Showing posts with label 80s comics. Show all posts
Showing posts with label 80s comics. Show all posts

Tuesday, May 16, 2023

Ghost Covers Iron Maiden!!!

 

From the forthcoming Phantomime EP, out this Friday! Pre-order HERE



Watch:

I've been sick AF since Saturday, so I watched a lot of movies over the last few days. I'm not going to post trailers for everything, but there are a few I'd like to mention. First of those is Gary Busey in a Richard C. Sarafian film, Eye of the Tiger! This was probably my favorite viewing experience. I don't know, seeing Gary Busey kick the hell out of a gang of ruthless bikers. Here's a trailer:

   

I'd put this flick up against a lot of similar movies from the same year - 1986 - that feature box office candy like Stallone and Armold; Eye of the Tiger is really well-made, and Busey turns in a solid performance. 

Also of special note from what I watched over the weekend, 1994's The Guyver.

 

I have some vague memory of seeing the imagery from this film somewhere about the time it would have received release press. More recently, when Fangoria interviewed Steven Kostanski about his influences on Psycho Goreman (Fangoria Vol. 2 issue 10) he mentioned The Guyver, so it was in my peripheral. Then, I noticed that Darcy had uploaded the full movie in the old Monstervision presentation to the Lost Drive-In Patreon, and I figured, what better way to watch it, right? Cool flick; not exactly my cuppa, however, as usual watching pretty much anything with Joe Bob amplifies it. I've thought about this a lot, the idea that even a movie you hate can be made enjoyable (to a degree) when you have the proper context for it. That's something Joe Bob excels at providing, and I usually find myself better able to put myself in the movie's headspace. I'm sure there would be conditions under which this theory would break down; I doubt very much that even if Joe Bob hosted The Notebook I would get a kick out of it. Then again, who knows?




Read:

I continued to make my way through Alan Campbell's final book in the Deepgate Codex series this weekend, but I also had the itch to read some old Spider-Man comics, so I dug out Web of Spider-Man 40-42, the "Cult of Love" storyline, only to realize I'm missing the fourth and final part.


Not really a big deal; I located issue 43 on eBay, so I'll get to read that in a few days. More important than the story was the general tone of the story. 80s comics are very much recognizable, especially Spidey. They reflect the New York of the time, but also the world and society of the time. The art and writing are a certain 'way' - again, a lot of that has to do with topics that haunted Western Society at the time. Vietnam was a big one, but in this case, echoes of the Tate/Labianca murders and the fear of 'cults' that crime inspired. I wasn't there to read through metaphors of societal trauma, though. No, I was there because the 80s was when I started reading comics and Spidey, while not a mainstay, every-week purchase, had three ongoing monthly titles that I cherry-picked from quite often, and it's always super cool to go back and re-experience those books. 



Playlist:

Blut Aus Nord - The Work Which Transforms God
Nabihah Iqbal - Dreamer
Nirvana - Nevermind
Greg Puciato - Child Soldier: Creator of God
Black Sabbath - Sabbath Bloody Sabbath
Black Sabbath - Sabotage
The Beatles - Abbey Road
            


Card:

Easing back into it with a single card Pull from Missi's Raven Deck:


As usual, this deck just knows. I'm abstaining from drinking any beer while I've been sick and thinking of carrying it on until the weekend, just to further give my body a break. My fever's gone, but I was up most of the night last night coughing, so I'm exhausted at the moment. Ginger Ale remains a close friend.
 


Friday, July 23, 2021

New Zeal and Ardor!

How long do we have to wait until this new Zeal and Ardor album drops? The correct answer is too f*&king long! 




READ:

This has been a strange year, because over halfway through, and I've read very few actual novels. Instead, all my reading time is spent reading comics. Not a bad thing, and this certainly isn't the first time this has happened, but between starting the A Most Horrible Library podcast, and the brief resurrection of Drinking with Comics, I've fallen back in love with the medium in a way I haven't felt in years, specifically Marvel Comics, which I thought I'd left behind me after the 2015 Secret Wars event tapped us old-timer Marvel Zombies on the shoulders and whispered, "The old continuity you cling to is gone. Rest easy, this is for a younger generation now."

I've been digging in back issue bins for the first time in at least 15 years. I've also been seeking stuff out on eBay, both in attempts to fill in long-forgotten gaps in series I'd thought I'd given up on. It's made me realize I've come to regret giving away or selling back so many comics over the years. And I've been re-reading a bunch of old-school series as I acquire these missing pieces.



I remember seeing a full-page ad for this book back when I was a kid and thinking it looked troubling. A mutant kid killing one of his friends/teammates? Wow. I only read New Mutants here and there as a kid, so a lot of the character development was lost on me when I did pick up the book, and I never quite understood how Fallen Angels fit into the overall continuity of the ongoing Mutant Books, most penned by my beloved Chris Claremont still at that time. Now I know.

Fallen Angels was a New Mutants spin-off mini-series that ran back in 1987. A couple years ago I found issues 5-8 somewhere and picked them up, but it wasn't until two weeks ago I tracked down 1-4, and now completed, I've finally been reading this weird little adventure that features Roberta DaCosta AKA Sunspot and Warlock - always a character that made me go "WTF?" when I was a kid. Like a lot of comics from this era, this is a bit over-written, however, once you adjust to the difference in style, it's pretty fun.


This is a more recent title. A five-issue series by Jason Latour, Robbie Rodriguez and colorist Rico Renzi. Robbie and Rico are the visual team responsible for the short-lived but fantastic Vertigo series FBP, aka Collider. I fell in love with their style on that book, and when they came up with the initial design for Spider-Gwen - a character I shouldn't have really cared about at all at the time based on my reading habits - I gushed. 

I love this character's design. 

At the time of the series, and when it came out, I bought issues 1 and 2 and then stopped. Recently, I found 3-5 in the bins at The Comic Bug and started reading through it. Pretty cool alternate universe set-up, where Peter Parker is dead, Gwen was bitten by the radioactive spider, and Frank Castle is a cop! Also, MJ and Gwen play in a band called, what else? The Mary Janes, and have a hit song called "Face it, Tiger."

I don't know that I'll go back and read anything after this small series, but these five issues are bringing me great joy at the moment, so who knows?


With my recently reestablished love of Spider-Man, I've been going back in and just snatching rando issues from the three 80s series I would read off and on, and which I'm realizing I am missing so many issues I once had. In particular, I've been finding quite a few issues of Peter Parker: The Spectacular Spider-Man, most issues in the 130s and 140s. Here's a recent acquisition that ties together several other disparate issues I had, so I can now read a short little stint. Remember: back in the 80s and before, trade collections were next to non-existent, so the editorial edict for these books wasn't for the creators to do 5-issue arcs. What we'd get is one-offs, larger threads that played out amidst the monthly stand-alones, and, in Spidey's case, arcs that ran across all three of his titles at the time (Web, Spectacular, and of course, Amazing). 

The good news is, almost all of these books run between $2.99 and $3.99, so it's not like I'm breaking the bank. And sifting through the back issue bins has been a strangely calming routine. I can get all stressed out at work, stop by the bug and spend 30 minutes flipping through issues, and all that bad shit is gone when I walk out the door.


Also, motivated by the "Book Club" section on the latest episode of the Marvel's Pull List podcast, I decided it was finally time to re-read Grant Morrison's New X-Men run, so I dusted off the first of my three hardcovers and blew through the first arc E is for Extinction, as well as the 2001 annual that introduced Xorn. Oh, reading this is making me remember just how much I love Morrison's take on the X-Men.




Playlist:

Anthrax - Among the Living
Dio - Holy Diver
Chicago - 25 or 6 to 4 (single)
Black Sabbath - Paranoid
King Woman - Celestial Blues (pre-release singles)
Jethro Tull - Benefit
Ministry - Animositisomina
Godflesh - New Flesh in Dub Vol 1
Zeal and Ardor - Stranger Fruit
Mastodon - Crack the Skye 
 



Card:


I'm back on the journey into Shadow Play, Book Two, and for the first time since last year about this time, I am IN! The book is occupying a lot of my thoughts and time, and what's more, I finally found the voice for a new element I'm adding. Also, there is way more written than I thought, and it's way better than I remembered. So while I'm still letting a new nosleep series idea percolate, my main focus has finally shifted back to where I need it to be!

Tuesday, July 3, 2018

2018: July 3rd

How about a little Ted Leo and the Pharmacists to kick off the mid-week holiday?



Get you feeling good? Me too. There is so much Thin Lizzy in that song it's awesome!

The Comic Bug recently bought at massive collection and that means there are about a dozen long boxes (at least) of comics out for $1.00 right now, set up in the middle of their shop. A couple weeks I did some light digging and, as I always am when digging through back issue long boxes like this, I was in the mood for grabbing a few 80s/early 90s copies of Newsprint Marvels. I went with a few issues of The Avengers, specifically #352, 353, and 354. Why? Well, I never really read Avengers growing up, however I did pick up a few issues around this time back in the day and I've always been subsequently intrigued by the way the team - much like Chris Claremont's Uncanny X-Men, often cycled out the 'Big Names' and operated with a cast of C, D, and maybe even E level characters. And you know, that didn't make the stories bad, it actually made them more interesting than just having status quo re-achieved after every arc or crossover.

Also of note in these three particular issues, penned by Len Kaminski and drawn by M.C. Wyman, is the heavy influence of the original Evil Dead movies. You see it a bit in the covers to 353 and 354, but there's a lot of little stuff lovingly cribbed from the ED2 and Army of Darkness. This fits, as these were published right about the time AoD was released.




Great covers, right? I am especially fond of 353.

Playlist from 7/02:

John Frusciante - Niandra LaDes and Usually Just a T-Shirt
Zeal and Ardor - Stranger Fruit
Jane's Addiction - Kettle Whistle
Nirvana - Incesticide
Cocksure - Corporate_Sting
Deafheaven - New Bermuda
The Casket Lottery - Smoke and Mirrors E.P.
Fever Ray - Plunge
White Hex - Gold Nights
Jeff Grace - House of the Devil OST

Card of the day:


Pressure has eased. Yes - perfect. Yesterday was the first day after I handed over the 76k+ second draft of T12 to Keller. Immediate relief, although I didn't come until I walked to my writing spot, fired up the laptop and closed the T12 Scrivener doc, then opened up my short story one and started something new. So yes, the pressure has eased.