Showing posts with label Patrick Kindlon. Show all posts
Showing posts with label Patrick Kindlon. Show all posts

Monday, November 4, 2024

Drug Church - Mad Care

 
Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!

Pick up the record or some merch from Pure Noise Records HERE.




Watch:

My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.


Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*

My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.


Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.



* I appreciate what they do; it's just not my jam.




Playlist:

Cocteau Twins - Garlands
The Cure - Songs Of A Lost World
Dr. John - Gris Gris
Matt Cameron - Gory Scorch Cretins
Soundgarden - Superunknown
Soundgarden - Down on the Upside
Michael Jackson - Thriller (single; video)
Goblin - Fearless (37513 Zombie Ave)
Replicas - Gary Numan + Tubeway Army
Roxy Music - Eponymous
Drug Church - Prude
The Hives - Veni Vidi Vicious
The Kills - Midnight Boom
Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out
Better Lovers - Highly Irresponsible
Turnstile - GLOW ON
Baroness - Stone




Card:

Today's card for study is the 7 of Disks, Failure:


My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we? 

In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:

"The number Seven, Netzach, has its customary enfeebling effect, and this is made worse by the influence of Saturn in Taurus. The disks are arranged in the shape of the geomantic figure Rubeus, the most ugly and menacing of the Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money."

The general sentiment here is to keep your wits about you; something today could go wrong. 

Monday, October 21, 2024

Drug Church - Demolition Man

 

BIG thanks to Mr. Brown, who clued me into the fact that comic writer Patrick Kindlon's band Drug Church has a new record out! Kindlon is kind of the pinnacle of the evolution of Punk Rock to me at the moment: he writes wonderfully subversive and thought-provoking comics, and he sings in an awesome band that has a social awareness that reminds me a bit of Fugazi, although turned somewhat inward. Really great stuff.

You can order the record HERE.




31 Days of Halloween:

Not much to say about my viewing over the weekend. Rewatching the original Terrifier, I'm merely reminded how great the second and third entries are with an actual plot, although Leone's FX work is still great (although subdued by lack of budget), and it's interesting to see the Victoria character's origin again, given what she's become. That was Friday night; Saturday was Ti West's The Houe of the Devil with Joe Bob from The Last Drive-In episode aired during the first season of the show, back in 2019. House is normally a film I prefer to watch uninterrupted, but this is my second viewing in the last few months (I watched it when Maxxxine hit theatres, too), and I'd never seen Joe Bob 'do' the film, so it was time. Very cool factoids throughout.


Last night, I re-watched Lucky McKee's The Woods. This was his 2006 follow-up to May. May is one of my all-time favorite films. The Woods is... not a bad film by any means. However, something about it feels very hollow to me. I don't remember how I felt about this one when I first saw it upon the initial DVD release, but it definitely didn't move the needle with me this time. 

I feel like I am running out of time this month. There's been a couple not-so-great viewings, and there's a ton of stuff I want to get to. Might have to organize the remainder of my viewings. 



1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods




Listen:

My friend Justin interviewed Chris Connelly on the latest episode of his YouTube show, Trailer Punk Podcast. Check it out!


Listening to this, I'm reminded I've still never tracked down a copy of Connelly's 2010 novel Ed Royal, and now I realize he has others! No excuses... 




Playlist:

My Life With The Thrill Kill Kult - Confessions of a Knife
Oranssi Pazuzu - Muuntautuja
Blut Aus Nord - Hallucinogen
Oranssi Pazuzu - Live at Roadburn
Oranssi Pazuzu - Värähtelijä 
The Sisters of Mercy - Floodland
Perturbator - Nocturne City EP
The Body and Dis Fig - Orchards of a Futile Heaven
Various - Halloween Spotify Playlist
Orville Peck - Pony
Pastor T.L. Barrett and the Youth For Christ Choir - Like a Ship Without a Sail
Ennio Morricone - Black Belly of the Tarantula




Tuesday, January 23, 2018

2018: January 23rd 5:56 PM

Walked up to do my words today. About a nice mile hike uphill. Trying to regain some of what I lost with my health issues last year.

I finished Patrick Kindlon and Maria Lovet's There's Nothing There last night. Really cool book. The part that sealed the deal for me was when Oscar Zeta Acosta showed up. I mean - holy shite! He appears as something of a spirit, although maybe not exactly, and he drops the names of the other spirits that had previously appeared to the main character, Reno. Oscar's presence spurred me to do some research and sure enough, all of Reno's visitors were real people from history who disappeared.

Awesome!

Kindlon's afterwards are worth the read alone - they're all fantastic snapshots of the comic industry from someone immersed in it, and in the back of the final issue he teases that there's more to tell, that maybe he and Maria will get back to it some day.

Please do.



Fell head over heels in love with Viet Cong and their current incarnation as Preoccupations. I remember when all of the hullabaloo with their name was going on two or so years ago, but I never read up on it. Also never had the chance to check out the band, despite the fact that over on Heaven is an Incubator Tommy swore/swears by them up and down. Another great thing about Apple Music - everything I think of is at the touch of a button. These are good enough to own on tactile though, so I'm sure I'll grab the vinyls eventually. As I keep saying, Apple Music is great, but so is giving the artists your hard earned money for their art - not just the royalties they get from streaming services.

I'll be switching gears from the standard Deafheaven for those daily words today:






Monday, January 22, 2018

2018: January 22nd

6:30 AM - I've already been awake for 2 hours. Going to be a long day, between work at the biorepository, the commute home (which hopefully won't be that bad but, well, I won't hold my breath) and my scheduled daily words for this evening, I'll be running on caffeine and sheer force O' Will for the next... 13 or 14 hours. And then I'll do it all again tomorrow, probably with less sleep under my belt. That's okay, Wednesday is nap day (I swear to the Sleep Bank theory, something I'll either link to or define myself sometime soon) and Thursday night is Converge at the Regent. Going to be insane. I've been looking for a band to fill the hole left by Dillinger Escape Plan's retirement, hopefully this will do the trick. I will NOT be hitting the action in the Pit however, as my torn hamstring at December 14th's Jesus Lizard show (The Fonda) has convinced me that, just like K warns me when I step up to the plate to do stupid things, I'm 41 and well past the age I can surf over a throbbing crowd on other people's fingertips and kindness.

Well, at least until I properly heal...

K and I watched The Killing of a Sacred Deer last night. Jesus H. Christ, where to begin? I'll save it for another time. I loved it though, and it will definitely make my "Shawn's Favorite Films: 2017 list, which I'm delaying publishing on Joup until the day of the oscars, just to allow myself time to see everything. Hey, if the awards that almost always get it wrong can have until February to see everything, so can I.

Began the day with some Nick Cave and the Bad Seeds - From Her to Eternity.


Finishing up Reinhard Kleist's brilliant Graphic Novel Nick Cave: Mercy on Me


Also jogging through a re-read of Patrick Kindlon and Maria Llovet's There's Nothing There - issue 5, the final issue, came out recently and it'd been a few months since I'd read the previous ones, so I thought I'd go back to the beginning and read through until the end. Reno is a strange character; because of her vapid, media whore lifestyle I should hate her. I don't. I want to see her come out of this journey with something new to her, a better outlook. That said, I'll be just as interested in the final issue of the story if she doesn't evolve but receives some kind of comeuppance instead.