyond the general scope, I wanted to pull a spread using Jonathan Grimm's Bound Tarot, (which you can buy HERE.)


Ace of Cups and Swords both imply breakthroughs, with the addition of the Eight of Cups telling the breakthroughs may come in the form of recognizing my errors and thus, correcting them. Again, this all seems to point to my current project.