Holy cow, there's a new Cocksure album out! Listen to the way that synth comes in at 1:19 - old school never sounded so good!
NCBD and I am SUPER excited because the first installment of Batman: Damned hits today:
Also, I've been eager for more Seven To Eternity since it returned from hiatus last month (feels longer), so it's nice to see a new one. And what an awesome, Saga-like cover, despite the fact the book bears little resemblance to Saga; they are both awesome in very different ways.
It's going to be a good week!
Playlist from Tuesday, 9/18:
M83 - Hurry Up, We're Dreaming
Cocksure - Be Rich
Elder - Dead Roots Stirring
Tennis System - Pain EP
Jucifer - War Bird
The Atlas Moth - The Old Believer
Yob - Our Raw Heart
Card of the day:
Second iteration of this card in a row (I didn't pull yesterday). I finished Please Believe Me, however became reticent to submit it to the magazine I had planned to due to the fact that in their voluminous "What we don't want" list - which is hysterical reading - they mention anything that requires a 'vestigial belief in Judeo-Christian beliefs'. My story does not, however, the first line of the story, which is meant to be ultimately metaphorical and initially disorientating, is "It was a Thursday in September when seventy-three-year-old Heddie Larsen met the devil." I can just see an overworked slush pile operator reading that and moving no further with it. I thought about changing the line, but it would change the story, so in keeping with my draw today, I will wait and send them the results of the next journey, read: story, which I've already begun mapping out and is tentatively titled "Growth Spurt." It's the closest thing to hard Sci Fi I have written thus far. Think Primer meets Slither.
Time for some Shudder curation. I watched two movies last night. Well, one and a half. The first I LOVED. Above is the very Carpenter-esque theme from Sam Was Here, a really cool, very understated psyche-out in the California desert. Having spent a pretty good amount of time out there, I related. That wasn't the only reason I dug the film though. But to go into that, with this movie, would be venturing into spoiler territory. I'll leave it at, "Definitely recommended" and move on.
The second film I attempted to watch and gave up on was 1979's The Visitor, which is one of the 'evil child' movies that came in the wake of The Exorcist's success. This one was painstaking, despite the cast being STACKED with a young Lance Henrikson, Shelley Winters, Sam Peckinpah (yep), and John Huston. Yes, JOHN HUSTON. I have no idea if intermittent internet outages and a recent predilection for sleep at an early hour on Saturdays had anything to do with my impatience, but I could not make it through this one. I may try again at some point. Cool poster, though:
Finished The Deer Park by Norman Mailer. I ended up giving it a three-star rating based on what I interpreted was a failure of the narrative device the author uses. I've got a short review on Goodreads HERE. From there, I've moved back into a book I started earlier in July but put aside to press through the Mailer. Exploring Short Dark Fiction is a series published by Dark Moon Books, each one of the two currently available a contemplation on a highly regarded writer, with three's Primer to Nisi Shawl due out later this month and a fourth on the way before year's end. Number two is A Primer to Kaaron Warren, a highly regarded Australian author I would recommend to fans of Neil Gaimen, John Crowley and even Tim Burton. I'm a little over halfway through the stories and love them, and am looking forward to the wealth of supplemental material in the back of the book!
Playlist from Saturday, 8/03:
Justin Furstenfeld - Songs from Open Book
Windhand - Grey Garden (pre-release single)
Windhand - Grief's Infernal Flower
The Body - I Have Fought Against It, But I Can't Any Longer
True Widow - AVVOLGERE
Windhand/Satan's Satyrs - Split
And the playlist from 8/04 was all vinyl!
Black Sabbath Vol. 4
The Besnard Lakes - The Besnard Lakes are the Roaring Night
Nothing - Guilty of Everything
Joy Division - Closer
Card of the day:
From the Grimoire: "All troubles and disruptions have been necessary to grow. The growth is a Victory, as not everyone makes it out of the Strife and Chaos of the fives."
Very relevant, and the cards continue to illustrate that, as this is the second time in just over two weeks I've pulled this one. The last time was HERE, and you'll see I tie Victory's appearance into the strife of working on my latest short, Please Believe Me, which still is not finished, primarily because I've unfortunately only written twice in the last week. Never a good thing, the exhaustion inertia I've carried since last week's on-call shift has turned into regular old 'out-of-the-habit' inertia. I spent the day yesterday cleaning and reading instead of writing. NOT acceptable. The appearance of this card again creates a bit of a loop, so that I will use it to signal my return to beast mode, and today I will finish Please Believe Me, re-script the first half of the first issue of The Legend of Parish Fenn (I may post sample art soon - it's f*&king incredible!), and get a bit more done on the new idea artist extraordinaire John Grimm and I had recently.
I am kind of becoming excited for the Sandman Universe comic line, despite absolutely hating the most recent Neil Gaimen Sandman series Overture. I have to give it another try, if for no other reason than JH Williams III's absolutely mind bending art.
The penultimate edition of my Drinking, Fighting, F*&king, and Crying is up HERE. Like last week, I didn't think I'd have one for today, as I've been so busy at work and have been nearing the completion of my short "Please Believe Me", however in the midst of my strange, heat-inspired sleep deprivation, I lay down for a nap yesterday after work and found myself once again unable to drift off. After about thirty rather frustrating minutes of this, I picked up the book I'm currently reading, Norman Mailer's The Deer Park, and read for a while. Prose like this always inspires me, and it wasn't long before I was up and seated at the desk in my writing nook. I put in my headphones, cued up Trent Reznor and Atticus Ross's brilliant OST for The Social Network, and disappeared into my story for two hours. And this was the first session where I really nailed it. I mean, I'd been fretting over this story, because after several weeks of immersive work on it, I just wasn't nailing the tone I wanted. I didn't feel it coming together the way I'd felt all of the stories in A Collection of Desires come together, and as writing is a blind walk in a dark room - complete with a lot of bumping into things that smart - I was unsure if this one would ever get 'there.'
It's there.
I'm not all the way through it yet, but I'm halfway through a mostly polished piece, and hope to have it wrapped within the next few days.
Playlist from yesterday:
Kate Bush - The Dreaming
Rollins Band - The End of Silence
Jimmy Scott - Greatest Hits
Miranda Sex Garden - Fairytales of Slavery
Mastodon - Emperor of Sand
Trent Reznor and Atticus Ross - The Social Network OST
Card of the day:
Ready for some financial breakthroughs, that's for sure.
I just realized Tennis System has a new E.P. out the other day, and not long after Keller messaged me to ask if I was down to see them at a Part Time Punks show at the Echoplex next Sunday.
My response? Fuck. Yes.
Per my previous blog, we watched Triangle on Friday night. Fantastic film. I was a little worried that the thumbnail image on Shudder - which was the widespread poster image for the film - had ruined the twist of the film for me (I was so concerned about this that I doctored the thumbnail I posted here the other day, so as not to ruin it for anyone else), but the good news is that particular twist is inevitable right from the start and not at all the point of the film. So definitely worth a watch.
Oh! And speaking of Shudder, one more reason to love these folks - they surprised me with a free 30 days! How great is that? So, let's check the boxes on why Shudder is awesome (and, btw, not an affiliate):
1) They Sponsor Beyond Fest every year.
2) Great selection that grows every week
3) Hosting the Joe Bob Briggs Last Drive-in and leaving it up in perpetuity
4) Their live-streaming Shudder.TV channels are awesome and remind me of how I discovered horror back in the day (John Carpenter on WGN channel 9's nightly movie).
Playlist from Friday, 7/20
Emma Ruth Rundle - Marked for Death
Daughters - Satan in Wait (Pre-release single)
Beak> - L.A. Playback
Lake Trout - Another One Lost
Ministry - Dark Side of the Spoon
Converge - The Dusk in Us
Emma Ruth Rundle - Fever Dreams (Pre-release single)
True Widow - AVVOLGERE
Uniform - The Walk (Pre-release single)
Zeal & Ardor - Stranger Fruit
Johnny Marr - Call the Comet
I spent about twelve hours yesterday editing, uploading and post the new episode of DwC. Possibly the fastest turn-around I've done on my own, but it cost me my Saturday. I mean, I didn't do anything else, as reflected by my playlist, which was what we listened to while we made and ate dinner.
Playlist from Saturday, 7/22:
Footloose - OST
Deafheaven - Ordinary Corrupt Human Love
I watched Slither last night for the first time since my initial viewing, many years ago. Great little horror flick. Between that and Super - which I loved - I'm pretty sure James Gunn will have no trouble re-acclimating to making movies again. I'm sorry for the loss of such a huge contract and opportunity at the hands of adolescent-like immaturity, and I'm even more sorry for those MCU fans that will be subjected to GoG without Gunn at the helm, but I'm excited Mr. Gunn will once again be making movies that I will actually see.
Card of the day:
From the Grimoire: "All troubles and disruptions have been necessary to grow. That growth is a Victory, as not everyone makes it out of the strife and chaos of the fives."
The story I've been working on, "Please Believe Me" is so far outside of what I've done before, as far as character and overall tone, that my writing sessions have been strife and chaos. It can't be underreported, the feeling of sitting down during my daily ritual space for writing and coming away two or three hours later with nothing useable, or merely sketches of the tone and ideas that I want. Please Believe Me is meant to be a contemplation of Dread, which is far and away a different tone and emotion than horror, and finding the parameters of that tone inside of how I would normally write, how I would move a character or set a scene to progress, it's just not easy.
