RIP Terry Reid!

I love this song. LOVE. I was initially introduced to it via Rob Zombie's The Devil's Rejects Soundtrack, and for most of the 00s, it appeared on my burned CD mix compilations. I spent some serious time zoned out on various substances, just feeling this song - so much to feel!

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NCBD:

An easy week on the wallet for once:

Ericka Slaughter's origin continues. I'm digging these flashback issues; however, it perpetually thwarts my desire for the current timeline story to move forward! 

I'm really enjoying Larry Hama's ARAH as a totally hyperbolic version of Joe. Funny that this book used to be so rooted in reality. As I've suggested here before, though, after 300+ issues, you'd have to take things into weird territory to keep it interesting. Yet, make no mistake. A lesser writer would have rendered this title obsolete with all the AI, cyborgs, genetic mutations and, well, Serpentors that fill its pages. Not Hama. Still solid after all these years. 

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Watch:

I'm not sure why, but until last Sunday, I had no interest in watching Season 2 of Netflix's The Sandman adaptation. My Drinking with Comics host Mike Shinabargar recently mentioned that the final episode was set to drop on 7/31 and that he'd like to cover the show. After a few hours of yard work in the particularly grueling heat, I came inside, collapsed onto the couch, and fired up the episode, Seasons of Mist. 

 

I think two things are going on here. One, I think I'm way more attached to the stories adapted in the first season than this one, so it was harder for me to accept any changes (same with "24 Hours" from the first volume). Two, Tom Sturridge has really come to embody the character of Morpheus. The dour expression, the ever-changing, always confounding hair, the glassy stare. He just nails it in every scene this season. I've just hit the point where the season and the show move into their final arc in adapting The Kindly Ones, and this particular storyline in the comics is another I'm super attached to. So far, no complaints. I've heard this is around the point where the series begins to feel rushed, but so far, I'm not getting that. This could very well be because, when I began reading The Sandman near the end of its monthly run, I jumped in on The Kindly Ones, and at the time, the only collections available in trade were the first three volumes, Preludes and Noctures, Doll's House and Dream Country. The latter three were adapted as Season One of the show, so it stands to reason that, for someone who didn't read volumes 4-8 until later and thus, know them less intimately, adapting the four seasons I know makes this show fit my experience with The Sandman like a glove. Season Two effectively starts with Seasons of Mist (Volume 4), moves into A Game of You (Volume 5), and I think, bypasses virtually everything from Volumes 6-8. 

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Playlist:

Ozzy Osbourne - Bark at the Moon

Ozzy Osbourne - Blizzard of Ozz

Ozzy Osbourne - Diary of a Madman

Ian Lynch - All You Need is Death OST

Isaac Hayes - Hot Buttered Soul

M83 - Hurry Up, We're Dreaming

Hangman's Chair - Saddiction

Deafheaven - Sunbather

King Woman - Celestial Blues

Moon Wizard - Sirens

Black Pyramid - The Paths of Time Are Vast

Benjamin Booker - LOWER

Type O Negative - Life Is Killing Me

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• IX: The Hermit

• Five of Pentacles

• XXI: The World

Anticipate setbacks by taking a strategic withdrawal and considering the bigger picture. This is a 'work' reading, and it's as timely as it is on the money.

2019: July 17th 3 From Hell Trailer

Although I've been waiting for this, I'm not entirely sure how I feel about Rob Zombie returning to the Firefly Clan characters. Why? Well, A) they pretty clearly died at the end of The Devil's Rejects, and B) it's weird when filmmakers put you in a position of rooting for such ultimately disgusting characters. Also, this looks like Zombie has added Natural Born Killers into his blender, so that may run the risk of feeling overly borrowed from. We'll see. Normally, Zombie can more or less mix in the stuff he 'samples' from his influences in a way that feels like homage instead of theft. Hopefully, that will be true here as well.

As for the 'how did they survive?' question, I noticed a quick flash at 0:20 in the trailer of a newspaper headline that reads, "Satanic Recovery," and I'm wondering (Read: Hoping) the recovery is pulled off via some weird call-back to Dr. Satan and all the strange, quasi-supernatural stuff that happened in the final segment of House of 1000 Corpses, all of which was completely ignored for The Devil's Rejects. That absence was disappointing at the time Rejects was released, however, over the years I have grown to understand and applaud the decision as a matter of tone - Dr. Satan and all related characters would never have fit into Rejects; the one deleted scene with the Doctor was definitely best left out. Now, however, this might be a great way to bring him back.

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Frank Black Appreciation Week concludes today with another of my favorite songs from The Catholics-era Black. Released on the album Dog in the Sand, this was, I believe, the first time Black had recorded with Pixies guitarist Joey Santiago since the break-up of the band. The resulting material - especially this particular track - is a doozy. I remember hearing around the time of this album's release that the lyrics were about how, after Black's father passed away, when it came to the task of going through his home, dozens of guns were found, all loaded with only a single bullet.

Creeeeeepy, but awesome.



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Playlist from 7/16:

Frank Black - The Cult of Ray
Preoccupations - Eponymous
Jim Jarmusch and Jozef Va Wissen - The Mystery of Heaven
The Jesus Lizard - Liar
White Lung - Eponymous
Uniform and The Body - Penance (Pre-release single)
Uniform and The Body - Mental Wounds Not Healing*
Sunn O))) - Life Metal


*I totally just figured out that this album is named after a lyric in Ozzy's Crazy Train. It made me love both these bands even more than I already do.

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Card of the day:

Feeling like this is a good sign that I cross a finish line today.

Rob Zombie's New Horror Movie?

via Bloody Disgusting. I have NO idea what this will be but despite my dislike of H2 (beautifully shot, and that's the only good thing I can say about it) and subsequent relative disappointment in the Lords of Salem - which looks amazing but I was unable to make it all the way through due to what I perceived at the time to be an amazingly sluggish pace* and next to no plot advancement from the inciting incident into almost the end of the second act, I am excited for this. Mr. Zombie's much touted, "I'm done with horror" scared me. Whether he balks or slams one out of the park, I like Zombie on the Horror hound side. I don't want to applaud what may be a diminutive situation for him - being stuck inside a genre he wants out of - but what can I say? House of 1000 Corpses, The Devil's Rejects are, in my mind, modern classics of the genre (even if they do wear their influences on their sleeve. So what? It makes it so you can watch them and go, "Oh! Zombie loves House by the Cemetery too! Awesome!) and aspects of the Theatrical cut of Halloween turn what is essentially an over-explained and unneeded remake into a beautifully rendered piece of cinema.

...........

* I intend to give Lords of Salem another chance as a lot of folks whose opinions I respect loved it and in the film's defense, I tried watching it after I'd been up for almost 24 hours, so what I perceived as a 'sluggish pace' may have actually been me nodding off.

Banjo & Sullivan - I'm at Home Getting Hammered While She's Out Getting Nailed

Re-watched Rob Zombie's The Devil's Rejects last Saturday night. I've always really liked the film, but this time it really stuck with me. I'm pretty much not a fan of any of his other films besides this one and House of a Thousand Corpses, although I think he is an incredible filmmaker. I know that sounds contrarian, suffice it to say the man has a great eye and a wandering muse...

Most of the music in the film is pretty great. The final sequence even qualifies as the only instance where I've ever been completely blown away by Free Bird. By all rights setting any scene to the entirety of that gratuitous ode to being a womanizing jerk should be awful, but RZ killed it.

The actors all put in fantastic performances, especially Bill Moseley, who if I remember reading correctly was absolutely sickened by the scene where he introduces the handgun to Priscilla Barnes' panties. The entire Banjo and Sullivan cast was fantastic and it was very cool that the soundtrack fleshed out their stories with this clippin' little ditty that, listening to now, I wish I could have heard Ween cover live back in the day.