Showing posts with label Coralie Fargeat. Show all posts
Showing posts with label Coralie Fargeat. Show all posts

Tuesday, January 28, 2025

David Bowie/NIN Hurt

 

Full disclosure. While I am a NIN fan, I've never really been a fan of The Downward Spiral. That's unbelievable to some, and honestly, it's not for the best of reasons. Thanks to a friend's older brother, I found Pretty Hate Machine six months to a year before the Broken E.P. came out, and it was just such a different sound than anything I'd heard before that I was immediately obsessed. Broken's switch to guitar-driven industrial metal confused me, but the band still felt fresh and like it was "mine."

When "Closer" hit the radio two years later and suddenly every jock and cheerleader in school became a super fan, I got salty. Because of this, it took me years to ever give The Downward Spiral a fair listen. Cunty, but what can I say? Seeing a Geo Tracker full of football players ahead of me in a Taco Bell drive-through one Saturday night in 1994, "Closer" blaring while one 'round-the-waste flannelled Quarterback jumped up and down and screaming, "Nails, man! Nail!" just put me off.

After eventually going back later in life to try and reassess, I still found I didn't care too much about TDS. When David Lynch talked lovingly about the album in the March 6th, 1997 issue of Rolling Stone (dedicated to Lost Highway), I tried again. 

Nothing (pun intended).


Eventually, I've come around to some of the record. However, both The Downward Spiral and its follow-up, The Fragile, are albums I never feel moved to listen to, and arguably the most famous song off TDS, "Hurt," has always been a particularly sore spot for me. "Hurt" sounds like a cheaper version of "Something I Can Never Have," still a masterpiece in my mind. "Hurt" has always struck me as egregiously sad, with the lyrics often evoking a one-upmanship technique. Sort of a proto-emo Madlib exercise, if you will. I'm not saying I'm right - I realize I am almost definitely wrong; that my bias stems from very much the wrong place; my high school, elitist "I liked that band first" mindset is bullshit. However, I feel how I feel. I continue to try, but nothing really moves the needle.

Until now. 

Over the weekend in Chicago, I stopped in a record store and found this in the Bowie section.


I've had a hard time establishing what exactly this performance was. The cover says, "Live Radio Broadcast," however, from the little bit I've seen online, this appears to be a soundboard recording taken from a full live set of the '95 tour, where Bowie and NIN each do a set and overlap on several songs. The thing here is it sounds to me like, on "Hurt" for example, it's Bowie's band doing the song and Trent joining them (which seems to be backed up by the video I posted above). Maybe because of this, I LOVE this version of "Hurt." I mean LOVE. The track listing is spectacular, with the older Bowie songs being reworked with the Outside era's aesthetic; in particular, this makes "Look Back in Anger" and "The Man Who Sold the World" very interesting. 

SIDE A:
Hello Spaceboy
Scary Monsters
Look Back in Anger
Wish (NIN)
AndyWarhol

SIDE B:
The Man Who Sold the World
Hurt
Terrible Lie
March of the Pigs
Closer

A word on the track order. Being a bootleg, I'm not sure if the compiler mixed in NIN's performance of "Wish" with an otherwise Bowie-centric side to further give the illusion of a completely unified performance; that was certainly my excited read upon first seeing this in the shop. Either way, I'm super psyched to have this and have already listened to it a number of times since returning home from my weekend in Chicago last night.



Watch:

Sasha Rainbow's Grafted is now on Shudder and, oh man, I cannot recommend this one enough!


I'm already thinking of this as 'this year's The Substance.' Although it's not quite as cinematically bombastic as Coralie Fargeat's film, Grafted is a super fun, super gorey Body Horror Film with a weirdo score by Lachlan Anderson and an outstanding visual aesthetic that visually works the film's metaphors into color palette, setting and design.




Playlist:

Talking Heads - Remain in Light
JD McPherson - Nite Owls
Miranda Sex Garden - Velvetine single
L.A. Witch - Eponymous
Crime Weekly - Rey Rivera (part 1)
Bandsplain - Talking Heads (part 1)
Nick Lowe & Los Straitjackets - Indoor Safari
Talking Heads - More Songs About Buildings and Food
The Cactus Blossoms - Every Time I Think About You
David Bowie - Outside
NIN - Not The Actual Events
The Jesus Lizard - Westside (single)
Bandsplain - Talking Heads (part 2)
Anthrax - I'm the Man EP
Testament - Demonic Refusal (single)
Vanessa Williams - Dreamin' (single)
David Bowie & NIN - Back in Anger 
Deafheaven - Magnolia (single)
Deafheaven - Black Brick (single)
Deafheaven - Roads to Judah
David Bowie - Scary Monsters (and Super Freaks)




Friday, December 20, 2024

Desecration of Souls!

 

Working on a short story on Nosleep that has a very "Satanic Panic" vibe, so allow me to perpetuate that mood with some classic Mercyful Fate!

The first chapter of I Found Evidence My Parents Were Members of a Satanic Cult is up HERE. Check it out and throw up the horns when King belts out those infamous lines:

Copulation in the night 
Two shadows upon a grave 
Screams of pleasure, 
Screams of pain 
Young lovers you must be insane 
It's desecration of souls 
In their holy lair 
So I say again stay away 
It's desecration of souls

No on-the-grave fuckin' in my story (yet), but this definitely helps offset the otherwise all-encompassing Christmas vibe as we celebrate the holiday early this Saturday.



Watch:

I had not heard of Grafted or Co-writer/Director Sasha Rainbow before Bloody Disgusting posted about it yesterday, but without even watching this trailer, I am in!


It's no secret that Body Horror was already on the rise as a subgenre when Coralie Fargeat's The Substance blew everyone's doors off earlier this year; will it go the route of the Zombie and Possession themes and proliferate to an unsustainable level? Hopefully not, but if that happens, it's still a ways down the road. Until then, let's sit back and watch through our fingers as filmmakers bring us 




Playlist:

Pixies - Doolittle
Pixies - Surfer Rosa
Grandy Ducy - Petite Fours
Nothing - Guilty of Everything
Circle Jerks - Group Sex
Suicidal Tendencies - Eponymous
Genevieve Artadi - Forever Forever
Zeal & Ardor - GREIF
Deafheaven - New Bermuda
Chelsea Wolfe - Hiss Spun
Type O Negative - Bloody Kisses (Suspended in Dusk Version)
Deftones - Koi No Yokan
Deftones - Ohms




Friday, September 27, 2024

The Mystery Lights - Cerebral Crack


Another fantastic find courtesy of Mr. Brown. I love this record! It reminds me a bit of The Monks' Black Monk Time, a bit of The Black Lips, and a bit of a general "Nuggets" era garage band or bands I can't quite put my finger on. Order the new album Purgatory directly from the band's Bandcamp HERE, from Daptone's new Rock subsidiary Wick Records HERE.




Watch:

Last night, K and I went to the theatre to see the new E.L. Katz/Simon Barrett film Azrael. Solid Post- Apocalyptic Survival flick. It's also part of what I've come to think of as the "Subtraction Apocalypse" subgenre - you take an apocalyptic event and then remove a sense from the survivors. Josh Malerman's Birdbox takes sight, A Quiet Place takes sound, Azrael has its own spin.


If you're even remotely interested in seeing Azrael in the theatre, do so soon - this one is definitely not going to last past next Thursday on the big box screens. That said, it's another Shudder/IFC collaboration, so it should be on Shudder in 2-3 months.

Also, Coralie Fargeat's Reality+ short film was the subject of a recent article on Bloody Disgusting (read the article HERE), and while I haven't had a chance to watch it yet, I wanted to leave it here as a placeholder. 


I haven't found a Director whose work has grabbed me like this in a very long time.




Playlist:

Bauhaus - In the Flat Field
Ministry - The Mind Is A Terrible Thing to Taste
White Zombie - Astro Creep 2000
The Damned - A Night of A Thousand Vampires
Joy Division - Still
Type O Negative - Dead Again
The Mystery Lights - Purgatory
METZ - Up On Gravity Hill




Friday, September 20, 2024

New Music from Mogwai!


The legendary Mary Anne Hobbs premiered a new track by Mogwai a couple of days ago, and now here's the video! No word on a new album yet, but smart money says it's coming, as the band also announcned a 2025 world tour, details of which are HERE.
 


Watch:

K and I went to see Coralie Fargeat's new film The Substance last night. Pretty sure I will not see a better film for the remainder of the year; Robert Eggers has Nosferatu coming, but The Substance is just... see it on a big screen, that's all I can say.

 

The term "Batshit crazy" gets thrown around a lot - hell, I do a fair share of the throwing myself - but once in a great while, a film comes along that reminds me I really had forgotten what Batshit Crazy is. This is that film. I cannot believe I saw this in a big box theatre in Middle America. The Substance is absolutely INSANE. It almost wears out its welcome, then doubles down on the crazy and just... it feels like the most Body Horror movie I may have ever seen. And I don't offer that lightly.




Read:

Sweet little comic shop pickup I wasn't expecting the other day; shout out to Ryan and Rick's Comic City for pulling this aside when they got it in, presumably from someone selling some old comics:


Published by Arrow Comics in 1986, this was a fascinating read. Not nearly as intricate as Robert Kirkman's The Walking Dead, this is totally outsider art from before Zombies had become mainstream. A group of survivors make their way through a world not only overrun with Zombies but intelligent zombies. There appears to be a classification here, with the intelligent Dead few and far between but able to manipulate or control the hordes of shambling dead. Very cool concept and execution, a nice piece of the 80s Black and White Explosion's history I'd missed until now. 




Playlist:

The Jesus Lizard - Rack
Kaiser Chiefs - Employment
Ritual Howls - Rendered Armor
Deth Crux - Mutant Flesh
Bauhaus - Volume One: 1979 - 1983
Type O Negative - Life Is Killing Me
Type O Negative - October Rust
The Damned - A Night of a Thousand Vampires
White Hex - Gold Nights




Monday, September 2, 2024

Better Lovers!

 

From the forthcoming album Highly Irresponsible, out on October 25th on SharpTone Records. Pre-order HERE.
 


Watch:

Never been a Demi Moore fan, but maybe anybody can redeem themselves with the right Body Horror movie.


This trailer definitely evokes the work of Brandon Cronenberg and also, Ana Lily Amirpour's episode of GDT's Cabinet of Curiosities, titled The Outside. Hell, maybe even a bit of Larry Cohen's The Stuff.  Writer/Director Coralie Fargeat's previous film Revenge crossed way too many lines for me, but I loved the look of what little I saw of it. Very much looking forward to seeing The Substance on the big screen when it opens on September 18th.




Read:

I finished Professor John Trafton's BRILLIANT Movie-Made Los Angeles last week, and after such an academic deep-dive into film and regional history - that I really can't recommend enough - I started Ramon Glazov's newly published English translation of Giorgio De Maria's 1975 novel The Twenty Days of Turin.  


I posted about this early last week, how I hadn't been able to stop thinking about what little I knew about the premise via a post author Warren Ellis made on his LTD:

"A decade previously, Turin suffered twenty days of mass insomnia marked by nightly massacres committed by persons unseen or indescribable. The many hundreds of witnesses cannot explain what happened."

 Something about this rattled around in my brain for several days until I finished John's book and promptly ordered a copy of De Maria's novel. Something about that setup reminded me of Carlos Ruiz Zafón's The Shadow of the Wind, and my expectations only grew. 

I received the book yesterday, and at ~65% of the way through, I can confirm The Twenty Days of Turin is a fantastically creepy read. What's more, not only does it remind me of Zafón's work, but reading this is stirring up a desire to re-read Clive Barker's The Great and Secret Show for the first time since I was a Freshman in High School, circa 1991. Both novels deal with secrets gleaned from the throwaway detritus of life - notes, scraps of paper, mail. I've always found the idea fascinating, and realize now there's a throughline between where it was introduced to me with Barker's opus, picked up later (in a manner of speaking) by Zafón's Cemetery of Forgotten Books series, and now reintroduced to me with De Maria's novel. I'm curious if there are more ideas like this out there, and if so, how I might find them.




Playlist:

Feel the Knife - So Raw... So Nasty... So Hideous.
Godspeed You! Black Emperor - Grey Rubble - Green Shoots (pre-release single)
Perturbator - Lustful Sacraments
Frank Black - Teenager of the Year
Nature Sounds - Pure Nature (Track 7: Bird Calls)
Revocation - Fathomless Catacombs (single)
Braindamage - The Downfall
Perturbator - Bloodlust (single)
Perturbator - The Uncanny Valley (Expansion)
L'Enfant De La Forêt - ABRAXAS
Gang of Four - Return the Gift Part 1




Card:

Going to change the way I do this for a while. I'm feeling a bit rusty and disconnected from the cards, so I'm going to take 72 days and go through every card, in whatever order I draw them in, and explore them here. First up - XV: The Devil:


Bringing knowledge. "Bringing light into darkness" - the Lightbringer, as one of Lucifer's many names suggests. This card, like IX, warns against following dogmatic answers laid out by other people's spiritual systems. Worship thine self!!!