Showing posts with label Sasha Rainbow. Show all posts
Showing posts with label Sasha Rainbow. Show all posts

Tuesday, January 28, 2025

David Bowie/NIN Hurt

 

Full disclosure. While I am a NIN fan, I've never really been a fan of The Downward Spiral. That's unbelievable to some, and honestly, it's not for the best of reasons. Thanks to a friend's older brother, I found Pretty Hate Machine six months to a year before the Broken E.P. came out, and it was just such a different sound than anything I'd heard before that I was immediately obsessed. Broken's switch to guitar-driven industrial metal confused me, but the band still felt fresh and like it was "mine."

When "Closer" hit the radio two years later and suddenly every jock and cheerleader in school became a super fan, I got salty. Because of this, it took me years to ever give The Downward Spiral a fair listen. Cunty, but what can I say? Seeing a Geo Tracker full of football players ahead of me in a Taco Bell drive-through one Saturday night in 1994, "Closer" blaring while one 'round-the-waste flannelled Quarterback jumped up and down and screaming, "Nails, man! Nail!" just put me off.

After eventually going back later in life to try and reassess, I still found I didn't care too much about TDS. When David Lynch talked lovingly about the album in the March 6th, 1997 issue of Rolling Stone (dedicated to Lost Highway), I tried again. 

Nothing (pun intended).


Eventually, I've come around to some of the record. However, both The Downward Spiral and its follow-up, The Fragile, are albums I never feel moved to listen to, and arguably the most famous song off TDS, "Hurt," has always been a particularly sore spot for me. "Hurt" sounds like a cheaper version of "Something I Can Never Have," still a masterpiece in my mind. "Hurt" has always struck me as egregiously sad, with the lyrics often evoking a one-upmanship technique. Sort of a proto-emo Madlib exercise, if you will. I'm not saying I'm right - I realize I am almost definitely wrong; that my bias stems from very much the wrong place; my high school, elitist "I liked that band first" mindset is bullshit. However, I feel how I feel. I continue to try, but nothing really moves the needle.

Until now. 

Over the weekend in Chicago, I stopped in a record store and found this in the Bowie section.


I've had a hard time establishing what exactly this performance was. The cover says, "Live Radio Broadcast," however, from the little bit I've seen online, this appears to be a soundboard recording taken from a full live set of the '95 tour, where Bowie and NIN each do a set and overlap on several songs. The thing here is it sounds to me like, on "Hurt" for example, it's Bowie's band doing the song and Trent joining them (which seems to be backed up by the video I posted above). Maybe because of this, I LOVE this version of "Hurt." I mean LOVE. The track listing is spectacular, with the older Bowie songs being reworked with the Outside era's aesthetic; in particular, this makes "Look Back in Anger" and "The Man Who Sold the World" very interesting. 

SIDE A:
Hello Spaceboy
Scary Monsters
Look Back in Anger
Wish (NIN)
AndyWarhol

SIDE B:
The Man Who Sold the World
Hurt
Terrible Lie
March of the Pigs
Closer

A word on the track order. Being a bootleg, I'm not sure if the compiler mixed in NIN's performance of "Wish" with an otherwise Bowie-centric side to further give the illusion of a completely unified performance; that was certainly my excited read upon first seeing this in the shop. Either way, I'm super psyched to have this and have already listened to it a number of times since returning home from my weekend in Chicago last night.



Watch:

Sasha Rainbow's Grafted is now on Shudder and, oh man, I cannot recommend this one enough!


I'm already thinking of this as 'this year's The Substance.' Although it's not quite as cinematically bombastic as Coralie Fargeat's film, Grafted is a super fun, super gorey Body Horror Film with a weirdo score by Lachlan Anderson and an outstanding visual aesthetic that visually works the film's metaphors into color palette, setting and design.




Playlist:

Talking Heads - Remain in Light
JD McPherson - Nite Owls
Miranda Sex Garden - Velvetine single
L.A. Witch - Eponymous
Crime Weekly - Rey Rivera (part 1)
Bandsplain - Talking Heads (part 1)
Nick Lowe & Los Straitjackets - Indoor Safari
Talking Heads - More Songs About Buildings and Food
The Cactus Blossoms - Every Time I Think About You
David Bowie - Outside
NIN - Not The Actual Events
The Jesus Lizard - Westside (single)
Bandsplain - Talking Heads (part 2)
Anthrax - I'm the Man EP
Testament - Demonic Refusal (single)
Vanessa Williams - Dreamin' (single)
David Bowie & NIN - Back in Anger 
Deafheaven - Magnolia (single)
Deafheaven - Black Brick (single)
Deafheaven - Roads to Judah
David Bowie - Scary Monsters (and Super Freaks)




Friday, December 20, 2024

Desecration of Souls!

 

Working on a short story on Nosleep that has a very "Satanic Panic" vibe, so allow me to perpetuate that mood with some classic Mercyful Fate!

The first chapter of I Found Evidence My Parents Were Members of a Satanic Cult is up HERE. Check it out and throw up the horns when King belts out those infamous lines:

Copulation in the night 
Two shadows upon a grave 
Screams of pleasure, 
Screams of pain 
Young lovers you must be insane 
It's desecration of souls 
In their holy lair 
So I say again stay away 
It's desecration of souls

No on-the-grave fuckin' in my story (yet), but this definitely helps offset the otherwise all-encompassing Christmas vibe as we celebrate the holiday early this Saturday.



Watch:

I had not heard of Grafted or Co-writer/Director Sasha Rainbow before Bloody Disgusting posted about it yesterday, but without even watching this trailer, I am in!


It's no secret that Body Horror was already on the rise as a subgenre when Coralie Fargeat's The Substance blew everyone's doors off earlier this year; will it go the route of the Zombie and Possession themes and proliferate to an unsustainable level? Hopefully not, but if that happens, it's still a ways down the road. Until then, let's sit back and watch through our fingers as filmmakers bring us 




Playlist:

Pixies - Doolittle
Pixies - Surfer Rosa
Grandy Ducy - Petite Fours
Nothing - Guilty of Everything
Circle Jerks - Group Sex
Suicidal Tendencies - Eponymous
Genevieve Artadi - Forever Forever
Zeal & Ardor - GREIF
Deafheaven - New Bermuda
Chelsea Wolfe - Hiss Spun
Type O Negative - Bloody Kisses (Suspended in Dusk Version)
Deftones - Koi No Yokan
Deftones - Ohms