Tuesday, February 8, 2022

Long Snake Moan


PJ Harvey is one of my favorite artists. Has been since the 90s. Weirdly enough, I don't listen to her that often. In thinking about this, I realize that I hold her music in a sort of sacred regard that feels as though it might become deluded if I overdo it. Probably not the case, in reality, however, it is what it is. Here's one of my favorite songs from her seminal 1995 album To Bring You My Love.


I dug out my copy of Weird Walk issue #2 recently and began re-reading it as research for the new podcast off-shoot my Horror Vision co-host Ray Larragoitiy and I are doing. Stick & Stones is a sidebar deep-dive into Folk Horror, which is a sub-genre I've been enchanted with (pun intended) for the last few years, although until recently, I always referred to most of these flicks as "UK Occult Films." 

Weird Walk is an indie zine in every sense of the word, but it's a class act and chock full of fascinating ruminations on the haunted underpinnings of the British landscape and society. Highly recommended - you can order it HERE and follow their podcast HERE or wherever you get your podcasts! 

Oh yeah, and as of yesterday, there are two episodes of The Horror Vision Presents... Sticks & Stones: A Folk Horror Discussion up. The newest one deals with Stephen King's Children of the Corn - story and movie - and Chad Crawford Kinkle's Jug Face. The first episode sets up the series with a discussion of Kier-La Janisse's Woodlands Dark and Days Bewitched, then compares and contrasts Avery Crounse's Eyes of Fire and Robert Eggers' The Witch. Also available wherever you get your podcasts.


The Yellow House - Live at Southgate House
Darkness Brings the Cold (The Forest Children) - Human Me
Ween - Live In Chicago
PJ Harvey - To Bring You My Love
Zeal and Ardor - Stranger Fruit
Brand New - Daisy
Ministry - Filth Pig
Soul Coughing - El Oso
Cypress Hill - Black Sunday
Cypress Hill - Back in Black (pre-release singles)
Steve Morse - Mind's Eyes OST


Reaping the rewards of good decisions.

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