Telekinetic Yetis & True Detectives

 

Telekinetic Yeti's guitar tone is beyond anything I've ever heard before. I've been throwing last year's Primordial on here and there for the last year or so, and I dug it, but something happened this past week and I just can't live without it now. 

That tone!

I've recently begun playing guitar again after an almost eight-year hiatus, and as I run scales and modes and just generally fall in love with the instrument again, I'm listening to a lot of music specifically for tone. There's Black Sabbath, Led Zeppelin and this. Those are probably my three favorites at the moment. 

I've also discovered the band's 2017 album Abominable.  You can hear how they hadn't quite dialed in their tone and sound just yet, however, that doesn't prevent it from being another awesome long player! 

You can order Telekinetic Yeti's monolithic slab of music from their Bandcamp HERE, or, if you want vinyl like me, from Tee Pee Records HERE.

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Watch:

True Detective always revs me up and then ends up disappointing on some level. I mean, Season One is among my all-time favorite things, but I hate the ending. Hasn't stopped me from watching it nearly ten times since it came out, though. Season Two... well, let's never speak of that again. And I loved Season Three but it also ended so soft and convienent that it robbed some of the thunder.  

This new Season, however, has Iss López as show runner and, if I heard correctly, director. If you've seen López's film Tigers Are Not Afraid, you probably understand why I have such high expectations for this. Kind of the same high expectations I had for Season Three when they originally announced Jeremy Saunier would be series director. Saunier had some form of disagreement with showrunner/creator Nic Pizzolato (surprise), and bowed out after only two episodes. Pizzolato handled most of the directing for the remaining episodes, and I thought he did a mostly fantastic job, but I still wonder what that season would have been like if Saunier had been aboard for the entire thing.

Anyway, no hard date on the premier yet, but I'm betting August or October. Either way, I'm in.

 

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Play:

I had not played video games since the original NES - well, I did my fair share of DDR back in the early aughts - until I came across Puppet Combo and his game Glass Staircase. The game had a very Argento vibe, and Puppet Combo's love of 80s Horror VHS struck me as so endearing I couldn't say no. That was five or so years ago and although I bought it, I couldn't really figure out how to play it effectively on my computer. I was happy just to support them, though.

Fast forward to my birthday last year and I saw that Puppet Combo's newest game at the time, Nun Massacre, was getting a Switch release. I plunked down the money and ordered a Switch, bought the game, but ultimately became frustrated adjusting to its play peccadilloes and kinda forgot about it in my obsession with Game Kitchen's Blasphemous.

 

This is the newest game, and I guess it's only available on Steam, which is something I'll most likely never tap into. Still, wanted to spread the word and share this awesome trailer.

 

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Playlist:

Metallica - 72 Seasons

Telekinetic Yeti - Primordial

Telekinetic Yeti - Abominable

Church of the Cosmic Skull - Is Satan Real?

The Sword - Age of Winters

High on Fire - Death is this Communion

The Sword - Gods of the Earth

The Sword - Warp Rider

Ruby the Hatchet - Fear is a Cruel Master

Ruby the Hatchet - Planetary Space Child

         

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RIP Peter Steele

 

13 years... wow.

Dreaming of the Demeter

 

New music from Nabihah Iqbal's upcoming second record, Dreamer, out April 28th on Ninja Tune. You can pre-order HERE.

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Watch:

Though I hated Scary Stories To Tell in the Dark enough that it made me kind of retroactively dislike André Øvredal's previous flicks I'd seen and liked, I recognize my tendency to overreact to things like this. 

 

 

 

My reaction to Scary Stories isn't that different than, say, the reaction I had when I read the first issue of Frank Miller's All-Star Batman and Robin, way back in 2005. Shortly after reading that, I gave half my Sin City issues. I don't really regret that, but it's extreme, I'll admit. In recognizing that, I've been meaning to rewatch The Autopsy of Jane Doe again, and now that the trailer for his The Last Voyage of the Demeter has landed, well, I am cautiously optimistic!

This is apparently an adaptation of a single chapter from Bram Stoker's Dracula - how cool is that? 

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Playlist:

Black Sabbath - Eponymous

Valley of the Sun - The Chariot

Mars Red Sky - Eponymous

The Sword - Age of Winters

The Sword - Gods of the Earth

Led Zeppelin - Physical Graffiti

Steve Earle - J.T.

Lord Buffalo - Tohu Wa Bohu

Black Sabbath - Master of Reality

Telekinetic Yeti - Primordial

Clutch - Blast Tyrant

Intronaut - Habitual Levitations

         

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

 

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Ghost - Jesus He Knows Me

 

Ghost gave us an Easter surprise by announcing a new five-song, all-covers EP due out May 18th on Loma Vista Records. You can pre-order HERE.

These between album EPs the band releases are generally hit or miss with me; I love 2013's All You Need is Ghost - not so much with 2016's Popestar, which had one of my favorite tracks from the band (Square Hammer) and a bunch of fascinating covers, most of which I just don't ever feel the need to go back to that often (although their "Missionary Man" is admittedly pretty cool). One thing Popestar confirmed for me is that Tobias Forge's ambitions are boundless, and I'm fairly certain at some point in his future, he will craft a Musical that will catapult him into the even further reaches of success.

Juxtaposed against Popestar, Phantomine feels like it may split the difference; while I'm not familiar with "Hanging Around" by The Stranglers, I'm excited as hell to hear them do Television's "See No Evil,"  Iron Maiden's "Phantom of the Opera," not to mention Tina Turner's 80s Thunderdome anthem "We Don't Need Another Hero." I just don't know what to expect that one to sound like.

There's also a video for this track up on youtube, however, it's age-restricted and only viewable HERE.
 

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NCBD:

My haul for NCBD today:

I am SO excited about the return of James Tynion's Nightmare Country. The first arc made it into my Favorite Comics of 2022 list, and I have no doubt this new arc will continue the glory. The closest thing I've seen to having Sandman back again.

My growing fondness for Jeff Lemire's work prompted me to pick up the first issue of this new Phantom Road series and I thought it a great set-up for a Horror story.

Hot on the heels of my Sins of Sinister reread, the final issue of Storm and the Brotherhood will hopefully prove another total mindfuck.

X-Men Vs The Brood. 'Nuff said!

 

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Playlist:

Black Sabbath - Eponymous

Church of the Cosmic Skull - Is Satan Real?

Ghost - Jesus He Knows Me (single)

Kyuss - ...And the Circus Leaves Town

Holy Serpent - Endless

Ruby the Hatchet - Fear is a Cruel Master

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

I'm having a lot of trouble interpreting this pull. More than I have perhaps ever had on any other. So I'm going to have to dig a bit. First glance, it feels like an acknowledgment that sacrifice can bring you to the threshold of change, but you have to be careful about the changes you make. 

 

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Cold Sweats in the Basement, Baby!

 

Jonathan Grimm drove down a few days ago and we had a fantastic extended weekend drinking beer, watching movies and bullshitting. Grimm is definitely a stabilizing force in my life, not to mention a huge influence, and his visit really supercharged my creativity again. We capped the evening yesterday driving to Nashville and seeing Lord Buffalo, Valley of the Sun and Church of the Cosmic Skull at the awesome Basement East. It feels fortuitous indeed that the first show I see in my new state was at this venue, because I loved it. Basement East reminds me a lot of my favorite venue back in LaLaLand, Echo Park's Echoplex. I'll be keeping their calendar firmly in mind from here out, as it's the kind of venue I'll take pretty much any excuse to return to, again and again.

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Watch:

Curious to see this entire film. I love the idea of teenagers playing with a makeshift "Hand of Glory," though I didn't watch enough of the trailer to see if it actually came off a "hanged murderer." Makes me want to dig back into some of my Arcana and see what Eliphas Levi or, perhaps more appropriately, Alan Moore might have to say about how stringent the cocktail that produces that particular Magickal accoutrement is.

 

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Playlist:

Etta James - (Third Album)

The Besnard Lakes - The Besnard Lakes Are the Roaring Night

Locrian - Return to Annihilation

Locrian - New Catastrophism

Godflesh - Nero EP

Behemoth - The Satanist

Etta James - The Second Time Around

Me and That Man - New Man, New Songs, Same Shit, Vol. 1

Eldovar - A Story of Darkness and Light

Various Artists - Jonathan Grimm's Stoner/Doom Spotify Playlist

Black Sabbath - Vol. 4

Windhand - Grief's Infernal Flower

Goatsnake - Black Age Blues

Holy Serpent - Endless

Bettye LaVatte - Scene of the Crime

Pigs x 7 - Viscreals

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Where this might normally make me think some form of unpleasant emotional change is jump up the road, I instantly read it as a lifting of my already generally unpleasant emotional state that dug in during my extended stay in LaLaLand and has left me off-kilter and unusually anxious since.

 

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RIP Vivian Trimble

 

Easily my favorite Luscious Jackson track from an album that is almost all 'favorite tracks.' 

I haven't even thought of this group in years; hearing about Vivian Trimble's death at age 59 immediately made me want to hear this song.

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Watch:

Jim Rugg and Ed Piskor's Cartoon Kayfabe has quickly become one of my favorite shows on youtube. I've spent a lot of time in the past two weeks hanging out listening to them interview a wide spectrum of creators, and when I woke up this morning and saw Richard Corben is their latest, I got pretty damn excited.

 

A living legend, Corben is. Super cool to hear him talk with these guys about the industry and what makes him "him."

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Playlist:

Bettye LaVette - Let Me Down Easy: Bettye LaVette in Memphis

Godflesh

Godflesh - Post Self

Crystal Castles - II

Luscious Jackson - Fever In Fever Out

         

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Immoral & All Seeing

 

I still find myself thinking about Wayne Shorter's recent passing. I'm by no means a huge fan; I say this not to distance myself from his work, but to respect those out there who are much more committed. Truth is, I started dabbling in Jazz when I was still a teenager thanks to Angelo Badalamenti and David Lynch, but I was way more into it in my twenties. Since moving, I've gotten back into many artists I've been away from for a while, but I still don't spin enough Jazz to be considered anything more than a passing fan. Yet, this music echoes inside me in a way nothing else does. I don't feel like a have a lot of room in my life for it, which is unfortunate, but Jazz is music that requires attention to appreciate, and as I've aged and the world has fallen apart and injected me with its anxiety, I have less and less attention; it's something I fight for on a daily basis. 

As I said upon Mr. Shorter's passing, there is something in his work - whether solo or his collaborations with Miles Davis - that sounds like a conjuring to me. It puts me in a very particular headspace, and in reflecting on his passing, I'm wondering if there is anyone making music today that might have the same effect. Or if the "Jazz Ritual" sound that Shorter and Davis - especially on Bitches Brew, Sorcerer and The All Seeing Eye - summoned into this world is all but gone now. I feel that's likely, as our world is very different from the one where this music was composed. If there were "Jazz Spirits" or "Demons" that came to this plane as a result, where are they now?

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Watch:

Wow. Now, this is an interesting idea:

 

I subscribed to the channel immediately, and plan on giving this a full go. I was pretty stoked just watching along for a moment, as the music, different voices and sound FX told the story.

          

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Read:

Re-reading Sins of Sinister from the beginning now, because my memory sucks. Also reading again because this week's Immoral X-Men really stayed with me.

            

The thing with the core of the X-Books now, and especially this Event and this issue in particular, is these are no longer superhero books. These are hardcore SciFi. I've talked about my love/hate with genre here before - I don't really go for big, tropey works like Space Opera or High Fantasy, primarily because I just feel like much of those corners of genre just repeat (and expand in some cases; credit where it's due) the most influential work that precedes them. I know there are a million people out there who would tell me I'm wrong, and that's fine. But I avoid those traditional genre lanes and look for stories that do their own thing. By the time we get to the events in Immoral X-Men #3, we're essentially in a deep-space salvage SciFi realm.

Deep-Space Salvage, or DSS for short, is the name I've finally arrived at in my head for those stories that pull me back into the kind of home-brewed, SciFi prevalent in 1980's Hobby Shops and indie comic books. Think TSR and old-school Guardians of the Galaxy. Think comics written by Bill Mantlo. A deep-space enclave where everything is old, rusted, down-and-out. It's the future but nothing is new, progress has flatlined or reversed, and everything is falling apart. That's where Kieron Gillen has taken us in Sins of Sinister.

There are no superheroes here - that's reserved for the regular Monthly X-Book, which anchors the line to its original intent. Instead, here and in X-Men; Red, S.W.O.R.D. before it, and partially at work in Immortal X-Men, we have very meticulous, long-game genre stories that branch off into many different styles and territory, and S.o.S. is definitely DSS.

By the time we arrive at this last panel, page three of Immoral #3, you can see the filth and decay. You can also see a monstrously sized Exodus, now something much more than the mutant zealot we all know and love so well. This issue reminded me A LOT of Daniel Warren Johnson's Beta Ray Bill mini-series from a few years back, and like that series, Sins of Sinister is surprising me with how much I'm enjoying it overall, especially when I didn't read the entire thing (I have not been buying that third title, Nightcrawlers, although I'm thinking about going back and picking it up) or like everything I've read. 

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Playlist:

Gang Starr - Hard to Earn

Godflesh - Slavestate EP

Godflesh - Pure

Godflesh - Cold World EP

Godflesh - Love and Hate

QOTSA - ... Like Clockwork

High On Fire - Surrounded By Thieves

Lustmord - Dark Matter

Wayne Shorter - The All Seeing Eye

Miles Davis - Live at the Filmore West

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Circumstances drift and Change rears its head. It will be tempting to interpret this change as negative, but the reminder in the cards today, me thinks, is that interpretation dictates the positive/negative aspect of change. Change is always good in some respects, it can just be mighty difficult to remember and 'see' that. 

 

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