It's November, and one of the films that came in the new All the Haunts Be Ours, Vol. 2 Box Set is Rainer Sarnet's 2017 November. This one enchanted the hell out of me a few years ago when I caught it on Shudder TV, so I thought, "Hey, it's November; why not?"
I will now watch this film every November.
Gorgeous beyond words, this is the best example of modern authentic Folk Horror I can think of. Of Folk Traditions, the palimpsest of the old world rubbing against the new and the friction - of the "Horror" that causes. Beautifully executed and more than a little comical at times without breaking the tone, primarily because this one has such a strong, unique vision guiding it. I'm definitely interested in seeing what else Sarnet does.
Playlist:
Antibalas - Where the Gods Are in Peace
Fela Kuti - Opposite People
Fela Kuti - Sorrow Tears & Blood EP
Pearl Jam - Vs.
John Carpenter - Lost Themes IV: Noir
The Devil's Blood - The Thousandfold Epicentre
Neon Nightmare - Faded Dream
Dreamkid - All Thriller, No Filler
Dreamkid - Daggers
The Cure - Songs of a Lost World
Drug Church - Prude
Spoon - They Want My Soul
PJ Harvey - Stories From the City, Stories From the Sea
Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!
Pick up the record or some merch from Pure Noise Records HERE.
Watch:
My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.
Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*
My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.
Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.
* I appreciate what they do; it's just not my jam.
Playlist:
Cocteau Twins - Garlands
The Cure - Songs Of A Lost World
Dr. John - Gris Gris
Matt Cameron - Gory Scorch Cretins
Soundgarden - Superunknown
Soundgarden - Down on the Upside
Michael Jackson - Thriller (single; video)
Goblin - Fearless (37513 Zombie Ave)
Replicas - Gary Numan + Tubeway Army
Roxy Music - Eponymous
Drug Church - Prude
The Hives - Veni Vidi Vicious
The Kills - Midnight Boom
Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out
Better Lovers - Highly Irresponsible
Turnstile - GLOW ON
Baroness - Stone
Card:
Today's card for study is the 7 of Disks, Failure:
My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we?
In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:
"The number Seven, Netzach, has its customary enfeebling effect, and this is
made worse by the influence of Saturn in Taurus. The disks are arranged in the
shape of the geomantic figure Rubeus, the most ugly and menacing of the
Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On
the background, which represents vegetation and cultivation, everything is
spoiled. The four colours of Netzach appear, but they are blotched with angry
indigo and reddish orange. The disks themselves are the leaden disks of Saturn.
They suggest bad money."
The general sentiment here is to keep your wits about you; something today could go wrong.
From Carrot on Strings, out on June 7th. Pre-order from Man Man's Bandcamp HERE.
LOVE having these guys back.
Play:
When I first heard of Puppet Combo back somewhere around 2017 (I think), it was in reference to a game called The Glass Staircase that seemed to have major Suspiria vibes. I did not own a game console of any kind, and I hadn't played a video game since the original Nintendo system (other than some DDR at arcades and a DDR enthusiast friend's house). I dug Puppet Combo's aesthetic so much I bought the game from their website for the computer, and struggled through attempting to play it with the direction arrows on my Mac.
Needless to say, I didn't get far.
Thus, a few years ago when I saw PC's name pop up with the announcement that their games were going to begin porting over to consoles, I bought a Switch solely to play them. First up - Nun Massacre, a game that I've mentioned here before scares the living shit out of me when I play.
Since then, there have been a handful of releases, and I've loved them all. Now, finally, The Glass Staircase is coming to Switch. I know what I'll be doing on May 24th (actually, I'll be driving to Chicago, but I'll probably stay up late the night before to download the game).
Also available for other consoles as well; read the full article that put me in such a good mood this morning over on Bloody Disgusting HERE.
Read:
Over on The Horror Vision, we recently resurrected Sticks n' Stones, our Folk Horror show that Ray and I started in 2022 with two episodes and then kind of let slip away. A lot happened in 2022, and I'd wanted to bring the show back for a while. Finally, our cohost Anthony (AKA Butcher) brought this up recently, and we recorded a new episode. In prepping for that, I began not only rewatching many of the films in Severin Film's BRILLIANT box set, All the Haunts Be Ours. I also began reading the anthology book that came with the set, All The Haunts Be Ours - edited by documentary filmmaker Kier-La Janisse.
This turns out to be perfect reading for our first morning in Laurel, MS, as the Air BnB K and I are staying in is referred to as "The Hobbit House." While I haven't really been a fan of Tolkien's work since I was a child, the vibe fits with my reading and this current "Folk" state of mind. Also, I went back and pulled out an old issue of the Weird Walk Zine I've spoken about here previously.
This is a favorite for getting me into the "Folkloric" state of mind; the essay on John Constable's paintings by Justin Hopper, complete with Bauhaus song name chapter stops, really helps.
Playlist:
The Raveonettes - Return of the Grievous Angel (pre-release single)
Another single card today, this time from my travel Thoth deck that Missi gifted me years ago:
This feels about right, not only because our accommodations are so wonderful (Link to the Hobbit House HERE), but because Laurel has so many trees! The oxygen here is off the charts; what more could beings who live off the stuff ask for? Not much, because we feel wonderful because of it. Let the luxurious reinvigoration begin!
I woke up with Massive Attack's Protection in my head. A pretty place to be but also an isolated and slightly forlorn one. Tracey Thorn's vocals play as the perfect accompaniment to the haunted music. Hearing this track always evokes the memory of listening to it on a bus in Bath, England, while we waited to find out what happened to another member of our tour that day. The woman never reappeared, and to this day, Protection carries with it the reminder of a now nearly two-decade mystery I will never have the answer to.
Isn't that a perfect association for this album?
Watch:
I was in Dayton, Ohio, again over the weekend. We left Friday morning and upon returning yesterday evening, I had several packages waiting for me. One of those was my copy of Severin Film's newly restored and released edition of Gianfranco Giagni's 1988 little-known film The Spider Labyrinth.
There's a lot of talk of this being a "Lost Horror Classic," and I guess I can concede that. I liked the film, but classic? Well, not for me. This is kind of Argento-lite; I honestly thought it would be considerably weirder, or perhaps better said, utilize its truly weird portions more. Instead, there's a lot of "investigation runaround" that slows the flick down a bit. But again, still really dug this one, just not sure I'd recommend folks pay the sticker price for it unless you are an absolute Italian completist.
Read:
I finished Richard Kadrey's The Pale House Devil over the weekend and can 100% recommend it for anyone who digs the "Occult Detective" genre, even if the two main characters, Neuland and Ford are hitmen instead of detectives. Hitmen who specialize in killing supernatural beings.
This one is creepy and fun as hell, which is kind of Mr. Kadrey's specialty from what I've read of his work. Looking forward to seeing these characters pop up again, as this novella very much sets up the scaffolding for them to return.
Playlist:
Blut Aus Nord - Disharmonium Nabib
Amigo the Devil - Everything is Fine
Beach House - Thank Your Lucky Stars
Cocteau Twins - Garlands
The Dillinger Escape Plan - Calculating Infinity
The Knife - Silent Shout
Fever Ray - Radical Romantics
Tuneyards - WHOKILL
Baroness - Stone
Mars Red Sky - Dawn of the Dusk
Deftones - Saturday Night Wrist
Brand New - The Devil and God are Raging Inside Me
War Curse - Confession
Calexico - Seasonal Shift
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
Four cards today because they literally slid out of the deck together almost in this exact positioning. In the case of four, I'm going to do something different and, since there's no clear middle card, I'll be reading left to right.
• Eight of Wands
• Nine of Wands
• Two of Cups
• Three of Cups
It doesn't look like I shuffled this deck very well - it is a brand new one I received for backing Jonathan Grimm's most recent Kickstarter (decks are still available at the link I posted at the top of this section). As far as interpretation goes, we see Transformation and Climax of the Will, followed by Collaboration and Growth of Emotions. I'm not entirely certain how to read that at the moment, but these are good ideas to keep an eye out for as the day passes.
November is nearly over, and I realized I have not posted any Opeth yet. For that matter, I hadn't even listened to them until whatever day last week I began this post. Back around 2006/2007, Opeth became a big winter band for me, with the time change and early night that directly follows Halloween a welcome signifier that it's time to crack out Deliverance, Blackwater Park and the Candlelight years.
Watch:
I did a bit of online Black Friday shopping last week. Nothing huge, but there were a few titles from boutique Blu-Ray labels I haunt online that I could not pass up.
First up, Synapse Films has a 4K restoration of one of my all-time favorite films, Mike Mendez's The Convent. I have no interest in the 4K, but the release includes a standard Blu-Ray, and I've been waiting some time for this one to get a proper clean-up and re-release:
Next, and this is a somewhat blind buy, one of Severin Films' secret titles for their Black Friday sale is Gianfranco Giagni's 1988 nightmare The Spider Labyrinth. This is one I've never seen, but I've seen a certain amount of buzz steadily build for it in the backwaters of the Horror Community, with Italian Filmofiles clamoring for a proper digital release (which the film never received before now). Check out the trailer below, and although I've become fairly anti-spoiler, I'm pretty sure there's no way to spoil the absolute madness of this one.
Finally, although this isn't a new title, it's one that's been on my radar for a while, and after watching Michael Venus' 2020 film Schlaf (Sleep), I forked over the dough for this gorgeous release from Arrow Video; for $20 how could I not?
If I were to elevator pitch this flick to you, I'd say it's kind of a cross between Anthony Scott Burns' Come True and the possibilities I saw inherent in Stewart Thorndike's Bad Things (which admittedly did not work for me, but had some very interesting potential insofar as location and plot).
Here are the purchase links if anyone is interested:
Richard Kadrey has released two books this year, and I've been wanting to read both, so after finishing Michael Wehunt's Greener Pastures, I slipped into The Dead Take the A Train, a collaboration with author Cassandra Khaw, whose Nothing But Blackened Teeth has been on my to-read list for the last two years or so and has now jumped to the top of that list based on the 65% of A Train I've read in the last few days.
Here's the solicitation blurb:
"Julie is a coked-up, burnt-out thirty-year-old whose only retirement plan is dying early. She’s been trying to establish herself in the NYC magic scene, and she’ll work the most gruesome gigs, exorcize the nastiest demons, and make deals with the cruelest gods to claw her way to the top. But nothing can prepare her for the toughest job yet: when her best friend, Sarah, shows up at her door in need of help. Keeping Sarah safe becomes top priority.
Julie is desperate for a quick fix to break the dead-end grind and save her friend. But her power grab sets off a deadly chain of events that puts Sarah – and the entire world - directly in the path of annihilation.
The first explosive adventure in the Carrion City Duology, The Dead Take the A Train fuses Cassandra Khaw’s cosmic horror and Richard Kadrey’s gritty fantasy into a full-throttle thrill ride straight into New York’s magical underbelly."
It's been some time since I read Richard Kadrey's Butcher Bird, but I loved that novel and have followed the man on soc.med ever since. He's a bright spot in the increasingly noxious online world, and it's great to 'catch up' with his writing over a decade since I began.*
Also, that cover has to be one of the most gorgeous I've seen in some time (artist James Jirat Patradoon's website is HERE).
.........................................
* I've always wanted to read Sandman Slim, however, much like Jim Butcher's Harry Dresden books, I have grown to baulk at starting so lengthy a series, in case I love it and it consumes the next year of my life.
Playlist:
Allegaeon - Apoptosis
Frank Black and the Catholics - Snake Oil
Opeth - Deliverance
Misfits - Collection II
Rodney Crowell - Christmas Everywhere
Godflesh - Purge
Perturbator - Dangerous Days
Dream Division - Beyond the Mirror's Image
U2 - Achtung Baby
Justin Hamline - Worst Locals Ever
Steve Moore - Gone World
The Cramps - Smell of Female (Live)
Lord Huron - Long Lost
Card:
I've been off the clock here since last week, and I am tired. Had a new round of the COVID booster yesterday, and it just hit me like a ton of bricks, so just one card from Missi's Raven Deck today:
I'll be double-verifying all information that crosses my path today and, perhaps conversely keeping an eye out for ways to slip mainstream corridors of thought.
Another new track from the upcoming album Disharmonium - Nahab, out August 25th on Debemur Morti; pre-order HERE.
This track reminds me A LOT of the material released on Blut Aus Nord's iconic The Work Which Transforms God. It's not the easiest to listen to at first, because it follows very little of our pre-conceived notions of what a song or music can be. That's exactly why I love this band. Bring on the full album - I want to melt my mind with its non-Euclidean sonic geometry!!!
Read:
Issue twenty of the new Fangoria arrived in the mail yesterday; always a good day when a Fango shows up!
Most of the main articles are about films that haven't come out yet; the cover story is on Michael and Danny Philippou's Talk to Me; I bought tickets to see this next Thursday, 7/27/23 and I'm fairly stoked. The fine folks at Beyondfest recently did some screenings with the Directors and they can't stop raving about it, so I'm fairly certain this one will be wonderful. Also featured is Cobweb, which I'm driving into Nashville to see on Saturday. Written by Chris Thomas Devlin and Directed by Samuel Bodin, I have high hopes for this one as well. So those are among the articles I'm saving. My favorite parts of Fangoria, however, are the columns, and in just the three I've read so far, I'm instantly reminded why I love this iteration of the Horror Mainstay Magazine so much.
Long-time contributor Michael Gingold discusses writing a new novelization for the 1980 Video Nasty Nightmare for Severin Films, who also just released a restoration of the film. The resurgence of movie tie-in novelizations is fascinating to me, and although I don't read a lot of them - I burned through Brad Carter's Night of the Demon last year, also from Severin - Nightmare is one I'm curious about. The film is hit or miss with me, despite its aurora of grindhouse sleaze that drips from every nook and cranny, but as with Night of the Demon, I have a feeling I will really enjoy reading the story more than watching the film. Whatever your preferred medium for Nightmares, you can order the restored film HERE or Mr. Gingold's novelization HERE.
Next up was Barbara Crampton's editorial on theatrical screenings vs. streaming. She makes some points I'd not considered until now, mainly that we are seeing the streamers' film production slowing as people return to the theatre. I don't think we'll ever tip the scales back in the direction they were twenty years ago, however, while bombastic (and to my mind at this point, mildly annoying) Marvel/Super Hero flicks carry the main audience on the big screen, Horror is the quiet RBI batter, in my opinion.
Finally, Stephen Graham Jones has a fantastic new entry in his Slasher Nation column that traces the origins of the Final Girl all the way up from the Damsel in Distress of the silent era. Easily my favorite piece in the magazine I've read this morning.
Playlist:
Forhist - Eponymous
Mammon XV - Woe's and Winter's Breath EP
Ruby the Hatchet - Fear Is a Cruel Master
Brainiac - Predator Nominate
Greg Puciato - Mirrorcell
Gism - Detestation
Blut Aus Nord - Queen of the Dead Dimension (pre-release single)
Genghis Tron - Dead Mountain Mouth
Sepultura - Schizophrenia
Metallica - 72 Seasons
Bohren & Der Club of Gore - Pachouli Blue
Pale Dian - Feral Birth
Card:
• V: The Hierophant
• XI: The Hermit
• Five of Cups - Disappointment
Exciting news will turn out to be erroneous, or at the very least not what it seems at first glance.
In preparation for the recording of the first episode of our new spin-off podcast, The Horror Vision Presents: Elements of Horror, I rewatched Jim Jarmusch's Only Lovers Left Alive last night.
I have to say, not only do I think this is one of the coolest films ever made, but I think about it almost every day. There is not a lot that moves the needle as far as inspiring me to make music again, but watching or thinking about this film does in a BIG way.
Watch:
THIS will be in theatres? I won't hold my breath for it to come to Clarksville, however, I'm not averse to planning a trip to Chicago for this (if it even plays there).
This might tie Barbarian for the best trailer I've seen all year. Whether the movie lives up to the absolute lo-fi DREAD displayed here will remain to be seen. Below I've posted Skinamarink's summary, courtesy of the mighty Bloody Disgusting, whose article on the film is HERE:
“Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished. To cope with the strange situation, the two bring pillows and blankets to the living room and settle into a quiet slumber party situation. They play well-worn videotapes of cartoons to fill the silence of the house and distract from the frightening and inexplicable situation. All the while in the hopes that eventually some grown-ups will come to rescue them. However, after a while, it becomes clear that something is watching over them.”
If, like Christmas Bloody Christmas, which I had also planned to travel for, I can't make the trip north for Skinamarink, then the good news that, also like Joe Begos' new film, this will be released on Shudder is a welcome balm. I would drive back and forth twice a month if I could, but the logistics of life do have a habit of getting in the way of plans like that.
Really looking forward to seeing this, the first feature from Kyle Edward Bell.
Read:
Last year at Severin Films' Black Friday sale, I picked up the Night of the Demon restored Blu-Ray and, perhaps more excitedly, Brad Carter's novelization that Severin commissioned in their possibly over-zealous roll-out for this widely unknown regional Horror film from 1980.
After finishing Barry Adamson's Up Above the City, Down Below the Stars I was tempted to jump into David Lynch's biography, Room to Dream. I figured I could use a palate cleanser though; Adamson's book was the best book I read all year - or at least my favorite - and I need to put something genre between it and the story of another creator I adore. So I cracked open Brad Carter's translation of this bizarre little Bigfoot tale...
Confession: I've yet to watch the Blu-Ray. I'd seen a good deal of scenes from Night of the Demon a while back on youtube; not a place I generally go to watch movies, but before Severin's remaster, this film was almost as much a legend as Bigfoot itself. Now forty or so pages into the book, I have to say, it is quite well-written. I know the basic story here and it feels quite a bit more substantial as prose than film. Some of that is obviously the hindsight employed, but also I think it speaks to Carter as a writer, and I quickly cued up a few of his novels for future reading, in particular the novel Saturday Night of the Living Dead.
As for Night of the Demon, I'm particularly interested in how the novel handles the "cult" subplot of the story, which didn't really get the treatment it deserved in what I saw of the film, which admittedly was not the whole thing. Carter gives all the characters involved extra development, which in some cases may have been a thankless task. Being asked to novelize a forty-something-year-old regional Horror film must be comparable to being asked to take agent listings of a house in need of updating. However, where someone else might have been happy to just recreate the schlock seen on the screen, Carter's extra level of care and attention really make this feel like it's going to be a far superior vehicle for the story.
Playlist:
Beach House - Depression Cherry
Pete Shelley - Homosapien
Uriah Heep - Abominog
Metallica - Lux Æturna (pre-release single)
Revocation - Netherhaven
Tyler Bates - The Punisher OST
Fvnerals - For Horror Eats the Light
Fvnerals - Wounds
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Previous issues with my finances (intermittent but seemingly unending fallout from identity theft) will come to a resolution.
