I Watched Nowhere again last night, this time with K, and it turns out it was Director Greg Araki's birthday! Wow, I guess it's kind of kismet that I fall in love with this movie now. Such an amazing soundtrack - the CD for which hauls a cool $99 on eBay - and of the countless incredible songs and artists represented - minus hole and filter - "Vendetta" by Adorable really stands out. A bit of research shows that this band kind of got swallowed by time and the digitization of the music industry because aside from people posting this on YouTube, it is, ahem, Nowhere to be found.
Watch:
I followed Nowhere with Alex Cox's Repo Man. A classic, yes, but one I've only ever watched one other time, and that was in 2018!
I don't know how I missed out on Repo Man in the 80s, 90s, 00s, and most of the 10s - hell, I saw Cox's Straight to Hell more than a decade before I saw this - but Repo Man made a pretty deep impression on me upon first viewing and more than lived up to that watching it again. Perfect double feature with Nowhere.
NCBD:
This week's pull:
Every issue I've read of Epitaphs From the Abyss has been fantastic, so really looking forward to continuing the anthology vibes this month!
Si Spurrier's Hellblazer epic comes to a close, and yes, while we knew Morpheus would be appearing, I didn't expect to see the pre-Daniel version. Can't wait to see what this is about and how this tale concludes.
Not super jazzed about this book, but I'm still going to give it the benefit of the doubt. Seriously though - put Baroness back in the tight black leather already, will ya?
This cover instantly sells this issue. I think Jason Aaron's TMNT has now moved to monthly, but I knew that was coming. So far, I'm not going anywhere.
Playlist:
John Harrison - Day of the Dead OST
Pixies - Doolittle
Pixies - Come On Pilgrim
Pixies - Bossonova
Chat Pile - Cool World
The Los Angeles League of Musicians - LA LOM
Ozzy Osbourne - No More Tears
Justin Hamline - The House With Dead Leaves
The Soft Moon - Criminal
Today's card for study is the Prince of Cups:
"Emotional depths honed by intellect."
The airy aspect of water, or the intellectual side of emotion. What's that you say? "Intellectual side of emotion sounds like an oxymoron?"
Yes.
That said, this card should be taken as a reminder to strive to not let our emotions get the better of us, or a clue that our reason is clouded by emotion.
Holy cow - NEW MARS VOLTA! This news still caught me by surprise, despite the fact that Mr. Brown sent me a message yesterday about a show at Chicago's Aragon Brawlroom in early October. I'm hoping this heralds a new album on the horizon, which it almost certainly does because even though this official video for "Blacklight Shine" is over 11 minutes long, well over half of that is the percussive section that accompanies the images of dancers; the actual single on streaming services isn't even three minutes in duration, and thus, just about the shortest Mars Volta song that's not a 'lead-in' track EVER.
Oh yeah, how cool is it that Omar directed the video?
NCBD:
Since I'm traveling, a lot of these will be waiting for me in my pull box back home. Some of them, however, are books I haven't yet added to my official list, and instead have been scooping up off the shelf with reserve the last few months. Those, I'll be stopping at a local shop to pick up. I'll probably go with Rick's Comic City.
I'm still reeling from how awesome issue three of this new iteration of The Amazing Spider-Man was; hoping number four continues on the same path. There's really something classic about seeing Spidey duke it out with a bunch of street-level hoods, even the goofy ones like the Rabbit or whatever the chick with white rabbit ears calls herself.
Three issues of Deadly Class remain after this one. I'll admit, because of all the time jumps in "A Fond Farewell," I began to lose my compass as to where we were a few issues back, but I'm assuming this comes from not seeing the big picture to the final arc yet, and also, reading it monthly.
The final issue of Homesick Pilots, and another one I kind of got lost in a few issues back. I'm planning a series re-read as soon as I get home. This book has been nuts in the best possible way, and there is nothing else out there that even remotely resembles it. I mean, Grunge-era haunted house ghost mech suits employed by the military to fight other ghost mech things? It even sounds nuts. I'll miss this one, but I'm always glad to hold a completed story in hand and relish its completion. Better to leave 'em wanting more than to overstay your welcome.
The first issue of I Hate This Place was great. Let's see where we're going, because all signs point to cattle mutilation - which is disgusting and terrible, but a part of alien mythology that always fascinated me for all its oddness. I mean, why cattle? Regardless, I'm digging the way this one seems to be mixing that Alien lore with haunted houses and a classic slasher set-up. Kind of a kitchen sink aesthetic, which can be tricky, but so far here, has me intrigued.
Do I even have to talk about how I wait for every issue of Kieron Gillen's Immortal X-Men with bated breath? I thought not. On my pull, but I'm picking it up anyway, cuz there's no way I want to wait.
I feel like the art in this Moon Knight book is getting a bit cartoony, which is something I usually don't go for in comics (there are exceptions and East of West springs immediately to mind), but so far, I love what MacKay is doing with the characters, so I'm hanging on.
A new limited series continuing one of my favorite one-off storylines from back in the early 90s?
If you don't know or remember, back in late 90/early 91, for three issues the world thought Reed, Sue, Johnny and Ben were dead, and in their wake, Spidey, Grey Hulk, Logan and Danny Ketch as Ghost Rider took over to avenge their deaths. I haven't re-read this one in a long time, and it was clearly a gambit to boost sales on "The World's Greatest Comics Magazine" and garner ever more exposure for four of the most popular characters of that era (Punisher would fit that bill too, but he doesn't show up until the last page of the final issue in a kind of meta-commentary on the situation by writer Walt Simonson).
Anyway, Marvel's doing a lot of these 'in-continuity' throwback series lately: iconic writers of the 80s and 90s go back and flesh out these classic eras. I've dug Symbiote Spider-Man by Peter David and the X-Men Legends that Walt and his wife Louise wrote for their OG X-Factor team, so of course, I'm giving this a try.
I hadn't been reading this current New Mutants until last issue, when "The Labors of Magik" storyline began. Look, reading the X-books in the 80s, I was... twelve when the original "Inferno" came out. It is still, to this day, the best X-Men Event or Crossover ever. Also, as a pre-pubescent male, The Goblin Queen and Ilyana Rasputin gave me something to live for in some ways, if you know what I mean and I think you do. So all of that is imprinted on me pretty deep. Thus, anything that references back to that storyline is immediately on my radar. They've toyed with this stuff before - wasn't Maddy or Magik or both Queen of Hell before? Or wasn't there another Inferno, before Hickman's new masterpiece that had nothing to do with Limbo or Magik at all? I believe so, but I ignored them. And if the first issue of "Labors of Magik" hadn't been as good as it was, I would have bowed out right away. But it was good, and I'm here again for part two.
Man, I remember when great indie books like Newburn were all I read. Now, they're kinda the minority in my monthly spending habit. Doesn't change the fact that Newburn is awesome, though.
HORROR. That is all.
Being that this is the final issue of X-Men, volume five for Duggan and Larraz? I hope not, but being that A) this is the last issue before the now annual Hellfire Gala, B) this is the final issue before Judgment Day, and C) no writer/artist are listed in Comics CLZ for issues 13 and 14's solicitation, I'm inclined to think maybe. I hope not, as I've LOVED this run. Either way, last issue dropped a BOMB, so let's get to picking up the pieces.
Playlist:
Black Sabbath - Eponymous
Card:
There's no surprise to me that I pulled this one again today. Got the news that my boss's boss is leaving the company, and that puts my keeping my job once I move in question.
I should clarify: I'd previously worked out that I'd be stepping down as Assistant Manager and taking a pay cut to focus on the international logistics side of my job, which exponentially increases every year and leaves me little time to actually 'manage' anyway.
Receiving this news shook me a bit, but it really hit K hard. Which I totally get. But receiving this "Temper Emotion with Reason" message two days in row indicates that we shouldn't make the assumption that I won't be able to keep the job. We also shouldn't assume I will. We have to approach the entire situation reasonably, which I definitely had flashes of yesterday. We looked at a lot of houses yesterday, several with our Real Estate Agent Josh (who is awesome), and several more just using Josh's portal. Zillow and Google Maps to triangulate areas where we saw things we wanted to look at. During those drives, we saw a lot of industry here with positions open. When K dug around online after we got home, there's a lot of stuff out there - whether local or 'remote' - that I more than qualify for. And I won't lie - I got a huge ego boost from totally crushing my officiating speech/duties at my Sister's wedding on Saturday. So I know I could find something good. Maybe better. The downside to losing the position I have now - or rather the new version of it I would have upon moving - is that, despite the fact that it's challenging, once I drop the management side of things - which is KILLING me at the moment - my job will be very cush in that I will have a large workload that will keep me on my toes, but it's a workload I am familiar with and enjoy.
I'm traveling, so any posts here will probably be abbreviated and sporadic. I'm not really a Skynard fan, however, after hearing the Deftones cover this one on their B-Sides collection that came out a few years ago, I realized I very much dig this song.
Watch:
I don't know anything about Luke Boyce's upcoming flick Revealer, which debuts on Shudder this coming Friday, however, here's the trailer:
Being that I'm traveling and have had a lot of my time spoken for over the last week, I missed last Friday's penultimate episode of Joe Bob Briggs' The Last Drive-In, where the trailer for Revealer played between movies. The following day, however, I saw this tweet and subsequently looked into the film:
This entire thing just makes me so happy, for Luke Boyce, for the movie, and for us, because this flick looks awesome! 80s Chicago? Mandy color-palette? I'm in.
Read:
I finally began reading The Song of Salome by Tom Johnstone, published by the always wonderful Omnium Gatherum.
Playlist:
Black Sabbath - Eponymous pretty much on repeat, all day, every day. When I have a chance to listen to music, that is.
Card:
Bridging emotion (Cups) and reason (Air, Princes).
I feel like there's a lot of that right now, as we set up shop in Tennessee looking for houses, my parents in tow. I love my parents but haven't lived with them in over twenty years, or near them, aside from when I come home to visit every year, and I'm finding they are... a little bit of a challenge. Prince of Cups is one of the cards that represents me pretty well, as I'm pretty good at mitigating emotion with reason. Let's hope I can
I'll never forget it. I had just staged an intervention with my eventually-to-be ex-wife. Her parents flew out from the Midwest and the three of them were staying with me, in what used to be our home (and thankfully was now just mine). Her stuff was stacked all over my living room, and I'd graciously given up my bed so everyone else could have a good night's sleep after their long ordeal and drive out of the high desert. In other words, my life appeared to be in a shambles, but in reality, the shambles was well and truly behind me. She was probably at her lowest point, but I was on an upswing. I'd had a fabulous weekend. I had prospects for a social life. I had friends. I sat on the chaise lounge watching Chef starring John Favreau with my outgoing father-in-law (nice guy), trading texts and emails with prospective new love interests, friends, laughing and drinking beer well into the night, even though I had to be up at 4:30 AM for work.
Cut to when my first alarm went off. I was sleeping on the couch, my phone was beside me on the floor. I snatched it up as soon as I heard that tell-tale wake-up chime and silenced it. This would have been before I switched to an iPhone, so I was in Android country. Not sure how that factors, other than it's a detail I remember, so it fills the scene in. A moment later the phone buzzed again - too soon to have out-distanced my snooze - and when I picked it up, I saw a text from my friend Tori. It said, simply:
Dude. David Bowie died.
I felt at that moment that all the progress I'd made, everything, was for naught. David Bowie taught me how to age - how to grow older with grace. How to navigate life's unending menagerie of madness with tact. I'd just exhibited this lesson in the two-and-a-half years it took my marriage to end, to get to the point where I was, about to send my ex and her family off into the negative zone outside my own peripheral existence. And now, my teacher was dead.
Fuck.
Six years later, we return to the same stage - it's Sunday night while I'm typing this, the long-delayed love of my life curled up on the sofa by my side, Black Star playing on the stereo. I lost three cats, gained one, started a bunch of podcasts, ended one big one, gained friends, lost some, turned my back on others. Life continues to throw its curve balls at my head, and I duck and pop back up and smile.
I really dig this new single by The Joy Formidable, a band I don't know all that much about. Not sure if this is the precursor to a new album from the band, but I'll be investigating their back catalog now, so either way, it's all new to me.
Watch:
It's been a few days since I posted here. Busy as hell. I did find time to watch a few things this weekend, however, the thing that I must discuss is last week's season two opener of Shudder's Creepshow. I can't express how much this episode lit up all the goodwill in my brain. It had everything, including a full-on entry into the Evil Dead mythology, which I don't think any of us were expecting.
.
Next up, Mike Wellman and I have returned with Drinking with Comics! It's been difficult to bring this show back, as it's primarily a live show with an audience that, well, for obvious reasons we can't do at the moment, however, for the moment, we're going to do a weekly NCBD round-up on Thursday nights. It will stream live on our FB page, then appear Friday morning on youtube. Here's last week's episode, where we talk Man-Thing, Stray Dogs, Shadecraft, and even find some time to dig into Tomahawk's new record because, you know, you gotta listen to something while you're reading all those comics:
Playlist:
The Replacements - Tim
Alice in Chains - Dirt
Small Black - Duplex (single)
Run the Jewels - RTJ4
Suburban Living - Always Eyes (single)
Godflesh - Pure
Satanic Planet - Baphomet (single)
Tomahawk - Tonic Immobility
Godspeed You! Black Emperor - Asunder, Sweet and Other Distress
Human Impact - EP01
Megadeth - So Far, So Good... So What!
Pixies - Doolittle
Flogging Molly - Float
Zombi - Cosmos
S.O.D. - Speak English or Die
Mr. Bungle - The Raging Wraith of the Easter Bunny
Howard Shore - Crash OST
AC/DC - Highway to Hell
Ghost - Meliora
The Bangles - All Over the Place
Card:
Here's a fella I see quite a bit on these daily pulls. Time to take control of the more willy-nilly, emotionally compromised elements of my Work and steer things back in an orderly direction.
The anticipation for Genghis Tron's new album is becoming palpable! It helps that none of these songs are anything I would have expected from this band, which is, of course, a good thing.
Out next week on Relapse Records, there's still time to pre-order HERE.
Watch:
This one popped onto my radar recently, and after realizing Son is directed by Ivan Kavanagh, who also did 2014's The Canal, I'm very much looking forward to it. Here's the trailer, which I myself am not watching, preferring instead to go in blind on this one:
Son is an easy $6.99 rental on Prime at the moment, so that might just happen this weekend. After the werewolf revenge flick I mentioned in yesterday's post, that is.
Playlist:
Run the Jewels - RTJ4
Godflesh - Pure
Suburban Living - Always Eyes
Suburban Living - How to Be Human
Drab Majesty - Modern Mirror
Uncle Acid and the Deadbeats - The Night Creeper
DJ Muggs the Black Goat - Dies Occidendum
Flogging Molly - Float
The Pogues - Red Roses For Me
Card:
We'll skip the obvious allusion to drinking on the morning after a fairly subdued St. Paddy's and go for the archetypal:
From the grimoire: "An artist above all things. Intensely secret and dedicated to his craft."
A couple weeks ago, my good friend Jacob sent me a link to a band called Skywave's album killerrockandroll on Apple Music. It took me until late last week to get around to it, and when I did, my first reaction was apprehension. I liked Skywave quite a bit, but they sounded an awful lot much like A Place to Bury Strangers, and because of that I had mixed feelings. I mean, it even sounded like Oliver Ackermann singing. A lot. I did some quick research and learned there was a good reason the two bands sounded so much alike: Skywave was Ackermann's precursor to APTBS, disbanding around 2003.
As a sound, killerrockandroll definitely scratches the APTBS itch, which is great, because ever since Exploding Head, I've been less than impressed with most of what Strangers release, so now I have a new place to go when I wear Head out and feel like something more.
Watch:
Last week was fairly unproductive, writing-wise. I had a major breakthrough early one morning on my way to work, but after that, the days just took too much out of me. I have developed some kind of chronic, insanely painful back pain that manifests as sharp, horrible spasms when I do things like, well, move. It's not constant, but walking on eggshells and the fact that this hasn't gone away in almost a month has me more than a little afraid and totally exhausted mentally. Every day last week I came home, stared longingly at the spot at the kitchen table where I write during the afternoon, and then collapsed onto the sectional instead. As is my habit on afternoons such as this, I threw on a few movies, mostly conking out before they even began. Most were utterly forgettable. One was great, one good.
First, the great one: Director George Popov's The Droving. I loved it.
This one fits into a subgenre I've kind of created in my head, "British Occult," and shares that tag with films like Colm McCarthy's Outcast, Julian Richards' Darklands, and Ben Wheatley's Kill List. The Droving follows Martin, an ex-military interrogator, home from the desert and looking for his sister, who has disappeared. I have a brief review up on my Horror Amino profile, as well as on my Letterbxd page. Needless to say, I really dug this film, and plan on going back and watching Popov's first film Hex, which stars much of the same cast as this one, and is currently included with Amazon Prime.
Next, the good one was Director Dan Bush's The Dark Red. Here's the trailer:
This one took a while to win me over. Being distributed by Dark Sky Films I should have given it the benefit of the doubt from the start, but I found it on Prime and, honestly, the movie algorithm they use has started to make their 'Recommends' list look like the ass end of the Horror Section you'd see at Hollywood video back in the early 2000s, when a ton of cheaply made crap horror flix began to fill out the shelves of the Horror section (Dark Night of the Scarecrow anyone? How about Alien vs. Hunter?). Anway, The Dark Red is pretty solid. The tone switches in the third act, and even though it's a bit jarring, that final act really turns everything that came before on its head. Which turns out to be both good for the viewer and the excitement factor in the flick, a little bad if you're really paying attention. Full disclosure, I nodded off a bit, so my issues may be mine, and I can't help wonder if I'd seen this under better circumstances, if it would have totally wowed me. One thing is for sure, the actor Bernard Setaro Clark blew me away with his supporting performance, and I'd definitely like to see more of him.
Playlist:
Deftones - Diamond Eyes
A Place to Bury Strangers - Exploding Head
Santogold - Eponymous
Emma Ruth Rundle and Thou - Ancestral Recall (pre-release single)
One of the things I really dig about Apple Music is the fact that I can see what my friends who have it are listening to (as long as their setting allow it). My good friend Jacob, back in my second favorite State of Ohio, has amazing taste and has turned me onto quite a few unbelievable records. He also, sometimes, reminds me of music that has spun so far out of my orbit there was little to no way I was coming back to it any time soon. Jawbox is such a band. When I think of era-defining 90s music, Jawbox is one of the bands that comes immediately to mind. And yet, unlike other groups from that era, there is nothing about Jawbox that sounds dated in any way. Maybe that because they helped inspire pretty much every new generation of "Post Punk," or maybe it's just because they are transcendently fantastic. Whatever the case, it's been a very long time since I'd heard this record, and it feels oh so good to have it back in my ears.
Thanks, Jacob!
**
My Blu Ray copy of Joe Begos' VFW arrived in the mail yesterday, and I'm hoping to get a chance to watch it this weekend. I caught this one at Beyondfest last year (talked about it on The Horror Vision HERE), and it's fantastic. If you haven't seen VFW and you dig old school Carpenter, Siege Horror, or bad ass old dude flicks, I would consider this one a must. Here's the trailer:
**
Firmly entrenched in William Gibson's The Peripheral. I have only the very vaguest sense of what the hell is happening, but I'm hooked.
No one writes the future like Mr. Gibson, it's a proven fact.
**
Playlist:
Nirvana - Bleach
Dee Lite - Sampladelic Relics and Dancefloor Oddities
Willie Nelson and Leon Russell - One For the Road
White Lung - Paradise
Code Orange - Underneath
Steve Moore - VFW OST
Carpenter Brut - Blood Machines OST
Jawbox - For Your Own Special Sweetheart
FMLYBND - Letting Go (Single)
Flying Lotus - Los Angeles
Old Man Gloom - Seminar IX: Darkness of Being
White Lung - Eponymous
White Lung - Sorry
Tub Ring - Zoo Hypothesis
Doves - Lost Soul
Brand New - God and the Devil are Raging Inside Me
**
Card:
Emerging from cloudy skies about troubled waters. Clarity lies not too far in the distance.
This dropped a few days ago, but I haven't had time to post here. There's an article on Bloody Disgusting - I think - that mentions this show is going to be pulling a lot from Alan Moore's seminal run on the book, the one that not only redefined Wrightson and Wein's character, but arguably the comics industry in general. If I hadn't witnessed that insane Doom Patrol sequence I posted a few weeks ago, I'd probably be a lot more skeptical of this. As it stands, that's two shows on the DC Universe app that I want to give a shot. That said, I don't know that I intend on subscribing to a DC streaming app regardless of whether or not they bring up a show with Jesus handing out free passes, so I guess I'll wait and see. Still, kudos to DC on finally getting something going, because I happened to see about ten minutes of that JLA movie on cable in a hotel recently, and all I can say is, no thanks.
**
My trip to the comic shop did NOT decimate my wallet, and now I've had a morning's worth of new books to read. My favorite this month? The return of Rucka and Lark's Lazarus, but in a quarterly, prestige format, with a shit ton of back matter:
Also, there's two big conflicts - probably wars, actually, coming in two of my favorite titles, and while I'm pretty excited, I'm also a little afraid of the body count that may follow as a result:
I'm especially concerned about what's coming in TWD. With issue 200 on the horizon, my prediction remains that Rick Grimes will die, probably before the anniversary issue, just because Kirkman likes to defy expectation.
**
Didn't get to watch The Last Drive-In last night, so K and I will be watching Joe Bob this evening. Can't wait! And I've never seen either of the films he played this week.
**
Playlist from 4/18:
Talking Heads - Remain in Light
Deftones - Koi No Yokan
Deafheaven - New Bermuda
Drab Majesty - Careless
Drab Majesty - Ellipses (Pre-release Single)
Playlist from 4/19:
Talking Heads - Remain in Light
Grand Duchy - Petite Fours
The National - Trouble Will Find Me
Odonis Odonis - Reaction EP
The Thirsty Crows - Hangman's Noose
Canadian Rifle - Peaceful Death
Ghost - Opus Eponymous
Faith No More - King for a Day
Thought Gang - Modern Music
Card for the day:
I really need to do a deep dive on this card. I'll not waste time with another abbreviated interpretation right now. Needless to say, I suppose I'm supposed to control my emotions, but that just doesn't seem to fit right now.
Gold & Grey out June 14th. Pre-order HERE. Really interesting video. I like seeing behind the scenes with bands of this caliber. I'm increasingly interested in work spaces.
**
Last night I ate at a local place called Steam Plant for the second night in a row. The building used to be Spokane's power plant, and the restaurant owners designed their environment utilizing a lot of the textures of the previous facility as decor. They also do not shy away from using all the space, which means the place is cavernous; I caught a buzz and went exploring, found little rooms all over the place. Here's some pictures; the timing is not great on my .giff, but you get the idea.
I've kind of made the lower level, pub area of Steam Plant my Nighttime office; I sequester myself in a booth with my laptop, a few beers and, so far, something off their incredible sandwich menu and work on this new short story that Spokane has inspired. Beer wise, to my surprise, Steam Plant still had their Octoberfest on draft, and friends, it is glorious! Also, their Steam Bock is no slouch either. K comes in tonight and after what will hopefully be an abbreviated work day tomorrow, we head out for North Bend. Can't wait to eat at Twede's (The Double R) with her!
Playlist from 4/10:
Mevlins - Houdini
Helms Alee - Night Terrors
Jozef Van Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil
Young Widows - Settle Down City
Uncle Acid and the Deadbeats - Wasteland
Mr. Brown sent this to me yesterday. I am PSYCHED. I mean, with the momentum of just finishing a re-watch of the original series, I cannot WAIT for May 31st, which really, isn't that long to wait at all.
**
When my friend Keller showed me this the other day, it absolutely blew me away. Skating Polly have such a throw-back sound to the 90s, but in a way that feels pretty genuine. Siblings, I'd wager their mother and/or father are about my age, grew up in the 90s and exposed their daughters to PJ Harvey, The Pixies, The Breeders, etc, from an early age. This is influence, not imitation, a fine line in today's world. Anyway, this is an older track; Keller discovered them a few months back at the Echo and ended up seeing them multiple times since then. His assessment? They Rock. The musical exchange here, both in the girls' singing and playing, warms my heart.
**
K and I finished the first season of Deadly Class last night; the season finale aired a week or two ago, so we were behind. Man! I'm calling it now - best comic book adaptation yet! These characters are insanely alive in the book, but on the show, I don't know, you get more gravity with their emotions and situations. Also, all the deviations from the book? Well, Remender himself is the show runner, so all of it is him writing new material. My favorite new character? I can't believe I'm going to say this, but French Stewart is freakin' fantastic in the role of Scorpio Slasher. Here's a peek:
LOVE Billy's reaction!
Playlist from 3/21:
Skating Polly - On Audiotree Live - EP
Talking Heads - Remain in Light
The Mars Volta - Deloused in the Comatorium
Finn Andrews - One Piece at a Time
Kevin Ayers - Bananamour
Chasms - On the Legs of Love Purified
Chasms - The Mirage
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - The Night Creeper
Second Still - Eponymous
Stan Getz - Focus
Card of the day:
The Airy aspect of Water. Emotion curbed with intellect. Is this a harbinger to my workday ahead? Probably, so I'll interpret it as a cue to remain mindful even in instances of explosive emotions. In other words: It might be a trying day. Breathe deep and keep your head up and your mouth (mostly) closed. It's eight hours until the weekend.
I'm digging the Beachhouse/Smiths feel here. Foals is a band my interest has pinioned back and forth on. Their new album, Everything Not Saved Will Be Lost Part 1, is out March 8th and can be pre-ordered HERE, with Part 2 following in Autumn. Pretty cool release idea.
The teaser for the AMC adaptation series of Joe Hill's BRILLIANT novel NOS4A2 dropped yesterday. It's not much, but it certainly has me excited, especially after seeing Zachary Quinto in Charlie Manx, III make-up:
I cannot say enough good things about the novel. After having read Hill's Heart-Shaped Box and Horns and loved them both, when my friend Becky handed me an advanced reader copy of NOS4A2 back in early 2013, I expected I'd dig it, but what I didn't expect was how different the tone and style would be from Hill's other books. In retrospect, I should have already reached the conclusion that Hill is such an accomplished writer he is able to change these integral elements of his voice and completely reinvent himself from book to book. Where Heart-Shaped Box was a tight, atmospheric horror novel that worked gloriously inside the tone of the mass market paperbacks of the 90s, Horns felt stylistically similar to a Chuck Palahniuk novel. NOS4A2 was the first of Hill's books where I felt the influence of his father, Stephen King. It was also the first where the two writers began to mingle their worlds a bit, and while in 2019 I'm pretty exhausted of 'shared universes,' I still say King/Hill's methods hold up. They intertwined their worlds just the right amount so as to leave you smiling at the possibilities, but without being overly ostentatious about it.
Here's that teaser:
Playlist from 2/25:
Firewater - The Ponzi Scheme
Firewater - The Man on the Burning Tightrope
Beck - Mutations
Ghost - Opus Eponymous
The Devil's Blood - III Tabula Rasa or Death and the Seven Pillars
Card of the day:
Second time in how many days I received this one? Hmm... Looking deeper into it, I'm wondering if this has to do with the somewhat shadowy side of this card. Prince of Cups is the Intelligence that navigates passion, and passion includes Art. It has been in my head of late that I often fall into a pattern of neglecting the ones I love while caught inside these worlds I'm building in my head. Perhaps it's time to find a flash of non-Artistic inspiration and do something unexpected for someone I love?
A few nights ago, K and I watched the 1986 film At Close Range, directed by James Foley and starring Sean Penn, Christopher Walken, Chris Penn (looking a lot like Jason Mewes back in the day), Keifer Sutherland, Crispin Glover, and Mary Stuart Masterson. I can remember this film for as far back as I can remember; seeing the television trailers for it as a kid, glimpsing the VHS box at the general store that served as our first video rental outlet (well before Blockbuster or Hollywood existed); but I never actually saw the movie. However, we noticed it's on Prime right now, so I finally pulled the trigger. Not bad; early 80s teen angst/crime mash-up. Interesting to see Christopher Walken before he settled into being Christopher Walken in every role. Also, interesting to see Keifer Sutherland before he was a name brand - he has all of about two lines. Glover and Sean Penn both deliver as usual, and Mary Stuart Masterson does a good job with some of the more uncomfortable scenes. All in all, I'd give it 3.5 out of 5.0.
The soundtrack utilizes the opening, instrumental portion of this Madonna track as score, so we hear it a lot. It served as a serious nostalgia trigger for me, so by the point in the film where they bring in the vocals, I was certain I'd heard it before and placing it was driving me nuts. Now Live to Tell is stuck in my head, or the opening notes are, at any rate. There's not a lot of Madonna I really dig, but I think this track is going onto that list.
Playlist from 2/18:
Pink Floyd - Animals
Young Widows - Old Wounds
Deftones - Gore
Faith No More - Sol Invictus
Pink Floyd - Works
Jimi Hendrix - Electric Ladyland
Emotional intelligence with a penchant for secrets and introversion. I think it's time to pull myself out of the hole I dug for myself while sick over the last week. Today = Writing session.
I've read this video is awesome, however until the entire album is released, I'm playing it safe and not indulging in the any new songs from The Ocean Collective in five years (they had a split E.P. with Mono in 2015).
Last night's movie - Halloween III: Season of the Witch. SO good. Tom Atkins for president.
31 Days of Horror
10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
Nick Cave and the Bad Seeds - B-Sides and Rarities Vol. III
Jóhann Jóhannsson - Mandy OST
Card of the day:
This one again, eh? Lately, when I do these readings I'm rushed, so I never really dig into the meanings. Emotionally honed intelligence? Twice in three days? To get a court card like this twice in such close proximity obviously indicates something largely than happenstance, larger than the normal nuts and bolts of things. Contemplating it now I believe it may be recommending I kickstart something I keep telling myself I'm going to and don't, namely meditating. I've been very splintered, distracted to the point of anxiety. I know I can get ahold on this if I meditate, so I believe I'll begin today.
From the B-Sides and Rarities Box set released back in the early 00s. Such a strange track; Cave definitely has a sense of humor - anyone that doesn't agree needs to absorb the entire And No More Shall We Part record - but rarely does it come off like this... not even sure how to describe it, other than it's awesome!
My friend Kristen Renee Gorlitz is the upcoming Drinking w/ Comics guest on Friday, November 9th at 9:00 PM. She also just launched a Kickstarter for the continuation of her comic The Empties. Best freakin' tagline EVER, "There are many ways to ruin a relationship. Turning into a zombie is one of them..."
Brilliant! Check out the trailer below and support her Kickstarter HERE
31 Days of Horror is quickly coming to the final stretch and I still have a handful of 'must-watch' movies left. Last night crossed off a big one. Regardless of a setting that, while being visually stunning, feels more ridiculous every time I watch it, Flatliners will always be one of my favorite movies, especially around this time of year. I love EVERYTHING about this one. And watching this last night means we have to watch Jacob's Ladder tonight, which although not standard Halloween fare, compliments Flatliners as part of a late 80s/early 90s sub genre that really only exists in my mind. Angel Heart and Serpent and the Rainbow would also fall into this same category.
31 Days of Horror
10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
Nick Cave and the Bad Seeds - Rarities and B-Sides Vol. 1
Nick Cave and the Bad Seeds - The Good Son
Nick Cave and the Bad Seeds - Let Love In
New Order - Power, Corruption, and Lies
Uncle Acid & The Deadbeats - Wasteland
The Jesus and Mary Chain - Automatic
Alice in Chains - Rainier Fog
Killing Joke - Nighttime
Card of the day:
Emotion honed by intellect. This perfectly describes last night. Perfectly! For today, I'm looking at applying that same intellect to the emotional deluge I've felt of late in editing the first two parts of the novel for continuity, which is really difficult at the moment.
Looks like they dropped the, "The Nice and Accurate Prophecies of Anges Nutter, Witch" part of the title, but this looks awesome! I've been waiting for this one for what feels like forever. I remember back in the late 90s when, if I remember correctly, Mr. Brown and I were excited at the rumors of Depp and Robin Williams playing the angel and demon. We didn't get that, but this casting looks great. I mean, David Tennant is becoming one of my favorite actors of late. Actually makes me want to re-watch the Fright Night remake, just to see his character.
31 Days of Horror continued last night with Stuart Gordon's Re-Animator! It'd been years since I last saw this one, and in the interim my experience seeing the musical version - also directed by Stuart Gordon and starring Chris McKenna, who I knew previously from Gordon's King of the Ants - kinda overtook the film as the ultimate version of the story beyond the original source material by Lovecraft, which is very different. Apparently enough time had passed though, because I dug the flick a lot, and there's a ton of extras on the Arrow Blu Ray I recently picked up, so I'll have a good time going through those.
10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06 Re-Animator
Playlist from yesterday:
Windhand - Eternal Return
Type O Negative - Life is Killing Me
The Final Cut - Consumed
Sisters of Mercy - Floodland
Marilyn Manson - Antichrist Superstar
Card of the day:
The Airy aspect of Water - combining intellect and emotion in a functional way. This is exactly where I'm at writing, as I'm killing my darlings from a previous version of the novel and streamlining it into a much tighter version of the story. My goal is to have a literate, young adult novel that contains aspects of the adventure genre, as well as the horror and suburban fantasy genres (that second one there is, to my knowledge, a term I coined). And it's coming along nicely as I round the corner on wrapping the middle of three sections, I feel confident and strong on this one in a way I never did before.
Chester Whelks absolutely kills it with a brief call-to-arms for reassessing one of the greatest albums by a hip hop artist in the last twenty years (in my opinion). READ IT HERE.
K surprised me a bit by asking to go see Deadpool 2 for her birthday yesterday. We saw the original on video about eight months ago and both liked it, K more than I. I may still be suffering fatigue from blockbusters and thus, eschewing all of them, I'd never begrudge my girl anything. Plus, there's something about the strange, Meta-soup that Reynolds has spearheaded here; my interest and enjoyment of Deadpool 2 - which I liked infinitely more than Deadpool 1 - lies in its comedy. Ask most of my friends and they will half-jokingly tell you, "Shawn hates comedies." This isn't completely untrue; the comedies I love - The Burbs, Airplane, Real Men, Ghostbusters, The Convent, The Big Lebowski (not a comedy but still shows up on this list! How's that?), are so well-made they make me hate most modern comedies. While I quite liked both Neighbors movies, Pineapple Express (maybe more for the shock of Gary Kohl as a villain than anything else, but still) and the Twenty-One Jumpstreets revivals, I find no reason for laughing at most of what comes out in the genre. Deadpool 2 was f*&kin' hysterical, and largely because it is so aware of itself. The tragic backstory that catalyzes most of the events in the movie are even delivered so hard-nosed I couldn't help but crack a smile. And sorry, Josh Brolin was born to play Cable. Just saying.
Yesterday's playlist:
Apex Twin - I Care Because You Do
Lantlos - .neon
Geto Boys - Eponymous
Merciful Fate - Don't Break the Oath
Eagulls - Ullages
The Ocean - Heliocentric
Neon Kross - Darkness Falls
Card of the day:
Emotion tempered with Intellect. Rain falls on the calm waters - emotions rousing the mind, stirring decisions beyond those made by sheer intellect. The reins in the Prince's hand, wresting control from the tumultuous forces threatening the calm - this should not necessarily be looked at as 'bad' - the creative process is a marriage of Emotion and Intellect; a tumultuous explosion that we must shape and control in order to actually record or define.
I'd written these guys off a long time ago. When I first heard System of a Down, and it was this exact song, they made a good impression on me. Then I dove a little deeper and found the malaise of the down-tuned, trace elliot 00s guitar-driven metal storm left me cold enough where I wrote off most of the groups that 'made it' during that time. Eventually a few exceptions leaked through, some of them rather begrudgingly . A few days ago at work one of the newer guys on my shift and I were talking music and System came up. He's considerably younger, and had a completely different perspective. I decided to hit that first record back up on Apple Music and, wouldn't you know, I listened to it yesterday and really enjoyed it. Also, I've always dug their completely insane cover of Sabbath's Snowblind that appears on the Nativity in Black tribute anthology record, so I guess I never 100% discounted these guys.
Playlist from yesterday:
The Fall - Early Singles
System of a Down - Eponymous
Led Zeppelin - Led Zeppelin I
Peter Gabriel - Us
Bloc Party - Silent Alarm
Bell Witch - Mirror Reaper
Soundgarden - SOMMS
Card for the day:
Gallantry, gentleness and a male in touch with his feminine side. This is me, to a degree. Since early 20s, I've always understood and respected the feminine aspects of my psyche, and I often pay homage to them with the music I listen to and how I relate to it while its on. Maybe I'll follow this side of things today and see where it gets me (I've been rather male/aggressive at work lately, not in an alpha male way, but with a lot of things going pear-shaped at month's end, I got pretty aggro. Today I'll play it a bit different, with this card in mind.
Unboxed and shelved my CDs last night, and listened to U2's Achtung Baby for the first time in a long time while doing so. That's probably why I woke up with this one in my head.
U2 is a pretty polarizing group for me; they're a lot like Metallica or RHCP - I love the early stuff, hate the later/current stuff, and generally dislike the public personas they present to the world. That said, War and Achtung are two unbelievably strong records that help define certain moments of my early life, so they will be with me always.
Playlist from yesterday:
Luscious Jackson - Electric Honey
Silkworm - Firewater
U2 - Achtung Baby
Brian Eno, David Byrne - My Life in the Bush of Ghosts
I noticed that Stop Making Sense is currently included with Prime - I've somehow managed to make it 42 years without seeing it so I began remedying that last night, although we didn't make it far before I had to turn in. Today and tomorrow have the potential to be nightmares at work, so it may be a time before I get back to watch the rest. Thus far, three songs in, it is of course awesome.
No Drinking, Fighting, F*&king, and Crying today. Next week I'm back at that for sure.
Card for the day:
From the Grimoire: "Emotional depths honed by intellect - the airy aspect of water, or the intelligent aspect of emotion. I'm taking this as a sign to temper my emotions (read: anger) over the next two days as other departments play their little end-of-the-month games. Games that always fuck over my department. Okay. I'll keep my mouth to a minimum in the interest of the greater good (read: my paycheck).
