Showing posts with label Behemoth Comics. Show all posts
Showing posts with label Behemoth Comics. Show all posts

Wednesday, June 9, 2021

Turbo Kids Zooma

 

I mentioned this one yesterday and then had to hear it. The whole record is just tough-as-nails bass playing by one of the masters. Hit play and prepare to bang your head.




NCBD:

First - the pre-orders for Behemoth Comics's Turbo Kid Prequel series is up! Go HERE if you are interested. Look at these tasty f*&king covers! 



Next, here's this week's haul:


You see why I jones when a week goes by without an issue of Amazing Spider-man at this point, right? 67 just hit last week and here we are again! 


Loving this series, especially as we continue to climb the tiers of antagonists who Geiger will no doubt eventually have to square off against.
 

One more issue to round out a very dark but somehow also extremely pleasant surrealist take on death. 


Watching Peter Parker slowly become Venom is creepy and fun as hell. 


I just can't say enough good things about this book. 




Playlist:

QOTSA - Rated R
Firewater - The Ponzi Scheme
Ghost - Infestissumam
Sampa the Great - The Return 
Dance With the Dead - B-Sides: Vol. 1
The Foundations - Baby, Now That I've Found You (single)
The Foundations - Build Me Up Buttercup (single)
Blur - Parklife
Iggy Pop - Lust for Life
Entropy - Liminal




Card:


 Two days in a row, eh? Okay, I'm assuming someone is trying to tell me something I am not listening to. Time to take off the blinders and pay attention.

Wednesday, May 19, 2021

The Associate

This track popped up in Rose Glass's Saint Maud - which we review and discuss on the newest episode of The Horror Vision Horror Podcast, and it made me immediately pull out Down and pop it into rotation. Of the classic Lizard triptych of essential records - Goat, Down and Liar - Down usually comes in third for me. That said, it's still among the greatest albums of the 90s in my opinion, and it's always a good feeling to reconnect with their music, especially after encountering it in a modern movie. 




NCBD:

I'm LOVING that Marvel is taking so much of my money every month for Amazing Spider-Man. Nick Spencer's run has me hooked, and as of this issue, it looks like Bagley is back on the art!


The Autumnal is one of those rare, truly unnerving stories that feels like it could very easily be picked up and turned into an A24-ish movie. Let's hope that happens eventually, but in the meantime, issue 6 left us in a place that suggests this week's #7 will be crazy!


This series is riding at about a 65% approval rating with me at the moment, but I've apparently locked back into Marvel fan-boy gear for the first time since the MCU's Civil War broke it, so I'm enjoying the hell out of that 65%. Also, Dane's anthropomorphic black goat-headed butler is named Phillip. I can't love that enough.

This series. Whoah. Timely; a much-needed window into what other people go through to get into this country. 

I HAVE to have this cover. Love Stray Dogs, and issue #3's cliffhanger has had me on edge at the mere mention of the series since last month. 


Another book I also wanted to mention is Osaka Mime. I was lucky enough to have Behemoth Comics reach out to my podcast A Most Horrible Library a while back and send us an advance of Andy Leavy and Hugo Araujo's Osaka Mime graphic novel. I really dug this book and seeing its release slated for this week, suggest people pick it up.


A black and white Urban Horror story set in Japan, here's the solicitation:

"When a couple are found brutally murdered in the Dotonbori District in Osaka, Japan, two detectives from the Supernatural Unit of the Osaka PD must hunt down and apprehend a dangerous and murderous Mime, a shadowy shape-shifter which can take the form of the last person it ate. How do you catch something so dangerous, that can hide in plain sight?"




Watch:



This one snuck in under my radar, but looks fabulous! Featuring Raised by Wolves' Niamh Algar, the idea of setting a Horror story in the video nasty area already has me hooked, however, toss in the missing sister seen-in-a-movie bit that Ed Brubaker just played with in Friend of the Devil, and I'm super psyched for this one to drop on VOD June 18th!




Playlist:

The Jesus Lizard - Down 
Soundgarden - Down On The Upside
Neverly Brothers - Dark Side of Everything
Ghost - Meliora
Type O Negative - Life is Killing Me
The Doors - LA Woman
 



Card:

 

A good omen considering we have officially begun to settle back into a genuine sense of normalcy. K's birthday Dinner at Lazy Dog Cafe on the patio last night was the first time we'd eaten a meal in a restaurant in over a year. It felt nice to celebrate my Empress with such a marked occasion that signifies a return to life as we knew it B.C.

Tuesday, April 13, 2021

Katanas and Mimes, Oh My!!!

I'm not really a huge follower of Red Fang - they're a solid band, they just don't really stand out to me. That said, I LOVE this video.




Read:

Pretty psyched to have been sent a digital copy of Osaka Mime from Behemoth Comics for review on our A Most Horrible Library podcast. This book looks NUTS, and I am all about finding out more everything I can about whatever the hell monster is on this cover:


Super cool. Chris and I should be reviewing this one on our new episode, dropping next Monday morning (Sunday night at Midnight if you do the youtubes).

A very special thanks to Behemoth Comics and creators Andy Leavy, Hugo Araujo, and Robin Jones for sending this our way.



Playlist:

Judas Priest - Firepower
Small Black - Cheap Dreams
Steve Moore - VFW OST
 



Card:


Significant in that I just sent a Beta copy of a short story I've been trying to solve for almost three years to my good friend (and constant beta reader) Missi. The story is 99.9% there but still feels incomplete; not start to finish, but something textural inside its narrative feels weak. I'm hoping Missi's insight will help me realize what, if anything it is (because it is totally plausible, when you've working on something for this long, to get into a headspace where you can't finish it, even when it's finished).