Popcorn Fright Film Fest

 

I rewatched Richard Bates Jr.'s Excision (a perfect film) this past Saturday night, and it put me back on the White Lung. I don't think I'd ever seen this video, taken from 2016's Paradise (a perfect album), directed by Bates and starring Excision's Pauline, AnnaLynne McCord.

I miss this band.

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Watch:

I did a couple of Virtual Screenings at Ft. Lauderdale's Popcorn Frights Film Fest this past Friday. First up, Luke Bursaća's Videoteka.

I really liked a lot about this film, but found it's pacing to be off. I think the script either wasn't quite right, or there was something lost in the translation between Serbian culture and my own. Still, let me lay out the accolades because there are many: The lighting is exquisite! The Acting is all top-notch, the sound design and score are fantastic, and the locations and set/production design really transport you to the world of the film. I think the trouble lay in balancing a wrap-around with three fairly lengthy films within the film. That's definitely not an easy format to work with, and I'd say Mr. Bursaća did a pretty damn good job. Can't wait to see what he does next.

Next up, Michael Varrati's There's a Zombie Outside. No trailer up yet for this one that I could find, so here's the poster:

A very meta take on doing a zombie film about a guy who makes a zombie film and then fears that will be his high point. In that way, this is more a contemplation on the interior pressures of an artist than a straight horror film, but it was fun and had some great ideas, even if not everything worked all the time. Overall, a definite recommend, especially if you dig films like 2018's You Might Be the Killer; I feel like that would make a perfect double feature with this film.

Popcorn Fright Film Fest runs through August 18th. I don't think I'll have a chance to see any more virtual films, but if you're looking for some new Horror/Genre, check the fest out HERE.

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Read:

I tore through the final three volumes of Alan Moore's Swamp Thing saga over the weekend, and I can say that due to some neglect years before, I don't think I'd ever actually read the final three issues of the run. As the trajectory Moore and his artists create in the earlier volumes, their tenure on Swamp Thing more than lives up to the expectations they set at the outset redefining the character from Once-Man-Now-Monster to something God-like and, ultimately, Cosmic. The final two volumes especially really stretch Moore's concepts as far as they can go - like allll the way across the DCU's cosmic breadth. I wasn't huge on the Brujeria Cosmic World Ending Crisis storyline, but then me and world-ending cataclysms in comics reached saturation at least a decade ago. That said, it's still cool to see the template for what DC has been trying to refine into their "Dark Justice League" since the New 52 here in its inception and see it done flawlessly, no less.

Of particular note in these volumes is issue 60, Loving the Alien. Named after Bowie song, this is unlike any other mainstream American comic at this time (that I know of, at least).

A tale of techno-organic lust, the words flow more like William Burroughs than anything Moore did in Swamp book's done previously and the art... to say John TotLeben redefines what a DC comic can look like here is an understatement. This was such an interesting period in comics. 

Around the same time, Barry Windsor Smith did Uncanny X-Men #205, and there's a throughline here. This is where that Métal Hurlant influence really creeps into the establishment in the states, and it's glorious.

Now to move seamlessly into Neil Gaiman's Sandman, which in many ways picks up and continues some of the smaller threads of Moore's Swamp Thing. I'll admit, I'd also like to look into what followed this groundbreaking run.

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Playlist:

QOTSA - Villains

Jim Williams - Possessor OST

Anthrax - Sound of White Noise

Amigo the Devil - Born Against

Chris Isaak - Heart Shaped World

Chris Isaak - Speak of the Devil

Slayer - Live Undead/Haunting the Chapel

Danzig - Danzig 4

Stephen Sanchez - Angel Face

Roy Orbison - Greatest Hits 

Calexico - Even Sure Things Fall Through 

Melvins & Lustmord - Pigs of the Roman Empire

Perturbator - Lustful Sacraments

Final Light - Eponymous

Willie Nelson - Summertime: Willie Nelson Sings Gershwin

Simon Waskow - Luz OST

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE. Also, Grimm's Kickstarter for the Hand of Doom Tarot Art Book is up. Check it out HERE.

• XVIII: The Moon

• Knight of Swords

• Eight of Wands

Something obscured from sight (or neglected) will provide motivation for transformation. 

Can it get any more vague than that? Probably not, but my head's only half in this at the moment, so I'll be chewing on that all day.

2019: June 3rd Chelsea Wolfe Covers Roky Erickson (RIP)

I've been so ensconced in my little final edit bubble, I only left the house this weekend to run errands on Saturday, and I've had the phone on Airplane Mode for the better part of the last three days. This means I did not know Roxy Erickson passed away on May 31st.

I wasn't as exposed to Roky's music as many, but I discovered the 13th Floor Elevators in my Ex's CD collection in the 00s and was immediately drawn to the sound, if only in a small way. The Elevators always seemed like a band I hadn't known I knew about, if that makes any sense. Their music - or what I knew of it through that one "Best of" disc - felt like an archetypal piece of Americana that informed a lot of the other, more top-level stuff I was into. And I believe that's exactly what it was. In 2014 I covered a Post-Elevators Erickson song in a band I was in (I Walked with a Zombie), and during that period, I did some subsequent digging into Erickson's music and found what I believed was one of the quintessential "Nuggets" artists. If you're unfamiliar with Nuggets, there's an entire subset of bands and artists that carved an archetypal niche in 60s Rock music, referred to mostly as Psychedelic. Many of these bands never made it beyond the status of Garage Band. Many of them became better known in the modern era through radio shows like Little Steven's, and subsequently a series of Anthology albums titled Nuggets. In this way, these bands and their aesthetic became an aspect of left-of-center popular cultural, and that's where the Elevators and later Roky's music lived until it began to inspire an entire new generation of artists in the 90s and, more so it seems to me, the 00s, when bands like The Black Angels brought them a little farther into the cultural vernacular of Rock Music.

Anyway, I'm dangerously close to talking about things I'm mostly unfamiliar with. Chelsea Wolfe's cover is gorgeous; a fantastic send-off. Roky Erickson, Rest in Peace.



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Watchlist report: Well, I made it through everything from Friday morning's list I am likely to, plus some. Here's the scorecard:

Godzilla - skipped it. Not a huge fan by any means, and despite the fact that the film looks beautiful and fun-as-hell, after deciding against it Friday night, we just couldn't find the time to go see it amidst my editing schedule.

Swamp Thing - Disliked this very much. The usual DC shenanigans of getting the look down and then putting only the most perfunctory work into building characters and story. Swampy's origin itself has been altered in a way that's so convoluted by the end of the pilot, it doesn't bode well for the future, imo.

Ozark - Season Two Finale - FUCKING BRILLIANT.

The Perfection - I'd purposely avoided reading anything about this film, but had been anticipating it for a few weeks, since I heard about it on the Shockwaves Podcast. Loved the first half, felt the second half became something that betrayed that first part. Not terrible, but uneven and thus, frustrating.

Deadwood - FUCKING BRILLIANT. A fitting, beautiful end to one of my all-time favorite series.

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Playlist from 6/01:

Zeal and Ardor - Stranger Fruit
Zeal and Ardor - Live in London
Zombi - Shape Shift
Zombi - Spirit Animal
Bloody Hammers - Lovely Sort of Death
Bloody Hammers - Under Satan's Sun

Playlist from 6/02:

Sunn O))) - Domkirke
Steve Moore - The Mind's Eye OST
Jóhann Jóhannson - Mandy OST

No card today.

2019: May 31st Dark Season 2 Trilogy Trailer

Just under a month until the second season of Netflix's Dark drops and they reveal it's going to be a finite story done in three seasons? I really couldn't think of better news for this show. Dark already feels extremely symmetrical, so it's awesome to hear that symmetry goes all the way through into its DNA. And why do I get the feeling that the 'Everything is connected' line is going to be especially true for Dark? Can't wait!

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Tough decision for this evening: Godzilla: King of Monsters, Swamp Thing or the Deadwood movie? All three premiere today; the very definition of First World problems.



Or



Or



Whatever our decision, in preparation, I signed up for my 7-Day Free Trial of the DCU app through Firestick last night. Really had to fight the urge to start Doom Patrol, but that has to wait a little bit; we still have two episodes of Ozark left to watch. The general plan is binge Doom Patrol and keep the subscription for the duration of Swamp Thing. Also, I noticed the 2015 Constantine show is on there; not a perfect adaptation of the character storywise - as I remember the episodes range from fantastic to terrible - but Matt Smith is perfect casting as John Constantine, and from the few episodes I did watch back when it aired, there were some gems. So while we have the DCU, might as well take advantage and re-watch and finally finish that series as well.


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Playlist from 5/30:

How to Destroy Angels - Welcome Oblivion
Marvin Gaye - What's Going On
Bloody Hammers - Lovely Sort of Death
Ritual Howls - Into the Water
Queens of the Stone Age - Rated R
Zeal and Ardor - Stranger Fruit
Jaye Jayle -No Trail and Other Unholy Paths
Deftones - Koi No Yokan
Isaac Hayes - Tough Guys OST
Marilyn Manson - AntiChrist Superstar
Monolord - Rust
The Atlas Moth - Coma Noir
Sigur Rós - Variations on Darkness

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Card of the day:

Old paradigms dissolve, new ideas shape the future. My Beta Reader is all but finished with Shadow Play. The art's done (I'll reveal it here soon); all I need to do is one last concentrated read through and it's go time!

2019: May 30th - 3 Days Until NOS4A2 Premieres!

I just realized that AMC's adaptation of Joe Hill's NOS4A2 premieres this Sunday. How the hell did I miss this trailer!?! I can't wait for the show, as the book is probably my favorite Joe Hill novel. Well... Heart-Shaped Box might be neck-and-neck with it, but they're both exceptional, outside-the-box horror fiction.

Of course, this comes at a super busy watch-time, as K and I are still working our way through Ozark; on Season 2 now and it's really getting dark. Literally. I noticed last night that, where Season 1 was had a very blue pallet, Season 2 is shot extremely dark; almost darker than anything I've seen in this level of show. Not a complaint though, because it works! It's a tonal accompaniment to the characters' descent into their maelstrom that reminds me of Paul Schrader's Autofocus, which begins very pastel and slowly grows into darker and darker hues as Bob Crane's descent into addiction. Boy does it work. And Friday I'll be signing up for the DCU app for the duration of Swamp Thing. Also on the slate for that subscription window is a binge on Doom Patrol. And now we're adding NOS4A2! This might be the very definition of First World Problems, not having enough time to watch all the things I've been looking forward to, but that's what I come here to talk about; I'll leave politics and the rapid decline of civilization for limited real-world encounters, because I'm pretty fucking sick of seeing it discussed online!

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New episode of The Horror Vision is up! Topics of discussion include but are not limited to Mike Mendez's The Convent, Emma Tammi's The Wind, Pledge, The Nest and Valencourt Books' Paperbacks from Hell subscription service, the newest installment of Mortal Combat, and a whole lot more!

Apple
Spotify
Google Play

Or just catch us on our website, The Horror Vision.com

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Watchlist from the last few days has been Ozark Season 2, David Cronenberg's Rabid, and actually, last weekend I had a viewing of Cronenberg's Videodrome, one of my all-time favorite films.

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Playlist from 5/28:

Earth - Full Upon Her Burning Lips
Earth - Primitive and Deadly
Wasted Theory - Warlords of the New Electric
Wasted Theory - Defenders of the Riff
The Raveonettes - Lust Lust Lust
Primus - Frizzle Fry

Playlist from 5/29:

PJ Harvey - Uh Huh Her
Natural Snow Buildings - Night Coercion into the Company of Witches
Numenorean - Adore
Anthrax - Persistence of Time

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No card today.

Swamp Thing Trailer

So fucking in.

I guess I'll be subscribing to DCU after all.

2019: April 20th - Swamp Thing Teaser

This dropped a few days ago, but I haven't had time to post here. There's an article on Bloody Disgusting - I think - that mentions this show is going to be pulling a lot from Alan Moore's seminal run on the book, the one that not only redefined Wrightson and Wein's character, but arguably the comics industry in general. If I hadn't witnessed that insane Doom Patrol sequence I posted a few weeks ago, I'd probably be a lot more skeptical of this. As it stands, that's two shows on the DC Universe app that I want to give a shot. That said, I don't know that I intend on subscribing to a DC streaming app regardless of whether or not they bring up a show with Jesus handing out free passes, so I guess I'll wait and see. Still, kudos to DC on finally getting something going, because I happened to see about ten minutes of that JLA movie on cable in a hotel recently, and all I can say is, no thanks.

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My trip to the comic shop did NOT decimate my wallet, and now I've had a morning's worth of new books to read. My favorite this month? The return of Rucka and Lark's Lazarus, but in a quarterly, prestige format, with a shit ton of back matter:

Also, there's two big conflicts - probably wars, actually, coming in two of my favorite titles, and while  I'm pretty excited, I'm also a little afraid of the body count that may follow as a result:

I'm especially concerned about what's coming in TWD. With issue 200 on the horizon, my prediction remains that Rick Grimes will die, probably before the anniversary issue, just because Kirkman likes to defy expectation.

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Didn't get to watch The Last Drive-In last night, so K and I will be watching Joe Bob this evening. Can't wait! And I've never seen either of the films he played this week.





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Playlist from 4/18:

Talking Heads - Remain in Light
Deftones - Koi No Yokan
Deafheaven - New Bermuda
Drab Majesty - Careless
Drab Majesty - Ellipses (Pre-release Single)

Playlist from 4/19:

Talking Heads - Remain in Light
Grand Duchy - Petite Fours
The National - Trouble Will Find Me
Odonis Odonis - Reaction EP
The Thirsty Crows - Hangman's Noose
Canadian Rifle - Peaceful Death
Ghost - Opus Eponymous
Faith No More - King for a Day
Thought Gang - Modern Music

Card for the day:

I really need to do a deep dive on this card. I'll not waste time with another abbreviated interpretation right now. Needless to say, I suppose I'm supposed to control my emotions, but that just doesn't seem to fit right now.

The Chameleons - Swamp Thing

In late January my wife went to Austin, Texas for two weeks. During her absence I found myself somewhat in a state of disorder. My routines, namely work, commute, write, watch/read could all remain the same but my down time was eerily lonesome. I had our three cats, but they tend to exist in one of two modes - eating or sleeping - so although they were always present, there was a lack of conversation. During that time I listened to a lot of music, loading the old iPod with a number of records I had been meaning to get around to for some time and spent my days at work getting to know some new music. One of those records was The Chameleons' Strange Times. This was the first Chameleons I'd had the opportunity to delve into and it made a very strong impression very quickly.

One of the things I always find so interesting about the "Post Punk" era is the fact that many of the bands attributed to the genre sound a great deal to my ears the way the British New Wave of Comic creators in the 80's read/looked to my eyes/brain. Killing Joke sounds like 80s/90s Vertigo comics, so does Joy Division, The Smiths*... the list goes on. Upon first listen I found this was also the case with Strange Times, especially the track Swamp Thing, which whether my interpretation was a suggested planted by the title or merely some shared DNA with the book, reminds me so much of the tone of Alan Moore's Swamp Thing run that I've pulled the trades I read a scant two years ago back out and am preparing to re-read. It's an eerie, sometimes defeated tone; an often emotionally overwhelming ode to the in between places we often fret to explore, and The Chameleons craft it very well, with a unique approach to arranging the standard rock instrumentation (guitars, bass, kit and keyboards) and a knack for open, verbose lyrics that somehow perfectly balance a line between ambiguity and precision.

Contemplating Swamp Thing, Old and New

Posted an article here on Joup earlier about the end of Scott Snyder and Yanick Paquette's run on Swamp Thing (issue #18 came out this past Wednesday and wrapped it up). This led to me beginning a re-reading of Alan Moore, Steve Bissette and John Totleben's Swamp Thing run from 1984, the run that basically introduced Moore to American comics (thanks to Karen Berger) and changed the industry on this side of the pond, almost single-handedly launching DC's Vertigo line and very clearly inspiring Neil Gaiman's Sandman. While re-reading I came upon this line, both in  the beginning of chapter #6 (originally issue #26). It is BEYOND mastery of language:

"I used to think I knew from fear... I didn't. All I knew were the suburbs of fear... and now here I am, in the big city."

Wow.

Joy Division Live

My god, what year do you think this footage is from? Youtube truly has EVERYTHING on it Watching/hearing this sends chills down my spine. Words simply cannot express just how important I feel that Joy Division was to music and, subsequently, on comics (80's*/early 90's Vertigo stuff has Joy Division just dripping from it, as if the authors/artists were listening to their music at the time and acted as transducers, turning the sound of Joy Division into their words pictures. I've always thought the same could be said of much of The Smiths' music).

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* I should clarify that what I am perhaps clumsily referring to here is the fact that although Vertigo did not come into being until 1993 there were precursors at DC that would later be "re-branded" as Vertigo books, ie Alan Moore's Swamp Thing or even V for Vendetta which although published under the Vertigo banner for some time now, originally began as a serial in the pages of Warrior circa the early 80's.