From their upcoming self-titled album, out April 3rd on Sub Pop Records. Pre-order HERE.
I'm catching up on a bunch of new music released while I was in the throes of the back-to-back Bowie and Lynch tribute weeks. Not sure when Sunn O))) moved to Sub Pop, but it's weird not seeing their name with Southern Lord. Either way, I'm definitely in the market for a new record from these guys. I kind of check in on them every so often, with Grimm Sessions and 2010 Monoliths and Dimensions so far being the only ones I feel truly attached to. For me, it's all about the arranging Anderson and O'Malley add to their core concept of pitch-black drone metal, and "Glory Black" gives me hope that this album may incorporate some new ideas and instrumentation into the classic Sunn O))) sound.
Watch:
We got hit with a "whopping" 2.5" of snow in Clarksville this weekend. I put that in quotes because, being from Chicago, 2.5" shouldn't really be that big of a deal. In a state that doesn't get very much snowfall, though, it is a big deal, and our town's effectively been shut down since Saturday. So K and I sat around and watched movies all weekend. One of those was a first for her and a second timer for me - Martin McDonagh's Seven Psychopaths.
When I watched this for the first time, back around 2014 or 2015, I didn't realize it was essentially McDonagh's version of Adaptation. I don't say that to take anything away from either film - both are brilliant. But where Charlie Kaufman's Adaptation is very 'heady,' Seven Psychopaths is manic and fun. Hilarious at times, really. The cast is a dream cast (Tom Waits!) and the juxtapositon of Los Angeles with Joshua Tree reminds me of an era of my life where I spent a lot of time driving back and forth between the two, staying out in the desert and really getting into a creative groove - which is all the main character in this film - Colin Ferrell's Martin - needs to do to solve all his problems. Well, not all his problems.
Read:
I've mentioned my reticence to engage with Scott Snyder's Absolute Batman in these pages before; I've read three issues thus far - Daniel Warren Johnson's Annual, the Ark M special, and issue 16 of the ongoing Absolute Batman series. We've reviewed all of these on Drinking with Comics and my cohost Mike and I are pretty much in agreement - the writing's not great. There are some great ideas here, but also, the pull with this one is very much something I recognize as zeitgeist. Will I ever re-read them? Will the fascination outlast the fervor?
Conversely, I don't think I'd ever have considered reading Absolute Wonder Woman until I realized Hayden Sherman is doing the art. I've become a huge fan of this man's work over the last year. Titles Batman: Dark Patterns and the insanely creepy Into the Unbeing introduced and endeared me to Sherman's unique style, and when I saw he was drawing the Absolute version of Diana, I was intrigued.
This book is fantastic! Not your standard take on the character at all, which is great, because this is one of those DC icons that just does nothing for me. Here, Kelly Thomspon writes Diana in a manner that relies heavily on ancient Greek Mythology. As a baby, she was taken from the Amazons at birth and given to Circe in Hell. Circe raised her, teaching her all of her Hecate-worshipping dark magick, and Diana rides the resurrected skeleton of the Pegasus instead of some invisible plane.
Best of all? Sherman gets to draw a lot of what I really love from him -giant, fleshy monsters!
I won't be reading this monthly
Playlist:
David Lynch - The Air is on Fire
The Caretaker - An empty bliss beyond this world
Various - Twin Peaks (Music from the Limited Event Series)
PJ Harvey - Uh Huh Her
USSA - The Spoils
Mountain Realm - Stoneharrow
Saigon Blue Rain - Oko
Sunn O))) - Glory Black (pre-release single)
Mars Red Sky & Monkey3 - Monkeys on Mars EP
Chrystabell & David Lynch - This Train
Card:
Putting aside Grimm's Hand of Doom Tarot again today (which you can buy HERE) to work with my Thoth deck. That's really where my head and heart have been at.
The Princess of Cups has always felt like a very gentle card to me. Nurturing in a way most other cards in this deck (or most decks) are not. There's an embrace here, reminding us of the importance of love and understanding, but there's also a nod to methodology and escaping the interior for a bit of the exterior once in a while. Princesses are a creative court, and this card tells me to nurture ideas as though they were loved ones.
