Showing posts with label Synapse Films. Show all posts
Showing posts with label Synapse Films. Show all posts

Monday, November 27, 2023

The Dead Take the A Train Straight Through the Spider Labyrinth

November is nearly over, and I realized I have not posted any Opeth yet. For that matter, I hadn't even listened to them until whatever day last week I began this post. Back around 2006/2007, Opeth became a big winter band for me, with the time change and early night that directly follows Halloween a welcome signifier that it's time to crack out Deliverance, Blackwater Park and the Candlelight years.




Watch:

I did a bit of online Black Friday shopping last week. Nothing huge, but there were a few titles from boutique Blu-Ray labels I haunt online that I could not pass up. 

First up, Synapse Films has a 4K restoration of one of my all-time favorite films, Mike Mendez's The Convent. I have no interest in the 4K, but the release includes a standard Blu-Ray, and I've been waiting some time for this one to get a proper clean-up and re-release:


Next, and this is a somewhat blind buy, one of Severin Films' secret titles for their Black Friday sale is Gianfranco Giagni's 1988 nightmare The Spider Labyrinth. This is one I've never seen, but I've seen a certain amount of buzz steadily build for it in the backwaters of the Horror Community, with Italian Filmofiles clamoring for a proper digital release (which the film never received before now). Check out the trailer below, and although I've become fairly anti-spoiler, I'm pretty sure there's no way to spoil the absolute madness of this one.

 

Finally, although this isn't a new title, it's one that's been on my radar for a while, and after watching Michael Venus' 2020 film Schlaf (Sleep), I forked over the dough for this gorgeous release from Arrow Video; for $20 how could I not?


If I were to elevator pitch this flick to you, I'd say it's kind of a cross between Anthony Scott Burns' Come True and the possibilities I saw inherent in Stewart Thorndike's Bad Things (which admittedly did not work for me, but had some very interesting potential insofar as location and plot). 

Here are the purchase links if anyone is interested:



Arrow Video: Sleep




Read:

Richard Kadrey has released two books this year, and I've been wanting to read both, so after finishing Michael Wehunt's Greener Pastures, I slipped into The Dead Take the A Train, a collaboration with author Cassandra Khaw, whose Nothing But Blackened Teeth has been on my to-read list for the last two years or so and has now jumped to the top of that list based on the 65% of A Train I've read in the last few days.


Here's the solicitation blurb:

"Julie is a coked-up, burnt-out thirty-year-old whose only retirement plan is dying early. She’s been trying to establish herself in the NYC magic scene, and she’ll work the most gruesome gigs, exorcize the nastiest demons, and make deals with the cruelest gods to claw her way to the top. But nothing can prepare her for the toughest job yet: when her best friend, Sarah, shows up at her door in need of help. Keeping Sarah safe becomes top priority. Julie is desperate for a quick fix to break the dead-end grind and save her friend. But her power grab sets off a deadly chain of events that puts Sarah – and the entire world - directly in the path of annihilation. The first explosive adventure in the Carrion City Duology, The Dead Take the A Train fuses Cassandra Khaw’s cosmic horror and Richard Kadrey’s gritty fantasy into a full-throttle thrill ride straight into New York’s magical underbelly."

It's been some time since I read Richard Kadrey's Butcher Bird, but I loved that novel and have followed the man on soc.med ever since. He's a bright spot in the increasingly noxious online world, and it's great to 'catch up' with his writing over a decade since I began.*

Also, that cover has to be one of the most gorgeous I've seen in some time (artist James Jirat Patradoon's website is HERE). 

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* I've always wanted to read Sandman Slim, however, much like Jim Butcher's Harry Dresden books, I have grown to baulk at starting so lengthy a series, in case I love it and it consumes the next year of my life.



Playlist:

Allegaeon - Apoptosis
Frank Black and the Catholics - Snake Oil
Opeth - Deliverance
Misfits - Collection II
Rodney Crowell - Christmas Everywhere
Godflesh - Purge
Perturbator - Dangerous Days
Dream Division - Beyond the Mirror's Image
U2 - Achtung Baby
Justin Hamline - Worst Locals Ever
Steve Moore - Gone World
The Cramps - Smell of Female (Live)
Lord Huron - Long Lost



Card:

I've been off the clock here since last week, and I am tired. Had a new round of the COVID booster yesterday, and it just hit me like a ton of bricks, so just one card from Missi's Raven Deck today:


I'll be double-verifying all information that crosses my path today and, perhaps conversely keeping an eye out for ways to slip mainstream corridors of thought. 

Friday, March 25, 2022

A Blasphemous Nun Massacre at the Hexie Mountains!

 

A new video from Orville Peck's recently released Bronco, Chapter 1. I can't wait for the entire album to land and my vinyl to arrive. If you haven't already, you can scoot on over HERE to pick one up for yourself.




Watch:

Despite working slightly more than a full day yesterday, I had a pretty damn good 46th birthday. Nothing fancy. Homemade burgers and Demons 2 kicked things off, as I picked up that stunning Synapse Films double feature of Lamberto Bava's two Demons films back when it came out a year or two ago, and still hadn't set eyes on their transfer of the sequel.

 

Ironic that I could only find Arrow Video's trailer for their restoration of the film, but whatever. The Synapse transfer is gorgeous, and I'm quite happy with everything about it.

Later, to end my night, I threw on one of my recent favorites - Joe Begos' VFW. It'd been a minute since I'd seen this one, but I feel like all the beats are seared into my head thanks to that one magnificent Beyondfest double feature back in 2019. 


I love this flick so damn much. Both this and Begos' Bliss are films I feel like I could watch every day. In lieu of that, I tend to just toss them on when I can, to re-experience not just the film, but that glorious final Beyondfest at the Egyptian, my favorite place in LaLaLand, now owned by Netflix.




Play:

Not only did my Nintendo Switch arrive yesterday, but I was able to pick up Puppet Combo's Nun Massacre from the online game store!

 

The game, like Glass Staircase before it - which I'd bought on my Mac a few years ago and quickly gave up on without a controller - is a bit difficult to get used to for someone who hasn't ever really played 360, immersive games, but very well worth the pangs of the learning curve. The atmosphere is stellar, and when the titular Nun takes to stabbing you to death, things get pretty intense. Definitely recommended for anyone who digs Horror and Games. Reminds me a bit of my all-time favorite Video Game, Shadow Gate, which still influences my personality endlessly, despite not having played it in decades at this point.

Despite all this love I'm heaping on Nun Massacre, however, it was another game I picked up at the same time that I spent the most time with. Thanks to a recommendation by my Horror Vision cohost King Butcher, I grabbed Game Kitchen's Blasphemous:


The image of that giant baby with its eyes stabbed out, held by a monster as it tears a person limb from limb sealed the deal. This is some insane shit, and I'm absolutely in love with this game, which was obviously designed by a bunch of Metal Head Stoners (my people) who were very much influenced by the Castlevania series, which, back when I played video games on the original NES system, was a favorite (especially part 2: Simon's Quest).




Playlist:

Perturbator - Lustful Sacraments
Blut Aus Nord - That Cannot Be Dreamed
Drug Church - Hygiene
Quicksand - Slip 
White Lung - Paradise
Every Day (is Halloween) Playlist (Reveal in upcoming April 4th Edition of the newsletter)




Card:

Back to my Thoth mini. My intention was a three-card spread, however, this card literally jumped out of the deck at me:


A solid foundation to build from takes good, strong effort and clear thinking. Pertinent, as we just had another phone conversation with our Tennessee realtor. Things are moving forward, and I'll post more about it here when our machinations fully lock into place.