Showing posts with label Psycho Killer. Show all posts
Showing posts with label Psycho Killer. Show all posts

Friday, July 3, 2026

New Music from Low Cut Connie!!!

 
New Low Cut Connie, out today! Buy HERE.
 


Watch:

Happy July 3rd, everyone! Also known as Return of the Living Dead day!


I'll be watching this tonight in celebration and jamming the vinyl soundtrack while I type this.

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In other viewing news, I rewatched Gavin Polone and Andrew Kevin Walker's much-maligned Psycho Killer the other night. I love this flick; no, it's no SE7EN, but holding it up against that film is like holding everything Shamalamadingdong does against Sixth Sense.  

I do think I figured out the elements that caused many in the Horror community to lambast this film.

    1) The egregious-as-hell scene with the tank semi that flips onto its side, takes out the fleeing female and then explodes. It's fun, but it's a bit much for a film that otherwise holds itself in a dead serious repose.
    2) The pregnancy subplot. Not needed AT ALL. 

Other than that, man, this one swings so fucking big and, I think, hits it out of the park with such an ambitious third act. Georgina Campbell is always fantastic, and James Preston Rogers is the stuff of nightmares. Oh yeah, Malcolm McDowell is fabulous as a sort of modern Aleister Crowley/Anton Lavey stand-in.




Read:

I am just now, three months into the publication run, getting to read the unearthed and completed finale to Rick Veitch and Michael Zulli's Swamp Thing run from 1988/1989, published nearly 40 years later as Swamp Thing: 1989.

Original proposed Michael Zulli cover for issue #88

Cover to the recently released issue #88

Full disclosure: while I've been aware of the Veitch/Zulli run since I read the Moore run that Mr. Veitch penciled some of back in the early 00s, I've never sought it out and, in fact, I don't think I knew that Veitch walked away due to censorship by then newly combined Time/Warner entity that owned DC Comics, or that those issues never saw the light of day and, in some cases, went unfinished. This reminds me more than a little of that Warren Ellis Hellblazer issue with the school shooting that finally came out back, oh hell, a long time ago now. 

So why was DC so worried about Swamp Thing meeting a certain historic carpenter in 1989? Five words for you:

The. Last. Temptation. Of. Christ.

Here's Paul Schrader, who wrote the screenplay adapting Nikos Kazantzakis' novel, talking about the blasphemous aspect of the story:

   

The effect the film had on Swamp Thing is the big takeaway I have after reading Stephen Bissette's afterward in  Swamp Thing 1989 issue 88, and it makes a ton of sense, even if it is still deplorable. I was thirteen in 1989, but I remember the nightly news hullabaloo surrounding Martin Scorsese's film featuring Willem Dafoe as Jesus, Harvey Keitel as Judas Iscariot and David Bowie as Pontius Pilate. I wouldn't see the film until the early 00s, but I remember that people did not like the way Christ was portrayed, so while absolutely nothing blasphemous occurs in Veitch/Zulli's comic, no corporation was going to publish a comic with the cover above so soon after Scorsese's film.

So what did DC publish instead of the original Swamp Thing issue 88? Well, it's a bit confusing, but apparently Veitch/Zulli's issues 88-91 were shelved and never finished and instead, Doug Wheeler and John Totleben stepped in and continued the course of events that had played out through the early issues of Veitch's run, where Swampy is lost in time. Wheeler's 88 deviates by omitting the Elemental's meeting with Christ, which, again, really only treated the Christ man with the utmost respect.  

Funny that, as far as we've come to see this finally published, they still did not use that original Zulli cover. 




Playlist:

Melvins/Helms Alee - Controlling Data for a Better Feeling Future
Boards of Canada - Tomorrow's Harvest
Dean Hurley - Anthology Resource Vol. 2: Philosophy of Beyond
sunn O))) - Loser
3Teeth - EndEx
The Dillinger Escape Plan & Mike Patton - Irony is a Dead Scene
The Dillinger Escape Plan - Dissociation
Spotlights - Love & Decay




Card:


From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.


• Two of Swords
• Page of Wands
• Queen of Cups

Friday, February 20, 2026

Tossing Coins Into The Fountain Of F*ck!


I'm late on the game with this one, but I got the tip-off last week when Heaven is an Incubator posted about the new edition of last year's Melvins/Napalm Death collaboration, Savage Imperial Death March, originally released on Amphetamine Reptile. First track off this full-length aural beating has an amazing title and a bludgeoning sound, so I am in! Pre-order from Ipecac Records for an April 10th release HERE.




Watch:

Last night, I went to a double feature of two movies I knew absolutely nothing about. First up, This is Not a Test:


I was stoked to see Adam MacDonald's name come up as Writer/Director/Producer on this one! Takes place in 1998, doesn't reinvent the wheel, but has solid performances and is deeply unsettling. 

This is Not a Test is built around Olivia Holt's performance as Sloan, and she anchors the film. Cinematographer Christian Bielz - who previously worked with MacDonald on the film Backcountry - employs a handheld, shaky-cam technique that gives the film a gorilla feel, which definitely makes it feel more real. This realistic approach augments the chaos we get hit with from the opening scenes, which establish Sloane's relationship with abusive father. Because of this, we never get an established 'normal' for Sloane or the film's world through her. 

Also, composer Lee Malia (Pyewacket and Out Come the Wolves) hits a sweet spot with drone, itch-you-can't-scratch background, and a little bit of what I'd call a Steve Moore flourish. This also adds to the film's overall unnerving feeling.

Next, Psycho Killer:


Having seen Cold Storge last week, then watched Barbarian again over the weekend, I LOVE that Georgina Campbell is having a moment this year with two back-to-back films. And this... wow. Talk about go big or go home - a saying I don't particularly care for, but it's appropriate. I just couldn't believe how big this one swings and lands. There's a harty comparison here to films like Random Acts of Violence and Son, but Psycho Killer has a grand design that you just won't believe until you see it. 




Read:

In researching the middle section of Shadow Play Book 2, I realized I knew very little about the canonical five victims of Jack the Ripper.


One thing I wanted to be certain about was the Polly Nichols, Annie Chapman, Elisabeth Stride, Kate Eddowes and Mary Jane Kelly's lives, as they've become something of minor characters in the second act of the book. All five women are generally dismissed as prostitutes; however, that is not a proven fact, but rather an assumption very much in keeping with the misogynistic paradigm of Victorian society. Hallie Rubenhold's book is a mesmerizing and in-depth look at all five women, from birth through to their murders. 



Playlist:

Mountain Realm - Stoneharrow
Wintersun - Beyond the Dark Sun (single)
The Mountain Goats - Bleed Out
Metallica - Master of Puppets
Me and That Man - New Man, New Songs, Same Shit, Vol. 1 
Faster Pussycat - Wake Me When It's Over
Gogol Bordello - We Mean It, Man!
Godspeed You! Black Emperor - Slow Riot for New Zero Kanada
Godspeed You! Black Emperor - F♯ A♯ ∞ 
Chris Connelly - Largo 22
Psychetect - Extremism
Silversun Pickups - Tenterhooks
sunn O))) - Metta, Benelvolence BBC6 LIVE: At the Invitation of Mary Anne Hobbs
3TEETH - EndEx




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Queen of Pentacles
• Two of Swords
• XX: Judgement

Fostering a partnership or collaboration can lead to solidified power.

Very interesting. This is extremely timely and has prompted me to do some research. I'll try and explain a bit more later on.