A Blasphemous Nun Massacre at the Hexie Mountains!

 

A new video from Orville Peck's recently released Bronco, Chapter 1. I can't wait for the entire album to land and my vinyl to arrive. If you haven't already, you can scoot on over HERE to pick one up for yourself.

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Watch:

Despite working slightly more than a full day yesterday, I had a pretty damn good 46th birthday. Nothing fancy. Homemade burgers and Demons 2 kicked things off, as I picked up that stunning Synapse Films double feature of Lamberto Bava's two Demons films back when it came out a year or two ago, and still hadn't set eyes on their transfer of the sequel.

 

Ironic that I could only find Arrow Video's trailer for their restoration of the film, but whatever. The Synapse transfer is gorgeous, and I'm quite happy with everything about it.

Later, to end my night, I threw on one of my recent favorites - Joe Begos' VFW. It'd been a minute since I'd seen this one, but I feel like all the beats are seared into my head thanks to that one magnificent Beyondfest double feature back in 2019. 

I love this flick so damn much. Both this and Begos' Bliss are films I feel like I could watch every day. In lieu of that, I tend to just toss them on when I can, to re-experience not just the film, but that glorious final Beyondfest at the Egyptian, my favorite place in LaLaLand, now owned by Netflix.

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Play:

Not only did my Nintendo Switch arrive yesterday, but I was able to pick up Puppet Combo's Nun Massacre from the online game store!

 

The game, like Glass Staircase before it - which I'd bought on my Mac a few years ago and quickly gave up on without a controller - is a bit difficult to get used to for someone who hasn't ever really played 360, immersive games, but very well worth the pangs of the learning curve. The atmosphere is stellar, and when the titular Nun takes to stabbing you to death, things get pretty intense. Definitely recommended for anyone who digs Horror and Games. Reminds me a bit of my all-time favorite Video Game, Shadow Gate, which still influences my personality endlessly, despite not having played it in decades at this point.

Despite all this love I'm heaping on Nun Massacre, however, it was another game I picked up at the same time that I spent the most time with. Thanks to a recommendation by my Horror Vision cohost King Butcher, I grabbed Game Kitchen's Blasphemous:

The image of that giant baby with its eyes stabbed out, held by a monster as it tears a person limb from limb sealed the deal. This is some insane shit, and I'm absolutely in love with this game, which was obviously designed by a bunch of Metal Head Stoners (my people) who were very much influenced by the Castlevania series, which, back when I played video games on the original NES system, was a favorite (especially part 2: Simon's Quest).

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Playlist:

Perturbator - Lustful Sacraments

Blut Aus Nord - That Cannot Be Dreamed

Drug Church - Hygiene

Quicksand - Slip 

White Lung - Paradise

Every Day (is Halloween) Playlist (Reveal in upcoming April 4th Edition of the newsletter)

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Card:

Back to my Thoth mini. My intention was a three-card spread, however, this card literally jumped out of the deck at me:

A solid foundation to build from takes good, strong effort and clear thinking. Pertinent, as we just had another phone conversation with our Tennessee realtor. Things are moving forward, and I'll post more about it here when our machinations fully lock into place.

The Dead of Night

 

Had this one in my head all day yesterday, finally had a chance to put it on the turntable later in the evening, as K and I sat outside and enjoyed the cooling night air. Dead of Night seemed appropriate, as by that time, I was up way past my usual Sunday night bedtime.

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Watch:

 

I absolutely loved the first, two-part storyline in the new AHS spin-off anthology, American Horror Stories. It was great to return to Murder House, great to see some familiar frights, and the casting for this one was fantastic. As Lizard in Joe Begos's VFW, Sierra McCormick impressed the hell out of me, and that was definitely held up by her performance in Andrew Patterson's Vast of Night, which I watched about a year ago (maybe; time has lost all meaning). As Scarlett in AHS, McCormick turns in another great performance, and I'm betting in a year or two, she's going to be a pretty formidable star.

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Playlist:

The albums I've been listening to the most are Cyndi Lauper's seminal She's So Unusual, Let it Bleed, and Paranoid. I've been hitting these super hard, and they're really shaping my recent days. It's pretty cool; I've become quite fond of rolling directly from Yeah Yeah, the final song on She's So Unusual, directly in to War Pigs. I don't know what it is about the juxtaposition of sonic textures there, but it really puts a smile on my face.

David Bowie - Hunky Dory

Black Sabbath - Paranoid

Cyndi Lauper - She's So Unusual

An Autumn for Crippled Children - The Long Goodbye

Deafheaven - New Bermuda

King Woman - Celestial Blues (pre-release singles)

King Woman - Doubt EP

Charles Mingus - Blues & Roots

John Carpenter - Lost Themes

Megadeth - Rust in Peace

Queens of the Stone Age - Rated R 

The Rolling Stones - Let It Bleed

Chuck Berry - Berry on Top

Iggy and the Stooges - Raw Power

Orville Peck - Pony

 

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Card:

This was definitely the watchword earlier today, however, I've moved past it and emerged into a state of mind that robbed my anxieties of their ammunition. As a result, I'm feeling pretty good.

Isolation - Day 36 Jawbox: Breathe

One of the things I really dig about Apple Music is the fact that I can see what my friends who have it are listening to (as long as their setting allow it). My good friend Jacob, back in my second favorite State of Ohio, has amazing taste and has turned me onto quite a few unbelievable records. He also, sometimes, reminds me of music that has spun so far out of my orbit there was little to no way I was coming back to it any time soon. Jawbox is such a band. When I think of era-defining 90s music, Jawbox is one of the bands that comes immediately to mind. And yet, unlike other groups from that era, there is nothing about Jawbox that sounds dated in any way. Maybe that because they helped inspire pretty much every new generation of "Post Punk," or maybe it's just because they are transcendently fantastic. Whatever the case, it's been a very long time since I'd heard this record, and it feels oh so good to have it back in my ears.

Thanks, Jacob!

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My Blu Ray copy of Joe Begos' VFW arrived in the mail yesterday, and I'm hoping to get a chance to watch it this weekend. I caught this one at Beyondfest last year (talked about it on The Horror Vision HERE), and it's fantastic. If you haven't seen VFW and you dig old school Carpenter, Siege Horror, or bad ass old dude flicks, I would consider this one a must. Here's the trailer:



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Firmly entrenched in William Gibson's The Peripheral. I have only the very vaguest sense of what the hell is happening, but I'm hooked.

No one writes the future like Mr. Gibson, it's a proven fact.

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Playlist:

Nirvana - Bleach
Dee Lite - Sampladelic Relics and Dancefloor Oddities
Willie Nelson and Leon Russell - One For the Road
White Lung - Paradise
Code Orange - Underneath
Steve Moore - VFW OST
Carpenter Brut - Blood Machines OST
Jawbox - For Your Own Special Sweetheart
FMLYBND - Letting Go (Single)
Flying Lotus - Los Angeles
Old Man Gloom - Seminar IX: Darkness of Being
White Lung - Eponymous
White Lung - Sorry
Tub Ring - Zoo Hypothesis
Doves - Lost Soul
Brand New - God and the Devil are Raging Inside Me

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Card:

Emerging from cloudy skies about troubled waters. Clarity lies not too far in the distance.

Type O Negative, Creepshow, and Tales from the Crypt!

I've been in full October mode, and of course, that means lots of Type O Negative. This song, the final track on their final album before Peter Steele's death, really hit me this morning. Released in 2007, I've always really liked Dead Again, but I never quite warmed up to it as much as Life Is Killing Me, their previous and my favorite of their albums (I just take Bloody Kisses out of the running for that - it's perfect and stands on its own in a timeless continuum of awesome). Last year at this time, however, I felt myself coming around a bit more, and this year, well, I may now consider it the band's best album (again, eschewing BK). The song structures and arrangements are fascinating and far from obvious; listen to the soft countermelody Josh plays on the climax of this track -  I feel like one in a million rock keyboardists would write something like that there.

That said, this increased infatuation with Dead Again is what makes hearing Steele sing "All Hail and Farewell to me..." at the end of the song so emotional - I'm willing to bet the reason Dead Again took me so long to fall completely in love with is I'm a bit of a saver. In other words, living with the knowledge that this was their final album (I had a hunch even before Steele passed), I believe I saved this album to have one last record to fall in love with over the years. Now that this love has come to pass, I'm sad. But only so sad, because none of Type O's record ever get old.

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The second episode of Shudder's Creepshow aired last night. Fantastic! There's a ton of schlock here, but that's how it's supposed to be. I especially liked "The Finger," with DJ Qualls. Breaking the fourth wall doesn't often work, but it did here. As a complementary flavor, K and I followed Creepshow with the first episode of the first season of HBO's Tales from the Crypt. Unlike many of my contemporaries, I didn't see much of this show back in the late 80s/early 90s when it aired. This episode, The Man Who Was Death, proved relevant in several ways. First, William Sadler is one of the stars of Joe Begos' VFW, which we'll be seeing tomorrow night at Beyondfest, and two, Sadler's out-of-work executioner narrates this episode by continuously breaking the fourth wall. A great double-feature in a weekend that will be filled with double and triple features!


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31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1

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Playlist from 10/03:

Type O Negative - Dead Again
Various - Lords of Chaos Soundtrack (Playlist)
Sisters of Mercy - Floodland
Miranda Sex Garden - Suspiria
Neon Kross - Darkness Falls
Claudio Simonetti and Fabio Pignatelli - Phenomena OST

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Card of the day:

Taking this as a nod that spending yesterday after work catching up on sleep instead of working was the correct plan of action. I feel revived, refreshed, and ready to continue outlining Shadow Play Book Two!