Showing posts with label 7 of Disks: Failure. Show all posts
Showing posts with label 7 of Disks: Failure. Show all posts

Monday, November 4, 2024

Drug Church - Mad Care

 
Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!

Pick up the record or some merch from Pure Noise Records HERE.




Watch:

My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.


Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*

My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.


Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.



* I appreciate what they do; it's just not my jam.




Playlist:

Cocteau Twins - Garlands
The Cure - Songs Of A Lost World
Dr. John - Gris Gris
Matt Cameron - Gory Scorch Cretins
Soundgarden - Superunknown
Soundgarden - Down on the Upside
Michael Jackson - Thriller (single; video)
Goblin - Fearless (37513 Zombie Ave)
Replicas - Gary Numan + Tubeway Army
Roxy Music - Eponymous
Drug Church - Prude
The Hives - Veni Vidi Vicious
The Kills - Midnight Boom
Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out
Better Lovers - Highly Irresponsible
Turnstile - GLOW ON
Baroness - Stone




Card:

Today's card for study is the 7 of Disks, Failure:


My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we? 

In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:

"The number Seven, Netzach, has its customary enfeebling effect, and this is made worse by the influence of Saturn in Taurus. The disks are arranged in the shape of the geomantic figure Rubeus, the most ugly and menacing of the Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money."

The general sentiment here is to keep your wits about you; something today could go wrong. 

Wednesday, September 1, 2021

Abby Sage - Residing in the Sky

 

This Abby Sage is something else. I can't say I'm as crazy about "Residing in the Sky" as I am "Smoke Break," but then of late, I'm not crazy about any song the way I am about "Smoke Break." Still, Ms. Sage makes some very cool, interesting music. I don't know that I'd define it as Pop, but I don't know that I wouldn't, either. Whatever her sound, it's unique, that's for sure.
 


NCBD:

Because of my situation at the moment (see "Watch" below), I won't be making it into the shop today. Luckily, my shop delivers to nearby Pull Customers, so this is what I'm asking them to drop off later this afternoon:


The final issue of this mostly pointless series that I still wouldn't have missed due to its part in the countdown to Nick Spencer's final issue. I've decided in the interest of saving space and $$$, I will not be going forward with the next regular, essentially weekly AMS title. When I get the craving, I can always re-read the Spencer run (I started with issue 48, I think) or any of the 80s Spidey comics I've added to my collection from back-issue bins of late.


I read the first trade of Jeremy Haun's Beauty when it first hit shelves, however, I fell off. The trade later got damaged when I moved and is long gone. Since meeting Jeremy, I've become rather fond of the bloke - he is a true Horror fan, a gentleman and most definitely a scholar. That has bumped up re-starting Beauty on the list. I think I'll start by buying the one-shot series finale this week, just to have it in the collection, then finally read it when I can grab the series in trade and catch up.


I'm not 100% I'm going to buy this title, but I'm intrigued to say the least.


I just caught up with the last two issues of Geiger a week or two ago and I'm already hungry for more. This is shaping up to be one of my favorite books of the year.


This book is F*&king INSANE. Like a modern version of early 80s exploitation cinema, but gorier!




Watch:

Well, after a year-and-a-half of caution and close calls, I'm sick at home since Tuesday morning, waiting on the results of a COVID test. It's funny how, even if you don't let your guard down, the world can get you. One of my employees has an eleven-and-a-half-year-old sister who started school two weeks ago, was tested and found to have COVID, and thus, the virus may have made its way to me by way of the office we share. We observe all the proper protocols, and both the employee in question and myself are vaxxed, so the symptoms are mild at best, but still. While my employee is a confirmed positive - luckily with next to no symptoms - and two rapid tests in the last few days came back negative for me, we're playing it extra safe and I'm waiting on the PCR results at home. I'd just finished 9 days in a row and have been feeling like crap anyway, so I ordered a bottle of Breez Royal Mint Spray (the ease of the cannabis delivery world is one thing I will miss when I move from LaLaLand), and spent yesterday doing a full recharge. Besides beginning Stephen Graham Jones's new novel My Heart is a Chainsaw - which, a quarter of the way through I f*&king LOVE, and which totally put me in the headspace for 80s Horror - here's what I watched as recharge comfort food:
 
 

And how can you watch the original and not follow it with one of the all-time greatest movies in history? The answer, you can't.

 

So, that was the comfort food portion of my sabbatical. Next up, a film I had not seen, but my friend/colleague Heaven is an Incubator logged on his Letterbxd a few months back and looked interesting, 1989's The Dead Pit:


Turns out I LOVE this flick! It's not good by any stretch of the imagination, but its heavy-handed Nightmare on Elm Street influence immediately endeared it to me, as well as the fact that the weird, dream-like tone and often half-completed set design makes it the perfect pairing for a double feature with another schlock flick I adore, 976-EVIL, which I may watch today.

Next, one I had not seen in ages, and thus did not readily remember very well.  Stan Winston's 1988 directorial debut, Pumpkinhead:


There is not a shot in this film that I don't adore. The lighting and set design are heavenly... well, hellenly? You know what I mean. The Blackwood Cemetery sequence and Pumpkinhead's grave especially stay with me, as does the fact that, when Ed Harley first digs up Pumpkinhead and Haggis sets about resurrecting it, the young version looks almost exactly like Sam from Trick r' Treat without his mask on!



Pretty cool, huh? So, when Sam grows up, will he be a demon of vengeance? 




Playlist:

St. Vincent - Daddy's Home
Jerry Cantrell - Atone (single)
Ultra Bann - Big Trouble in Little Haiti
The Rolling Stones - Sticky Fingers
The Smiths - The Queen is Dead
Abby Sage - Smoke Break
The Bangels - All Over the Place
Adam Egypt Mortimer - The Obelisk
Deafheaven - Infinite Granite




Card:


I'm assuming this is a nod that I will 'fail' my COVID test, ie be negative. This means I'm just suffering from a cold - something that didn't use to garner nearly this much anxiety.

Looking at the image for this card makes me want to go a bit deeper, though. I'm seeing it for the Abyss it represents visually. I may choose to use this as a starting point for something I may attempt to write today (can't spend every day recharging).