Tuesday, July 18, 2023

Blut Aus Nord - Queen of the Dead Dimension

 

Another new track from the upcoming album Disharmonium - Nahab, out August 25th on Debemur Morti; pre-order HERE.

This track reminds me A LOT of the material released on Blut Aus Nord's iconic The Work Which Transforms God. It's not the easiest to listen to at first, because it follows very little of our pre-conceived notions of what a song or music can be. That's exactly why I love this band. Bring on the full album - I want to melt my mind with its non-Euclidean sonic geometry!!! 



Read:

Issue twenty of the new Fangoria arrived in the mail yesterday; always a good day when a Fango shows up!


Most of the main articles are about films that haven't come out yet; the cover story is on Michael and Danny Philippou's Talk to Me; I bought tickets to see this next Thursday, 7/27/23 and I'm fairly stoked. The fine folks at Beyondfest recently did some screenings with the Directors and they can't stop raving about it, so I'm fairly certain this one will be wonderful. Also featured is Cobweb, which I'm driving into Nashville to see on Saturday. Written by Chris Thomas Devlin and Directed by Samuel Bodin, I have high hopes for this one as well. So those are among the articles I'm saving. My favorite parts of Fangoria, however, are the columns, and in just the three I've read so far, I'm instantly reminded why I love this iteration of the Horror Mainstay Magazine so much.

Long-time contributor Michael Gingold discusses writing a new novelization for the 1980 Video Nasty Nightmare for Severin Films, who also just released a restoration of the film. The resurgence of movie tie-in novelizations is fascinating to me, and although I don't read a lot of them - I burned through Brad Carter's Night of the Demon last year, also from Severin - Nightmare is one I'm curious about. The film is hit or miss with me, despite its aurora of grindhouse sleaze that drips from every nook and cranny, but as with Night of the Demon, I have a feeling I will really enjoy reading the story more than watching the film. Whatever your preferred medium for Nightmares, you can order the restored film HERE or Mr. Gingold's novelization HERE

Next up was Barbara Crampton's editorial on theatrical screenings vs. streaming. She makes some points I'd not considered until now, mainly that we are seeing the streamers' film production slowing as people return to the theatre. I don't think we'll ever tip the scales back in the direction they were twenty years ago, however, while bombastic (and to my mind at this point, mildly annoying) Marvel/Super Hero flicks carry the main audience on the big screen, Horror is the quiet RBI batter, in my opinion. 

Finally, Stephen Graham Jones has a fantastic new entry in his Slasher Nation column that traces the origins of the Final Girl all the way up from the Damsel in Distress of the silent era. Easily my favorite piece in the magazine I've read this morning.
 


Playlist:

Forhist - Eponymous
Mammon XV - Woe's and Winter's Breath EP
Ruby the Hatchet - Fear Is a Cruel Master
Brainiac - Predator Nominate
Greg Puciato - Mirrorcell
Gism - Detestation
Blut Aus Nord - Queen of the Dead Dimension (pre-release single)
Genghis Tron - Dead Mountain Mouth
Sepultura - Schizophrenia
Metallica - 72 Seasons
Bohren & Der Club of Gore - Pachouli Blue
Pale Dian - Feral Birth




Card:


• V: The Hierophant 
• XI: The Hermit
• Five of Cups - Disappointment

Exciting news will turn out to be erroneous, or at the very least not what it seems at first glance.
 


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