Positive Bleeding: RIP Blackie Onassis

 

Deeply moved to hear that Blackie Onassis from Chicago's Urge Overkill passed away yesterday at the age of 57.

Ten years older than me. Damn. 

This is THE Chicago band to me, as far as those who flirted with the big time. The Jesus Lizard will always occupy the throne, but while everyone screamed their way through Smashing Pumpkins songs in the mid-to-late 90s (I did until Melancholie) Urge represented the best Chicago's indie rock scene had to offer the mainstream. They didn't compromise, and they were honest-to-goodness Rock n' Roll, two capital R's and an apostrophe. Blackie, thank you for your service.

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Watch:

It's 11:13 on Thursday, June 15. I just finished a nearly two-hour recording session with The Horror Vision for Elements of Horror: Cruising. Prior to doing the episode, I found this on youtube:

There are SO many reasons I love this film and I love William Friedkin as a filmmaker. A LOT of those reasons are discussed herein, but pay special attention to Friedkin's discussion of the impetus for making the film. Also to Randy Jurgensen, the undercover cop who lived a large part of what we see on screen. As usual with Friedkin, I'm stunned not only by his art, but all of the thinking that went into and around its creation.

 

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Read:

Just a quick observation on this week's X-Men: Red #12. Man, when did this book start to resemble Rick Remender and Jerome Opena's fantasy epic Seven to Eternity? In retrospect, even the cover looks a bit like it could be a Seven for Eternity cover:

There's A LOT I'm missing here due to the fact that I've still not read a large swathe of Hickman's run after House/Powers, primarily X of Swords. I have so little background on the Arrako characters, The White Sword, Genesis and Orrako, etc. Going to have to remedy that eventually, but in the meantime, the landscape of this really reminds me of Seven to Eternity, and I wonder if Ewing is a fan of that series.

Pondering this, I stumbled on the following interview Marvel's Ryan Penagos did recently with Hickman and Grant Morrison, discussing how the two men changed so much of the status quo so successfully.

            

Good stuff; I haven't seen an interview with Morrison in a while, good to hear his voice. 

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Playlist:

The Native Howl - Thrash Grass EP       

Mudvayne - Choices (single)

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

The Bobby Lees - Bellevue

The Sword - Warp Riders

Spotlights - Seance EP

Locrian - Return to Annihilation

Zombi - Shape Shift     

Urge Overkill - Saturation

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Card:

Keeping on with the Crowly/Harris Thoth for today's Pull:

• 4 of Swords: Truce seems a direct connection to yesterday's 7 of Swords. The Pause becomes a truce. 

• III The Empress - this card has come up a lot in conversation lately. In this instance, quoting from the Grimoire, "can point to dissipation when paired with unfortunate cards; Swords, Princes."

• 5 of Swords - The Truce will dissolve and lead to a new conflict, issue, or the like.

Not terribly encouraging, but also, isn't that life? One thing directly precedes the next. I pulled a final, clarifying card and found exactly that:

No matter what life throws at you, one journey ends, another begins.

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Control Room in The Obelisk

 

Although I've been able to spin this one a few times since the vinyl arrived about a month ago, I've not had a chance to really sit down and digest Adam Egypt Mortimer's The Obelisk. That changed a bit tonight, where I carved out a small niche of time to read the final issue of Rick Remender and Jerome Opena's Seven to Eternity.

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NCBD:

Pretty mellow week this week, which is how I think it's going to go from now on. Lots of series ending or me jumping off. Here's what's on tap for today:

I'm not 100% on this one, but it's a one-shot and kinda hard to pass up a book on Bouchh, especially when you read the solicitation and realize the armor Lea wore in Jedi came from a pre-existing Bounty Hunter.  Which, of course, makes me ask what was their story? This, apparently, is just that.

This book is a staple of my monthly reading. Love the story, love the art.

The first issue sold me. 

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Watch:

 

I never got around to reading anything past the first trade of this series, and that was a looooong time ago. Since then, and through series like Saga and Paper Girls, I've very much become a Brian K. Vaughn fan. After watching the first episode of the new FX show on Hulu (they dropped three this week, I only had time for one), I'm definitely going to give the show a chance.

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Playlist:

The Plimsouls - Everywhere At Once

Windhand - Grief's Infernal Flower

Perturbator - Lustful Sacraments

X - Under the Big Black Sun

High on Fire - Snakes For The Divine

Jerry Cantrell - Brighten (pre-release singles)

The Marias - Superclean, Vol. II EP

Adam Egypt Mortimer - The Obelisk

Bohren and Der Club of Gore - Sunset Mission

 

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Card:

Lots of fortification against encroaching neuroses. Time to find my inner Lion (or cat).

Crash into Eternity

 

I was super happy to finally get a copy of Criterion's recently released Blu Ray for David Cronenberg's Crash. Not only has the film become my second favorite Cronenberg just in the two years since I first saw it at 2018's Beyondfest Cronenberg retrospective, but Howard Shore's score is probably my favorite of his music for Cronenberg's films. Here's the title theme, some of the sickest guitar I have ever heard. 

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Watch:

 

I guess I won't be getting rid of my Disney + sub any time soon... Wow. Just wow. The mind reels at what we could get from a What If? series down the road. Some of my favorites from the comic series - which I didn't buy regularly but always picked up if one of the 'What If' scenarios spoke to my particular Marvel series proclivities:

We're not really in a position with the MCU to see this kind of stuff happen, but then again, who is to say that the What If? show will only stick to variations of what the MCU has done so far?

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Read:

In preparation of the upcoming final issue of Rick Remender and Jerome Opena's Seven to Eternity, I've just completed a re-read of the series to date. Next? The final issue of Gideon Falls lands this Wednesday, and as such, I have begun to work my way back through that series. 

Creepy AF, and featuring some of my favorite art EVER, I'm super psyched to be taking this trip again just in time for the end of the story.

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Playlist:

Joseph Deluca - Evil Dead 2

Deafheaven - New Bermuda

Michael Kiwanuka - KIWANUKA

Mrs. Piss - Self-Surgery

Radiohead - Kid A

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Phoebe Bridgers - Punisher

Meg Myers - Sorry

Emma Ruth Rundle and Thou - Hollywood (pre-release single)

La Hell Gang - Thru Me Again

Howard Shore - Crash OST

Cynic - Kindly Bent to Free us

The Plimsouls - Everywhere at Once

Greg Puciato - Child Soldier: Creator of God

Michael Kiwanuka - KIWANUKA

Zeal and Ardor - Wake of a Nation EP

Allegaeon - Apoptosis

Loathe - I Let It in and It Took Everything

Deafheaven - 10 Years Gone

 

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Card:

8 of Wands - Swiftness. Eights always move on from the stoic, sturdy Netzach (7s) to a transient moment of swift action and/or decisiveness.

Time to switch gears again. My beta reader has finished Murder Virus, I have all her suggestions and edits logged and, mostly, completed. Now I need to pursue the cover art I want and get this fucker ready to publish by the end of January.

2019: February 20th

Currently in love with Louisville, KY band Jaye Jayle's 2018 record No Trail and Other Unholy Paths. This was produced by David Lynch's long-time music supervisor/collaborator Dean Hurley, and pretty much blew me away from first spin. Think Mark Lanegan/PJ Harvey vibe, but with some dirgey Doom goodness thrown into the mix, I can't wait to go through the band's back catalogue, available on their bandcamp HERE.

Jaye Jayle's music - or at least on this album - totally fits in with my visual life at the moment, because tonight K and I are scheduled to finish Season 3 of Deadwood. I've watched the series before, although I haven't seen Season 3 but the one time, back in the aughts. This viewing has kind of been like seeing it for the first time again. I'm amazed at the pot boiler the show is building out of the Hearst/Swearengen-Bullock skirmish, and I can't wait to finish this out and then keep my fingers crossed 24/7 that the movie we have now actually seen pictures of in EW really does come to pass. Seems impossible at this point that it wouldn't, but you never know...

NCBD: Not a whole lot today, but a new issue of Seven to Eternity is always a reason to celebrate, and D.J. Kirkbride's Errand Boys comes to a rip-snortin' finish with issue #5!

Playlist from 2/19:

Pink Floyd - Works
Young Widows - Old Wounds
Jaye Jayle - No Trail and Other Unholy Paths
Alice in Chains - Rainier Fog
Algiers - Eponymous
The Body - I Have Fought Against It, But I
Chris Connelly - Artificial Madness
Beck - Odelay

No card today.

2018: September 19th - New Cocksure Album!

Holy cow, there's a new Cocksure album out! Listen to the way that synth comes in at 1:19 - old school never sounded so good!

NCBD and I am SUPER excited because the first installment of Batman: Damned hits today:

Also, I've been eager for more Seven To Eternity since it returned from hiatus last month (feels longer), so it's nice to see a new one. And what an awesome, Saga-like cover, despite the fact the book bears little resemblance to Saga; they are both awesome in very different ways.

It's going to be a good week!

Playlist from Tuesday, 9/18:

M83 - Hurry Up, We're Dreaming
Cocksure - Be Rich
Elder - Dead Roots Stirring
Tennis System - Pain EP
Jucifer - War Bird
The Atlas Moth - The Old Believer
Yob - Our Raw Heart

Card of the day:

Second iteration of this card in a row (I didn't pull yesterday). I finished Please Believe Me, however became reticent to submit it to the magazine I had planned to due to the fact that in their voluminous "What we don't want" list - which is hysterical reading - they mention anything that requires a 'vestigial belief in Judeo-Christian beliefs'. My story does not, however, the first line of the story, which is meant to be ultimately metaphorical and initially disorientating, is "It was a Thursday in September when seventy-three-year-old Heddie Larsen met the devil." I can just see an overworked slush pile operator reading that and moving no further with it. I thought about changing the line, but it would change the story, so in keeping with my draw today, I will wait and send them the results of the next journey, read: story, which I've already begun mapping out and is tentatively titled "Growth Spurt." It's the closest thing to hard Sci Fi I have written thus far. Think Primer meets Slither.

2018: August 1st

Another fantastic Airiel song that the boys played Sunday at the Echoplex. Yes, I'm still living off the energy from the show - I'm waking up with Tennis System as I type this.


NCBD: The return of Rick Remender and Jerome Opena's Seven to Eternity!!!

Playlist from yesterday:

Algiers - The Underside of Power
Airiel - Winks & Kisses: Melted EP
Airiel - Molten Young Lovers
Deafheaven - Ordinary Corrupt Human Love
Ministry - Dark Side of the Spoon
The Go Go's - Vacation

Also, broke back into the Shockwaves Horror Podcast and I am certifiably sold on it now. Episode 104 has an interview with Paul Tremblay, whose 2015 novel A Head Full of Ghosts should be on every Horror Hound's reading list. Best take on a possession story in ages. And... in discussing his literary peers, Mr. Tremblay mentions that one of my favorite recent novellas, Nathan Ballingrud's The Visible Filth, just wrapped filming with Babak Anvari at the helm, the release date slated for March, 2019. I could not be more excited for that!

Card of the Day:

Can indicate Occult Study. Interesting, as I've just begun a re-read on Grant Morrison and Chris Burnham's Nameless, and long-time readers here will remember I got into a little bit of trouble doing occult research/annotations for that series back when it came out.