Showing posts with label Cynic. Show all posts
Showing posts with label Cynic. Show all posts

Friday, December 11, 2020

RIP Sean Malone

 

What the hell? Back in January, we lost former Cynic drummer Sean Reinert, now at the polar opposite end of the year, we lose bassist Sean Malone? Good lord. Here's the close-out track from Cynic's last full-length album, 2014's Kindly Bent to Free Us. It's fucking gorgeous. Rest in Peace Sean Malone. 




Watch:

All this awesome Spiderman news has me in the mood to, well, to finally watch the MCU Spiderman flicks, none of which I've seen! But it's also got me in the mood for some Marvel, and this show right here is numero uno on my, "I can't wait give it to me right damn now" list.





Playlist:

Cynic - Kindly Bent to Free us
Curtis Harding - Face Your Fear
Jehnny Beth - To Love is to Live
David Bowie - Hunky Dory
David Bowie - Warsazawa (from Stage, disc 1)
Sir Neville Marriner and Academy of St. Martin in the Fields - Amadeus OST
David Bowie - Earthling
White Lung - Paradise
Loathe - I Let It In and It Took Everything
Michael Kiwanuka - KIWANUKA
Phoebe Bridgers - Punisher
Emma Ruth Rundle and Thou - Hollywood (pre-release single)




Card:

Ah, my old friend, the Queen of Swords. 


I keep getting this when I veer back on track. From my October 10th post, where I drew this card:

"...clear insights and the fresh perspective of adopting the perspective of another and cutting your own head off long enough to truly experience that other perspective..."

A violent reaffirmation of rulership over your emotions and intellect. I associate 'violence' in this respect, as my turning back on the deep dive function for writing. I pulled a major three hours yesterday, and made fantastic progress. 

Monday, January 27, 2020

Cynic - Textures: RIP Sean Reinert



Man, this was a blow. I don't know Sean Reinert's catalogue like some of my friends do, but from the moment I first heard this track on Cynic's 1993's debut Focus, I was floored. This was one of the first 'death metal' bands whose vocals didn't put me off, and also, whereas I normally didn't 'listen' to the drums on records like this, with Reinhert, at times that was all I could listen to.

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Holy smokes! Over at Brooklyn Vegan, Andrew Sacher made my day by posting the news that 90s MetalCore group Deadguy appear to be reuniting. This is one show I will not miss live if they come through LaLa Land! Waaaay back in 1995, when Deadguy's first and only album Fixation On a Coworker came out on Victory Records, I happened to be a writer for southside Chicago music mag Subculture, and this album was sent to me for review. I loved it, and have loved it ever since, and now can't wait to see what more Deadly might have in store for us.

Read Sacher's full article HERE, and below is my favorite song off the album:




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Playlist:

M83 - Knight + Heart OST
Jefre Cantu-Ledesma - In Summer EP
Me and That Man - Songs of
Blut Aus Nord - Memoria Vetusta II: Dialogue with the Stars

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Card:


Motion, movement. Flow. Getting back into a stable, regular writing routine has worked wonders. Sometimes things stop your momentum cold, that's life. You just have to start back up again. It's all a Wheel.

Friday, December 13, 2013

New Cynic!



As a high school metal head interestingly enough I pretty much avoided death metal at all costs. Sure, because of my girlfriend at the time I saw Deicide two or three times but into them? Not so much (awkward teenage sex to Dead by Dawn is NOT a good thing). Anyway...

Fast forward years later and Cynic's Focus (specifically the track "Textures") was my introduction to the idea that there were good bands that employed the gnarly 'Ghhhhaaaa' vocals. It's all about not relying on it but using it where appropriate. Patton did this and Cynic definitely did this on Focus, where the vocals ranged between the haunting female vocals, the vocodor-ed vocals I always thought of as representing some form of celestial entity and the snarling, spitting vocals more associated with death metal. These techniques fit perfectly over instrumental passages that - while I'm not a huge fan of the very solid-state sounding distorted tone on the guitars - move poignantly between sophisticated jazz, complex rhythmic prog and intricate metal.

And now there's some new Cynic.