Showing posts with label Norman Mailer. Show all posts
Showing posts with label Norman Mailer. Show all posts

Sunday, July 29, 2018

2018: July 29th



About a month ago I put Ministry's Dark Side of the Spoon in my car with the intention of finally getting to know it as an album. I've been a Ministry fan since just after Psalm 69: The Way to Succeed and the Way to Suck Eggs came out in 1992. The Mind is a Terrible Thing To Taste will probably always remain my favorite release, line-up, and era for the band, but I stuck with them fiercely through all the changes over the years. Where some folks I knew turned away from them after Psalm, I loved Filth Pig from day one, and although I fell off briefly with Spoon, when Animositisomina hit as the follow-up, I was right back in the fold and remained there until recently. I still dig what Uncle Al does musically, I've just become less interested in following it.

At some point in the last five or six years I found a used copy of Spoon at Amoeba and figured, what the hell? But still, that grand discovery never followed. Recently that changed, and Eureka Pile is, to my ears, one of the stand-out tracks. Above is a video I found while looking for the song on youtube; I'd never come across Chemical Traces' work before, but I'm intrigued. With its labored lope and lackadaisical drawl, this is a hard song to do a video to and keep it interesting, and CT pulls it off. Also, the work is deeply personal, and that makes it doubly effective. I'm interested to see more of their work. Looking at their artist's page on Youtube I see a lot of what I'm interested in here, so I'll probably be posting some more of Chemical Traces' work here in the future.

Into the last third of Norman Mailer's The Deer Park. If you're a fan of literary prose, specifically very Fitzgerald-esque literary prose, this novel should go on your list. It drifts a bit in the middle, but I'm enjoying this walk through 1950's McCarthyism Hollywood debauchery, set in a fictional oasis in the California desert.


Tennis System tonight at my beloved Echoplex. Haven't been there in a while, and I realized it's almost two-and-a-half years since I discovered this awesome Los Angeles band opening for Eagulls at the Teragram. Here's a Flock of Seagulls cover I had never heard them do before:




Playlist from yesterday:

The Veils - Total Depravity
True Widow - AVVOLGERE
Arctic Monkeys - Whatever People Say I Am, That's What I'm Not
Cold Cave - Cherish the Light Years
Ministry - Dark Side of the Spoon

Card of the day:


From the Grimoire: "When this card comes, go for your dreams - better than average chance something will pan out on a day ruled by this card."

Monday, July 9, 2018

2018: July 9th




I had a notice in Google to 'rediscover this day' for June 24, 2016 - two years since I saw Eagulls at the Teragram Ballroom in DTLA. That means it's just over two years since Ullages came out, so hopefully these lads have a new record in the wings. I'd like that very much. In the meantime, HERE is the Google Link to my very mediocre photos of the show (I share these merely for posterity's sake, and have never claimed to be any kind of photographer).


I finished Lauren Groff's The Monsters of Templeton over the weekend. Very good novel; first thing I'd categorize as "East Coast Lit" that I've read in a while. No genre trappings at all; nothing wrong with genre, in fact, I guess you could say that 'lit' is kind of a genre to me. The idea comes from working in a book store for five years - I read voraciously and definitely began to see a difference in what was in the Fiction/Lit section and what was in the various genre sections. And of course this isn't a blanket policy. But, you know, William S. Burroughs' Science Fiction is different from John Scalzy's. Neither is better than the other, they just come from different angles. Or, all that's shite. This is the inner workings of my own head, don't think I'm subjugating anyone else with these parameters.

Anyway, it really put me back in a lit frame of mind - I've put off reading almost anything I'd categorize that way for years, from the time I began to write heavily plotted material I considered more genre than anything. Irvine Welsh has released four or five novels in that time and although he's one of my favorite writers, I've avoided them completely. However, after Monsters fired me up again on the lit 'flavor', I broke out Norman Mailer's The Deer Park. This a novel I've had on the shelf for some time. From the first sentence I was in love; The Deer Park is kind of The Great Gatsby in the Southern California desert, a tale of the vices of 1950's Hollywood that has Fitzgerald written all over it. I love it. And I know Gatsby isn't Fitz's Hollywood novel, but there are HUGE similarities, especially, it seems, with contemplations of morality.


The playlist from 7/08/18 was a short one:

Anthrax - Sound of White Noise
Johnny Jewel - Digital Rain
Chromatics - Night Drive


Card of the day:


From the grimoire: "Can represent desire for rebirth or a new beginning." Interesting that I've started the new short I'm working on, "Please Believe Me," three times already, slightly tweaking the way I bring the reader into the world. And it's been a journey so far, a lot of subtle changes in the way I present the characters.