Erykah Badu & The Alchemist - Witch Doctor

Take about stumbling across something you never expected. Skulking around on Bandcamp last Friday, I found this track from Erykah Badu & The Alchemist's album Before the World Blows Up. I was instantly hooked. I backed off a bit after an initial full listen to the overall album - I'm sorry, but it's pretty hard to take anyone seriously when they're still dropping N-bombs, especially on a modern soul record. There are a few other unfortunate instances of hip hop tropes that gum up the album's flow for me, but overall, this is pretty freakin' solid. 

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Watch:

By sheer chance, I read about Glenn McQuaid's new film, The Restoration at Grayson Manor in one of the most recent issues of Fangoria magazine shortly before ordering McQuaid's 2008 film I Sell the Dead during a recent Vinegar Syndrome sale, not realizing the latter was by the same filmmaker at all. I'd seen I Sell the Dead back when it first came out on video in the through-the-mail Netflix days, had thought about it now and again, and was excited to see it get a new transfer and release via VS's Glass Eye Pix/IFC partner labels. 

The Fangoria article definitely put Grayson Manor on my radar, and now I'm happy to see the possibility of a wide theatrical release. Full disclosure - I only watched about twenty-five seconds of the trailer but that's all I needed. There's something about the overall style here, combined with McQuaid's humor and the idea of "hand horror" in an Irish country manor that all combines to make me think this is going to be a great one.

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Playlist:

Young Widows - Decayed: Ten Years of Cities, Wounds, Lightness and Pain

Godflesh - In All Languages

Matthew Pusti - Onslaught OST

Erykah Badu & The Alchemist - Before TheWorld Blows 

Godflesh - New Flesh In Dub Vol. 1

Godflesh - Post Self

Chat Pile - Who Loves The Sun

The Cramps - Gravest Gravy

Gnarls Barkley - Atlanta

The Cramps - RockinnReelininAucklandNewZealandXXX 

Isaac Hayes - The Isaac Hayes Movement

Miles Davis - Ascender pour l'échafaud

Chat Pile - God's Country

Lustmord & Dave Lombardo - Paleomagnetic Resonance (pre-release single)

Purest Form - Resistance EP

Godflesh - A World Lit Only By Fire

Dance with the Dead - Malombra

Ghost - Skeleta

The Jesus Lizard - Down

Carpenter Brut - Leather Temple

Pino Donaggio - Her Private Hell OST

Black Pyramid - The Paths of Time are Vast

Iggy and The Stooges - Raw Power (1973 David Bowie Mix)

Chelsea Wolfe- She Reaches Out to She Reaches Out to She

Alabama Shakes - I Must Be Dreaming

Orville Peck - Bronco

Steely Dan - Aja

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Card:

Back to my trusty old Thoth deck this morning:

• 7 of Disks - Failure

• Ace of Cups

• 3 of Cups: Abundance

I need to change something proven. It will cause an upset that will feel like a failure at first, but will eventually lead to a breakthrough that will make my heart soar.

It's never a great thing to see a card like the 7 of Disks at first, but context always softens it. In The Book of Thoth, Crowley briefly breaks this card down as a warning as to what happens when all work stops. Dreams can die here. Thus, it takes emotion and will to keep the thread going and make something out of the nothing that sloth offers as a reprieve to working.

I love the obvious writing ones, that come directly after a session I can relate them back to. 

2019: June 12th New Drab Majesty!

The Youtube description for this track calls it the fourth single released so far from Drab Majesty's forthcoming Modern Mirror album. Really? I hadn't realized we were up to four already, I guess primarily because other than the first single, I'm not listening to anything until my actual physical copy of the record arrives. Modern Mirror drops in two Fridays - can't wait.

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Frank Black Appreciation Week continues in these pages with my favorite cut from 2007's Bluefinger, which marked a return to Frank's Black Francis persona. Well, not really a persona in the way, say, Bowie had personas, but Bluefinger definitely marked a change from the post-Catholics Americana vibe Black had been doing. Compared to Fast Man Raider Man, Bluefinger goes back to what I consider a more Pixies-ish approach to songwriting. Several of the tracks on Bluefinger - including this one - veer into similar territory as some of The Pixies' more unstable songs; Threshold Apprehension is nuts in the way Broken Face or Rock Music are nuts.



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So, Slayer is on their "Final Tour." I've lived through this with so many bands, so many times - I was in High School and fairly new to concerts when I attended Ozzy's No More Tours tour, thinking, "Oh my god, I'm going to see Ozzy Osbourne's final tour!"

Hahah.

And so it goes. Fool me once, yada yada. The point being, I doubt this is Slayer's final tour. And in my opinion, the band should have been over when Jeff Hanneman died. But here they are, dry humping a dead and bloated cash cow. I'm not going to say that Slayer doesn't still rule, because despite the fact that I haven't cared about almost any record they've released since Seasons in the Abyss - though Christ Illusion was a pretty nice return to form - I'd wager they still tear shit up live. And so it was that fact and the idea of the possibility the Forum show in Los Angeles - billed as their final show ever - might actually be Slayer's final show - that I tentatively went to the band's website to sign up for their newsletter and get the pre-sale passcode. You know, just to see what tickets are going to cost. And you know what I found? Slayer is charging $20 to join and get the passcode. $30 if you want some stupid poster with the code.

How completely un-fucking-metal.

Retire now guys, before you end up fucking up your legacy. PLEASE.

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Last night I happened to turn on one of Shudder's tv stations just as Ana Asensio's Most Beautiful Island began, so I dug in and followed it with absolutely no expectations. I do not believe I had ever even heard of this film before.

First good sign was Glass Eye Pics put this out. Always a good thing. So I let the story take me for its ride, and I absolutely loved it. Highly recommended. Here's the trailer, which I've vetted to make sure it doesn't show too much. Not that there's a twist, but the film didn't go anywhere I expected it to go, and I loved it for that.



Also, Larry Fessenden has a small part, so that always wins me over.

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Playlist from 7/11:

Mazy Star - So Tonight That I Might See
Balthazar - Fever
Ministry - The Land of Rape and Honey
Slayer - Seasons in the Abyss
Slipknot - Iowa
Zonal - Eponymous (Pre-release Single)
Perturbator - The Uncanny Valley

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Card of the day:

Normally, I don't have a particular question in mind when I do these daily pulls. Instead, I just kind of clear my thoughts for a second and let the card that comes up serve as a portent for the day itself. Today, I wanted to go specific, so as I pulled I thought about a current struggle I've had, namely doing this last read-through with the physical, paperback copy of Shadow Play.

My impetus for doing one last read-through, after just doing another, was the hunch (which proved correct) that reading a novel in physical book form rather than digital would be a drastically different experience, and thus, I would see or catch things I had not in that last digital pass over. And of course, I was correct. Nothing major, but I've already fixed a few minor grammatical errors, as well as at least two spelling errors, on this read. That said, I'm sick to fucking death of reading this book; between this and the short story I began in Spokane, love, but cannot seem to finish, I feel very much held hostage at the moment. Which is zapping my creativity. Ideas are floating to the forefront of my brain daily, and some of them seem so appealing. Plus, it's always invigorating to start something new. So, what do I do? Well, one interpretation of this card is a warning against succumbing to daydreaming, getting lost in flights of fancy, which I definitely take to mean - as my gut tells me - stay on course and do NOT get distracted.