A little MadLove to start the week. My Favorite track from an album that's pretty much all favorite tracks.
Watch:
This show blew me away. I haven't taken to anything like this in a while.
First: Brand New Cherry Flavor is, I think, pretty much Season 5 of Channel Zero, Nick Antosca's former anthology series on SyFy. If you haven't seen that, all four seasons are currently on Shudder and are 100% worth your time. They are fantastic. Basically, SyFy canceled it, and Netflix gave him to do something similar. Channel Zero's seasons are all stand-alone and all adapted from Creepy Pastas. BNCF is an adaptation of a novel of the same name by Todd Grimson. The book is way out of print, but don't worry - someone is bound to remedy that with a new edition any minute now.
Second: Mr. Antosca is unapologetically a huge David Lynch fan, and there's a ton of that 'flavor' that he brings to his work. It's especially here. It's in exactly the most respectful, awesome way, too. Not imitation, but influence. I expand on this idea a bit in the new episode of The Horror Vision that drops tomorrow. At the time, I'd only seen the first episode of BNCF. K and I watched that Friday night. Yesterday, we did the remaining seven episodes because we just couldn't stop.
Playlist:
MadLove - White With Foam
David Bowie - Young Americans
Barry Adamson - Oedipus Schmoedipus
The Veils - Total Depravity
Grinderman - Eponymous
The Replacements - Tim
Bjork - Post
The Hillbilly Moon Explosion - My Love for Evermore
It's been a while since I've fallen headlong into The Veils. With Twin Perfect putting all this glorious Twin Peaks stuff into my head, this feels like the perfect time.
NCBD:
The slimmest NCBD in quite some time. I'll try not to complain, and instead allow my wallet to catch its breath.
There's nothing amazing about this book prequel to the new MOTU series on Netflix - which I enjoyed quite a bit - but it's fun. Also, with a four-issue runtime, I don't feel like it's a very big commitment. Also, that's a Bill Sienkiewicz variant cover right there. Pure Magick.
So glad The Silver Coin got picked up for more than the initially solicited four issues. This is easily in my top five comics of the year.
Listen:
Super excited to finally post this new episode of The Horror Vision, as we had Seattle University Professor of Film Studies John Trafton on to deep-dive Gloria Katz and Willard Huyck's criminally underseen 1973 Messiah of Evil. I learned a lot on this one, and from this film in general, and John is a veritable wellspring of film knowledge. Can't wait to have him back! Listen to the episode, and check out his website, which is chock full of fantastic information!
Off the top of my head, you know what'd be cool? Some new music from King Woman in 2021. I'll keep checking their Bandcamp and hope for the best.
Pre-order:
The culmination of eleven months of work is finally official! Murder Virus releases everywhere on March 23rd - one day before my 45th birthday and exactly 374 days after the early morning trip to a barren Trader Joes to wait in line for scraps that convinced me I'd be crazy not to dig out the manuscript for the first successful piece of long-form fiction I ever wrote, dust it off, and re-write it.
2007 - in order to cope with the constant insanity of working retail for the first time in my life - as a manager to boot - I wrote The Secret Life of Murder, a novel about a murder virus that moves through the population, causing people to kill one another in epic scale. The idea was to create a harmless microcosm where I could vent my frustrations with fictionalized violence. It was my first attempt at writing a novel that I actually thought worked, and I always kept it in the back of my mind that I would dust it off one day and re-write it. Well, what better time than during an actual viral pandemic? So that's why the second Shadow Play book was delayed - I literally shifted gears in the middle of writing it to focus on this.
The title Murder Virus, which I hated at first, worked its way into my brain stem and eventually convinced me to love it, especially after a friend compared it in simplicity and 'high concept' to Fight Club, which also sounds pretty generic until you actually read it. That's my feeling with this one, too. Murder Virus is a lot darker and stranger than I realized while writing it, and the story does not end up anywhere I could have predicted. This makes it my favorite thing I've written to date. I'm extremely proud of this one, and obviously, because of the infusion of mental, physical, and historical elements of the past year, it's special to me and will no doubt always remain so; a time capsule of 2020 and where my head and emotions were while navigating the most difficult year (so far) of my life.
You can pre-order Murder Virus from Barnes and Noble HERE.
And the pre-order for Murder Virus from Indiebound isn't up yet but should be in a day or two (same with the Barnes and Noble paperback - right now they only have the ebook added to their site).
If you have a brick-n-mortar book store and really want to do me a solid, ask them to order a few copies from Ingram. They'll know how to do it. Oh, and thanks for reading!
Also, as always, that beautiful cover design was my concept executed well above my expectations by Jonathan Grimm. His website is HERE - check it out!
Playlist:
White Lung - Eponymous
Beth Gibbons, The Polish National Radio Sympony Orchestra & Krzysztof Pernderecki - Henryk Górecki: Symphony No. 3
