Showing posts with label Kier-La Janisse. Show all posts
Showing posts with label Kier-La Janisse. Show all posts

Saturday, May 18, 2024

Man Man - Alibi

 

From Carrot on Strings, out on June 7th. Pre-order from Man Man's Bandcamp HERE

LOVE having these guys back.


Play:

When I first heard of Puppet Combo back somewhere around 2017 (I think), it was in reference to a game called The Glass Staircase that seemed to have major Suspiria vibes. I did not own a game console of any kind, and I hadn't played a video game since the original Nintendo system (other than some DDR at arcades and a DDR enthusiast friend's house). I dug Puppet Combo's aesthetic so much I bought the game from their website for the computer, and struggled through attempting to play it with the direction arrows on my Mac.

Needless to say, I didn't get far.


Thus, a few years ago when I saw PC's name pop up with the announcement that their games were going to begin porting over to consoles, I bought a Switch solely to play them. First up - Nun Massacre, a game that I've mentioned here before scares the living shit out of me when I play.

Since then, there have been a handful of releases, and I've loved them all. Now, finally, The Glass Staircase is coming to Switch. I know what I'll be doing on May 24th (actually, I'll be driving to Chicago, but I'll probably stay up late the night before to download the game). 


Also available for other consoles as well; read the full article that put me in such a good mood this morning over on Bloody Disgusting HERE.




Read:

Over on The Horror Vision, we recently resurrected Sticks n' Stones, our Folk Horror show that Ray and I started in 2022 with two episodes and then kind of let slip away. A lot happened in 2022, and I'd wanted to bring the show back for a while. Finally, our cohost Anthony (AKA Butcher) brought this up recently, and we recorded a new episode. In prepping for that, I began not only rewatching many of the films in Severin Film's BRILLIANT box set, All the Haunts Be Ours. I also began reading the anthology book that came with the set, All The Haunts Be Ours - edited by documentary filmmaker Kier-La Janisse. 


This turns out to be perfect reading for our first morning in Laurel, MS, as the Air BnB K and I are staying in is referred to as "The Hobbit House." While I haven't really been a fan of Tolkien's work since I was a child, the vibe fits with my reading and this current "Folk" state of mind. Also, I went back and pulled out an old issue of the Weird Walk Zine I've spoken about here previously.


This is a favorite for getting me into the "Folkloric" state of mind; the essay on John Constable's paintings by Justin Hopper, complete with Bauhaus song name chapter stops, really helps. 




Playlist:

The Raveonettes - Return of the Grievous Angel (pre-release single)
The Raveonettes - Lust Lust Lust
The Raveonettes - Pretty In Black
Amy Winehouse - Frank
Run the Jewels - RTJ4
The Damned - Night of the Living Damned
Jenny Lewis - Acid Tongue




Card:

Another single card today, this time from my travel Thoth deck that Missi gifted me years ago:


This feels about right, not only because our accommodations are so wonderful (Link to the Hobbit House HERE), but because Laurel has so many trees! The oxygen here is off the charts; what more could beings who live off the stuff ask for? Not much, because we feel wonderful because of it. Let the luxurious reinvigoration begin!

Tuesday, February 8, 2022

Long Snake Moan

 

PJ Harvey is one of my favorite artists. Has been since the 90s. Weirdly enough, I don't listen to her that often. In thinking about this, I realize that I hold her music in a sort of sacred regard that feels as though it might become deluded if I overdo it. Probably not the case, in reality, however, it is what it is. Here's one of my favorite songs from her seminal 1995 album To Bring You My Love.




Read:


I dug out my copy of Weird Walk issue #2 recently and began re-reading it as research for the new podcast off-shoot my Horror Vision co-host Ray Larragoitiy and I are doing. Stick & Stones is a sidebar deep-dive into Folk Horror, which is a sub-genre I've been enchanted with (pun intended) for the last few years, although until recently, I always referred to most of these flicks as "UK Occult Films." 

Weird Walk is an indie zine in every sense of the word, but it's a class act and chock full of fascinating ruminations on the haunted underpinnings of the British landscape and society. Highly recommended - you can order it HERE and follow their podcast HERE or wherever you get your podcasts! 

Oh yeah, and as of yesterday, there are two episodes of The Horror Vision Presents... Sticks & Stones: A Folk Horror Discussion up. The newest one deals with Stephen King's Children of the Corn - story and movie - and Chad Crawford Kinkle's Jug Face. The first episode sets up the series with a discussion of Kier-La Janisse's Woodlands Dark and Days Bewitched, then compares and contrasts Avery Crounse's Eyes of Fire and Robert Eggers' The Witch. Also available wherever you get your podcasts.




Playlist:

The Yellow House - Live at Southgate House
Darkness Brings the Cold (The Forest Children) - Human Me
Ween - Live In Chicago
PJ Harvey - To Bring You My Love
Zeal and Ardor - Stranger Fruit
Brand New - Daisy
Ministry - Filth Pig
Soul Coughing - El Oso
Cypress Hill - Black Sunday
Cypress Hill - Back in Black (pre-release singles)
Steve Morse - Mind's Eyes OST




Card:


Reaping the rewards of good decisions.