The legendary Mary Anne Hobbs premiered a new track by Mogwai a couple of days ago, and now here's the video! No word on a new album yet, but smart money says it's coming, as the band also announcned a 2025 world tour, details of which are HERE.
Watch:
K and I went to see Coralie Fargeat's new film The Substance last night. Pretty sure I will not see a better film for the remainder of the year; Robert Eggers has Nosferatu coming, but The Substance is just... see it on a big screen, that's all I can say.
The term "Batshit crazy" gets thrown around a lot - hell, I do a fair share of the throwing myself - but once in a great while, a film comes along that reminds me I really had forgotten what Batshit Crazy is. This is that film. I cannot believe I saw this in a big box theatre in Middle America. The Substance is absolutely INSANE. It almost wears out its welcome, then doubles down on the crazy and just... it feels like the most Body Horror movie I may have ever seen. And I don't offer that lightly.
Read:
Sweet little comic shop pickup I wasn't expecting the other day; shout out to Ryan and Rick's Comic City for pulling this aside when they got it in, presumably from someone selling some old comics:
Published by Arrow Comics in 1986, this was a fascinating read. Not nearly as intricate as Robert Kirkman's The Walking Dead, this is totally outsider art from before Zombies had become mainstream. A group of survivors make their way through a world not only overrun with Zombies but intelligent zombies. There appears to be a classification here, with the intelligent Dead few and far between but able to manipulate or control the hordes of shambling dead. Very cool concept and execution, a nice piece of the 80s Black and White Explosion's history I'd missed until now.
New Mogwai! From the forthcoming album As The Love Continues, out February 13th. Pre-order HERE.
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Last night, K and I finished watching the Night Stalker documentary that dropped this week on Netflix. Serial killer stuff is normally outside of my comfort zone, however, after moving to LA in 2006 and hearing a good friend talk about what it was like to grow up here as Richard Ramirez held the city hostage for the better part of a year has proved motivation for a fascination that overcomes my squeamish nature when it comes to this type of thing. That, combined with the fact that once you start watching this series and see that director Tiller Russell places the two Police Detectives who hunted Ramirez as the main characters, this was a great documentary that didn't leave me feeling dirty.
As much as I love AHS 1984, I still have issues with the fact that they made Ramirez a character I ended up rooting for (to a degree).
While flipping around Bloody Disgusting earlier I saw they finally released a trailer for Christopher Smith's The Banishing. I'm very much looking forward to seeing this one on Shudder in March, just a couple of days after my forty-fifth birthday no less.
Playlist:
The Smashing Pumpkins - Siamese Dream
Michael Kiwanuka - KIWANUKA
David Bowie - Reality
Mogwai - As the Love Continues (pre-release singles)
Mogwai - Hardcore Will Never Die, But You Will
Loathe - I Let It In and It Took Everything
Card:
Another signifier for the end of my current project, which will lead to the publication of my next book.
I received the cover art this week from Jonathan Grimm - it's BAD ASS! I can't wait to share it.
No, not from Hoyt Axton for an early Christmas present, but from the awesome Scottish band! Via Brooklyn Vegan who has the new album's full track list and other essentials right HERE!
Here's another band I've only just discovered and basically know nothing about. Silian Rail is named after the business card Patrick Bateman uses to impress his "friends" - only to then be outdone by ah... it's been awhile, I forget. Paul Allen?
Anyway, you can imagine me googling Silian Rail and not only finding the bandcamp I was hoping for after hearing a song by the group on KXLU 88.9's Morning Cup of Tommy but that it's also a reference to one of my favorite books.
Silian Rail has a definite "post-rock" vibe. I hear shades of Daemien Frost - one of my all time favorite bands - but also a touch of the Mogwai, and a whole lot of their own personal touch. Really digging this band and if you like what you hear follow the link above to the bandcamp and the digital is $7, vinyl a meager $12. The entire record is great, might I suggest skipping directly to Shapes which is just likely to haunt me all day.