2019: July 17th 3 From Hell Trailer

Although I've been waiting for this, I'm not entirely sure how I feel about Rob Zombie returning to the Firefly Clan characters. Why? Well, A) they pretty clearly died at the end of The Devil's Rejects, and B) it's weird when filmmakers put you in a position of rooting for such ultimately disgusting characters. Also, this looks like Zombie has added Natural Born Killers into his blender, so that may run the risk of feeling overly borrowed from. We'll see. Normally, Zombie can more or less mix in the stuff he 'samples' from his influences in a way that feels like homage instead of theft. Hopefully, that will be true here as well.

As for the 'how did they survive?' question, I noticed a quick flash at 0:20 in the trailer of a newspaper headline that reads, "Satanic Recovery," and I'm wondering (Read: Hoping) the recovery is pulled off via some weird call-back to Dr. Satan and all the strange, quasi-supernatural stuff that happened in the final segment of House of 1000 Corpses, all of which was completely ignored for The Devil's Rejects. That absence was disappointing at the time Rejects was released, however, over the years I have grown to understand and applaud the decision as a matter of tone - Dr. Satan and all related characters would never have fit into Rejects; the one deleted scene with the Doctor was definitely best left out. Now, however, this might be a great way to bring him back.

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Frank Black Appreciation Week concludes today with another of my favorite songs from The Catholics-era Black. Released on the album Dog in the Sand, this was, I believe, the first time Black had recorded with Pixies guitarist Joey Santiago since the break-up of the band. The resulting material - especially this particular track - is a doozy. I remember hearing around the time of this album's release that the lyrics were about how, after Black's father passed away, when it came to the task of going through his home, dozens of guns were found, all loaded with only a single bullet.

Creeeeeepy, but awesome.



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Playlist from 7/16:

Frank Black - The Cult of Ray
Preoccupations - Eponymous
Jim Jarmusch and Jozef Va Wissen - The Mystery of Heaven
The Jesus Lizard - Liar
White Lung - Eponymous
Uniform and The Body - Penance (Pre-release single)
Uniform and The Body - Mental Wounds Not Healing*
Sunn O))) - Life Metal


*I totally just figured out that this album is named after a lyric in Ozzy's Crazy Train. It made me love both these bands even more than I already do.

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Card of the day:

Feeling like this is a good sign that I cross a finish line today.

2019: July 16th New Chelsea Wolfe!

New Chelsea Wolfe Video, from the forthcoming album Birth of Violence, out September 13th on Sargent House. Pre-order HERE.

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Frank Black Appreciation Week continues today with a live rendition of my favorite track off the third Frank Black solo record, The Cult of Ray. Filmed in 1996, this footage isn't great, but the performance sure is. Great to see Lyle Workman in his prime here.



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Playlist from 7/15:

Aerosmith - Pump
Motörhead - 1916
Frank Black and the Catholics - Eponymous
Pixies - Bossonova
Pixies - Come On Pilgrim
Pixies - Head Carrier
Drab Majesty - Modern Mirror
Shellac - The End of Radio
The Misfits - Static Age
Minsk - The Crash and the Draw
Spotlights - Love and Decay
The Bangles - In Your Room
David Bowie - Hunky Dory

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No card today.

July 15th - Frank Black/Teenage Fanclub

Day 6 of Frank Black Appreciation Week, and I'm trying to dig deep. Like I said previously, I could easily just post 7 days of The Catholics, or Pixies, but this man's catalogue winds deep, and I really wanted to try and represent that, so here's a track off Frank's 1994 John Peel Session, where Glasgow band Teenage Fanclub acted as his band.

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I finished my re-read of Grant Morrison and Richard Case's six-volume Doom Patrol series from late 80s/early 90s DC Vertigo. SO good, and reading the source material just confirms my belief that the DCU television adaptation of Doom Patrol is the best comic adaptation I have ever seen.

The final volume, Planet Love, has such a harrowing example of an Apocalypse scenario, I dare say I read it in a quick, edge-of-my-seat burst. The Candlemaker is an example of a comic book foe who gestates quickly and thrives on being somewhat two-dimensional.

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I was so very wrong about Drab Majesty's Modern Mirror the other day when I said it would drop July 26th. I came home later the same day to find the vinyl I'd ordered months ago on my doorstep, and I spent Friday night and several hours over the subsequent weekend listening to it. Really good, if a bit short. The vinyl is a little bit annoying, in that it's a double LP, so there are literally two songs on each side. That's a lot of superfluous flipping, and a very start/stop listening experience, if you ask me.

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Friday's episode of The Horror Vision, wherein we discuss Possum, as well as Luca Guadagnino's 2018 Suspiria, which we've talked about before, but here go into at length and a host of other films, will be up in a few days. In the interim, my co-host Anthony Guerra caught the Aja/Raimi flick Crawl the other night and did a quick reaction piece. Check it out:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

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Playlist from the last couple of days:

Frank Black and the Catholics - Pistolero
Boy Harsher - Careful
Black Polygons - Lobélia
Motörhead - Ace of Spades
Motörhead - 1916
Joan Jett and the Blackhearts - Up Your Alley
The Monkees - Eponymous
Drab Majesty - Modern Mirror
Ritual Howls - Rendered Armor

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Card of the day:

Gonna need it. Two potentially stressful weeks coming up at work, and I'm still slogging through this final read of Shadow Play - which, by the way, is turning out very good. It's just difficult to re-read this for a third time in a row now. It's affecting all my other reading as well.

2019: July 14th - Frank Black Appreciation Week Day

Day 5. LOVE this track, despite the mispronunciation of Bowie's name.

2019: July 13th - The Pixies: Tame

I may have made you wait longer than other folks would have to get to a track by The Pixies, here during my Frank Black Appreciation Week, but you knew I'd get there, right?

I won't lie, I thought about not posting any. I could fill a couple months posting beloved Black Francis songs and completely eschew his first major band, but then, well, I'd be lying to myself. It's weird; for some reason I have a bit of a grudge against the Pixies. I'm not sure when that happened, or why exactly. I think it's a combination of a few factors. Bear with me while I dig around in my mind and see if I can explain this, really more to myself than to you, but thanks for being here for me to bounce this stuff off, sometimes that just works better, talking out loud to someone else.

I'll never forget when Mr. Brown turned me onto The Pixies back in the mid-90s - he lent me Bossonova and it completely bowled me over. The first few tracks are epic, packed with that wonderful madness that Joey Santiago and Frank Black bring out in one another when things really get going. Then you get to Digging for Fire and Down to the Well, and they're so sweet and sugary, I was in love instantly.

I should specify that my introduction came well after the Pixies were over, and so at the same time Brown lent me Bossonova, he also lent me Frank Black's third solo album, The Cult of Ray. I loved that too, but it paled in comparison to how Bossonova made me feel. As I began to consume the other Pixies records, they became my band. Not just my band, but one of our bands - the music I shared with Brown and Sonny, my two best friends. Mr. Black and company were part of what seemed to us, a secret handshake. I didn't know anyone else who was into The Pixies, or Soul Coughing, to name two, and those bands became ours. This was while we were building our first band, Wink Lombardi and the Constellations, and it was an amazing time in my life. I'd just gotten out of a three-year, high school relationship, and I had amazing friends I saw every day. We'd play music, go to obscure diners for coffee and pie, stay up to all hours getting stoned and recording bizarre acoustic tracks, or noise sessions on my Tascam 4 Track. It was amazing. And The Pixies were one of the major soundtracks to that, so I'm protective of it, now, many years later.

I suppose that's another thing about The Pixies that I'm protective of - it can be hard for me to go back and really immerse myself in listening to these albums that I absolutely love because they trigger massive nostalgia pulses in me. And I guess I want that kept in its place. Couple with that the fact that directly after Cult of Ray, Frank Black formed The Catholics and began releasing albums that I actually got to see him play live, and that helped shape the next chapter of my life. Those Catholics records are HUGE to me.

So, I guess it's actually kind of obvious why I prefer Frank Black to the Pixies, and why, as much as I LOVE Indy Cindy, the first Pixies reunion album, I would rather Black keep moving forward than trying to go home again.

Anyway, every song on every Pixies album rules, but this is one today rules a little bit more than most.

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Had The Horror Vision folks over last night and recorded a new episode that will hopefully be up later today or tomorrow. Our movie reaction for the episode? Possum. Here's the trailer:



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Playlist from 7/12:

M83 - Dead Cities, Red Seas and Lost Ghosts
Motörhead - Ace of Spades
Motörhead - March or Die
Motörhead - Eponymous
Black Polygons - Lobélia
Boy Harsher - Careful
Drab Majesty - Modern Mirror
Frank Black and the Catholics - Pistolero

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No card today.

2019: June 12th New Drab Majesty!

The Youtube description for this track calls it the fourth single released so far from Drab Majesty's forthcoming Modern Mirror album. Really? I hadn't realized we were up to four already, I guess primarily because other than the first single, I'm not listening to anything until my actual physical copy of the record arrives. Modern Mirror drops in two Fridays - can't wait.

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Frank Black Appreciation Week continues in these pages with my favorite cut from 2007's Bluefinger, which marked a return to Frank's Black Francis persona. Well, not really a persona in the way, say, Bowie had personas, but Bluefinger definitely marked a change from the post-Catholics Americana vibe Black had been doing. Compared to Fast Man Raider Man, Bluefinger goes back to what I consider a more Pixies-ish approach to songwriting. Several of the tracks on Bluefinger - including this one - veer into similar territory as some of The Pixies' more unstable songs; Threshold Apprehension is nuts in the way Broken Face or Rock Music are nuts.



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So, Slayer is on their "Final Tour." I've lived through this with so many bands, so many times - I was in High School and fairly new to concerts when I attended Ozzy's No More Tours tour, thinking, "Oh my god, I'm going to see Ozzy Osbourne's final tour!"

Hahah.

And so it goes. Fool me once, yada yada. The point being, I doubt this is Slayer's final tour. And in my opinion, the band should have been over when Jeff Hanneman died. But here they are, dry humping a dead and bloated cash cow. I'm not going to say that Slayer doesn't still rule, because despite the fact that I haven't cared about almost any record they've released since Seasons in the Abyss - though Christ Illusion was a pretty nice return to form - I'd wager they still tear shit up live. And so it was that fact and the idea of the possibility the Forum show in Los Angeles - billed as their final show ever - might actually be Slayer's final show - that I tentatively went to the band's website to sign up for their newsletter and get the pre-sale passcode. You know, just to see what tickets are going to cost. And you know what I found? Slayer is charging $20 to join and get the passcode. $30 if you want some stupid poster with the code.

How completely un-fucking-metal.

Retire now guys, before you end up fucking up your legacy. PLEASE.

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Last night I happened to turn on one of Shudder's tv stations just as Ana Asensio's Most Beautiful Island began, so I dug in and followed it with absolutely no expectations. I do not believe I had ever even heard of this film before.

First good sign was Glass Eye Pics put this out. Always a good thing. So I let the story take me for its ride, and I absolutely loved it. Highly recommended. Here's the trailer, which I've vetted to make sure it doesn't show too much. Not that there's a twist, but the film didn't go anywhere I expected it to go, and I loved it for that.



Also, Larry Fessenden has a small part, so that always wins me over.

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Playlist from 7/11:

Mazy Star - So Tonight That I Might See
Balthazar - Fever
Ministry - The Land of Rape and Honey
Slayer - Seasons in the Abyss
Slipknot - Iowa
Zonal - Eponymous (Pre-release Single)
Perturbator - The Uncanny Valley

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Card of the day:

Normally, I don't have a particular question in mind when I do these daily pulls. Instead, I just kind of clear my thoughts for a second and let the card that comes up serve as a portent for the day itself. Today, I wanted to go specific, so as I pulled I thought about a current struggle I've had, namely doing this last read-through with the physical, paperback copy of Shadow Play.

My impetus for doing one last read-through, after just doing another, was the hunch (which proved correct) that reading a novel in physical book form rather than digital would be a drastically different experience, and thus, I would see or catch things I had not in that last digital pass over. And of course, I was correct. Nothing major, but I've already fixed a few minor grammatical errors, as well as at least two spelling errors, on this read. That said, I'm sick to fucking death of reading this book; between this and the short story I began in Spokane, love, but cannot seem to finish, I feel very much held hostage at the moment. Which is zapping my creativity. Ideas are floating to the forefront of my brain daily, and some of them seem so appealing. Plus, it's always invigorating to start something new. So, what do I do? Well, one interpretation of this card is a warning against succumbing to daydreaming, getting lost in flights of fancy, which I definitely take to mean - as my gut tells me - stay on course and do NOT get distracted.

2019: July 11th Nicolas Winding Refn Interview

Frank Black Appreciation Week continues here with probably my second favorite all-time Frank Black-related track, from the first Grand Duchy album, Petite Fours. With its men in black, government UFO cover-up vibe, this track always reminds me of a sequel to Space (I Believe In), from The Pixies Trompe Le Monde. Listen to Black's voice on those refrains - soul searing. I love everything about this and the album it's on.

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After Stranger Things 3, K and I slipped back into episode two of Nicolas Winding Refn's bleak-as-all-holy-fuck Neo LA Noir, Too Old To Die Young. This show! It seems to me the second episode will be the firewall - anyone not in NWR will give up halfway through. Others will revel in the slow, contemplative nature of this hour-and-thirty-seven-minutes of a film maker drinking his setting and characters for tone and nuance. It's a fantastic piece of filmmaking and actually built up enough momentum that I had to force myself not to drift straight into the next episode, primarily because it was already past my bedtime.

Here's an interview with Refn; I'm leaving this here but not watching it until after we finish the series, just in case there are spoilers.



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Ghost added a lyric video for Faith, my favorite track from last year's Prequelle record. I'm not usually into lyric videos, but this is pretty cool. Also, if the band's previous protocols are still in place, by my calculation we should be getting an EP from these guys any time now.



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Playlist from 7/10:

Low - Trust
Tennis System - Shelf Life (Pre-release Single)
Tennis System - Pain EP
Joan Jett and the Blackhearts - Up Your Alley
Judas Priest - Screaming for Vengeance
David Bowie - Heroes
Drab Majesty - Careless
Judas Priest - Firepower
Johhny Marr - Call the Comet
Balthazar - Fever
Zonal - Eponymous (Pre-release Single)
Ned's Atomic Dustbin - Godfodder
Frank Black and the Catholics - Pistolero
Ritual Howls - Rendered Armor

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Card of the day:

Paradigm shift. Not 100% on how this fits into my life at the moment; as usual, my inherent reaction is to read it as regarding my writing. Currently unable to mop up two things because of a hanging third. Does this say leave that third behind? Switch gears? Maybe, but an open loop is an open loop, especially when it comes to 'solving' something you've invested a lot of time and creative energy into.